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Journal Article
Camera Obscura (1989) 7 (1 (19)): 134–141.
Published: 01 January 1989
..., murdered by her Mexican lover. Based on the posthumously published work, Give Sorrow Words: Maryse Holder’s Letters from Mexico, the film was conceived by a Canadian collective of five: Jackie Burroughs (a well-known Canadian actress who also plays Maryse), Louise Clarke, John Frizzell, John...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 107–109.
Published: 01 December 1984
...: Galilee, 1979. La condition postmodeme. Paris: Minuit, 1979. AuJuste (with Jean-Loup Thebaud). Paris: Christian Bourgois, 1979. Lapahe depeinture (with H. Maccheroni). Paris: Maryse Candela, 1980. La constitution du tempspar la couleur dans les oeuvres recentes d’Albe7t Ayme. Paris: Traversiere...
Journal Article
Camera Obscura (1995) 12 (3 (36)): 155–157.
Published: 01 September 1995
... Press, 1996. $19.95. Gun Crazy by Jim Kitses. Indiana University Press, 1996. $9.95. The British Cinematographer by Duncan Petrie. British Film Institute, 1996. L'Image-paysage Iconologie et Cinema by Maurizia Natali. Presses Uni- versitaires de Vicennes, 1996. Conversations with Maryse...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 73–101.
Published: 01 September 2007
... borrowing Maryse Condé’s formulation for the anticolonial- ist tactics of Caribbean authors: “Cannibalism is what you do to what you love. You eat what you worship but also make fun of it.”24 While Baker unabashedly sought the fame and fortune of a diva, she simultaneously understood all the ways in...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 135–145.
Published: 01 May 2013
... women in poor neighborhoods in Latin America. We also showcased works that fictionalized life 140  •  Camera Obscura experiences, such as Después del terremoto (After the Earthquake, dir. Lourdes Portillo, US, 1979) and Conozco a las tres (I Know All Three, dir. Maryse Sistach, Mexico, 1983...
Journal Article
Camera Obscura (2004) 19 (3 (57)): 157–185.
Published: 01 December 2004
... film. Director of photography Maryse Alberti repeatedly uses 16mm stock to create images of romantic idylls whose reality is impossible to clarify.20 When Cecil first recalls Brian, we see a very brief insert shot on 16mm stock of Cecil and Brian cavorting nude on white sheets. The film stock seems...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 93–127.
Published: 01 December 2007
Journal Article
Camera Obscura (2009) 24 (3 (72)): 111–151.
Published: 01 December 2009
... certainly since the silent era, if ever, were born in the Americas, Asia, Australia and the Anti­podes, the Middle East, Europe, and the West Indies. This generational cohort includes, but is not limited to, Chantal Akerman, Maryse Alberti, Gillian Armstrong, Beth B., Rakhshan Bani-Etemad, Kath...
Journal Article
Camera Obscura (2003) 18 (3 (54)): 3–38.
Published: 01 December 2003