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masochism

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1988) 6 (2 (17)): 30–67.
Published: 01 May 1988
...Kaja Silverman Copyright © 1988 by The Johns Hopkins University Press 1988 The Martyrdom of Saint Sebastian (Mantegna) Masochism and Male Subjectivity Kaja Silverman Perversion: Turning aside from truth or right; diversion to an improper use...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (3 (27)): 54–75.
Published: 01 September 1991
...Laura U. Marks Copyright © 1992 by The Johns Hopkins University Press 1991 Tie a Yellow Ribbon Around Me: Masochism, Militarism and the Gulf War on TV Laura U. Marks The United States’ war with Iraq, despite its rather ignominious con- clusion, produced one durable souvenir...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2017) 32 (1 (94)): 63–91.
Published: 01 May 2017
...Jaime Brunton This essay analyzes The Artist Is Present , Marina Abramović's heavily mediatized 2010 performance at New York's Museum of Modern Art, through the lenses of Freudian and Deleuzian concepts of masochism. It specifically focuses on how the masochistic tendencies of this performance may...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2003) 18 (3 (54)): 99–117.
Published: 01 December 2003
... on a nude body. The star covers the region of the womb, substituting itself for caesarian surgery. The woman mutilates the expanse of flesh connected to breath, to birth, to life, which comes between breasts and vagina. Here we might consider how masochism is often misconstrued as direct pleasure...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1993) 11 (2 (32)): 161.
Published: 01 September 1993
... Fantasy on Screen, Camera, and Canvas (Routledge, 1993),the former Editor of TheatreJournal, and the editor of Mimesis, Masochism & Mime: The Politics of Theatricality in Contempo- rary French Thought (Michigan, forthcoming). Sharon Willis is an Associate Professor of French and Visual and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1994) 11-12 (3-1 (33-34)): 264.
Published: 01 May 1994
... Copyright © 1994 by Indiana University Press 1994 264 Books Received Male Masochism: Modern Revisions of the Story of Love by Carol Siegel. Indiana University Press, 1995. $29.95. Picturing Modernism: Moholy Nagy and Photography in Weimar Germany by...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1988) 6 (2 (17)): 6–29.
Published: 01 May 1988
..., 1982 . Deleuze , Gilles . Masochism: An Interpretation of Coldness and Cruelty . London: Georges Braziller, 1971 . Freud , Sigmund . The Interpretation of Dreams (1900). Vols. 4 and 5 of The Standard Edition of the Complete Psychological Works of Sigmund Freud . Edited by Strachey...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1988) 6 (2 (17)): 4–5.
Published: 01 May 1988
... masculinity, which do much more than merely reflect those shifts but rather attempt to solidify, contain or manage these new ideas of masculinity, often resulting, however, in overtly contradictory images. These images seem particularly organized around hysteria and masochism, two symptomatic...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 300–304.
Published: 01 December 1989
... charged by the subversive possibility of an erotic female-to-female gaze and the paradox of masquerades that exceeded feminine excess. I found the key to a synthesis of my questions of textual strategy, psychodynamics and spectatorship in Gilles Deleuze’s Masochism: An Interpretation of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2003) 18 (1 (52)): 157–187.
Published: 01 May 2003
... suf- fering while at the same time safely indulging in it.” If Notorious suggests the importance of recognizing male masochism, Mod- leski concludes, “it equally demonstrates the ease with which this masochism may be repudiated, and, most importantly, it reveals the potentially dire consequences...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 53–67.
Published: 01 December 1989
... Narrative Cinema,” Screen 16 , no. 2-3 ( 1975 ): 6 –18. Silverman , Kaja . “Masochism and Subjectivity,” Framework 12 ( 1980 ): 2 –9. Stern , Lesley . “Independent Feminist Film-Making in Australia.” Australian Journal of Screen Theory 5/6 ( 1978a ): 105 –21. Reprinted in An...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1989) 7 (1 (19)): 134–141.
Published: 01 January 1989
... Walker, and Aerlyn Weissman. All except Burroughs had worked in documentary film, and all held multiple positions during the making of the film. That they also held multiple positions in relation to the ultimately lethal masochism of Maryse Holder is also certain; the press packet informs...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 12–19.
Published: 01 December 1982
..., prostitution, masturba- tion, sadism, masochism, sodomy and voyeurism, do indeed afford the spectator a wide-ranging iconography of the pornographic. But is the filrn pornographic? In pornography, a fintasy of control and mastery realizes itself through the spectator’s visual negotiation of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1988) 6 (3 (18)): 157–159.
Published: 01 September 1988
... Power and Domestic Leisure and PhilipSimpson's (ed.)Parents Talking Television. No.16; pp. 169-171. Silverman, Kaja Masochism and Male Subjectivity. No.17; pp. 31-66. Smith, Paul Vas. No.17; pp. 89-111. Spigel, Lynn Installing the Television Set: Popular Discourseson Televisionand...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (1-2 (25-26)): 101–124.
Published: 01 September 1991
... on the phallus and equally disparate manners of negotiating its political ramifications. Kaja Silverman strives to construct a theory of male subjectivity predicated on theories of masochism; although she notes that she does not mean “to erect [masochism] as the model for a radically...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (3 (27)): 134–147.
Published: 01 September 1991
... woman and become it. On this view, the female spectator seems doomed to oscillate between masculinization and masochism, that is, between identifying with the distanced voyeur and the object of the gaze. Doane then recounts the psychoanalytic links between castration, repression, lack...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 305–308.
Published: 01 December 1989
... formations as masochism and fetishism might have distinctly different nuances for males and females even though aspects of the structures of such formations are similar across the lines of sexual difference. One of the reasons I wrote on fashion was to analyze in what way...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1988) 6 (3 (18)): 52–66.
Published: 01 September 1988
... apparatus has been delineated in terms which exclude the female spectator from the analysis. However, Freud does propose a number of scenarios which purport to describe female sub• jectivity.Doane identifiesthree: "scenarios focusingon masochism ("A Child is Being Beaten paranoia ("A Case of Paranoia...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 132–137.
Published: 01 December 1989
... power. Kaja Silverman’s (1980) work on subjectivity and masochism provides an important critique of this view. Nor does it follow that the female protagonist is of necessity rendered a passive object before the gaze or that her point of view is not represented through other codes, other forms...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 190–194.
Published: 01 December 1989
... of the masculine gaze and the ensuing difficulty of feminine spectatorial pleasure (allowing, for example, only female masochism, narcissism or overidentification) contradict recent critical work on the multiplicity and tensions of cinematic/televisual identifications: instead, these ap...