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Journal Article
Camera Obscura (2014) 29 (3 (87)): 93–115.
Published: 01 December 2014
...Paul A. Schroeder Rodríguez Lucrecia Martel is quite possibly the leading filmmaker in Latin America today, thanks to her subtle yet scathing critique of patriarchy's traditional gender roles and normative sexuality through a multilayered and innovative cinematic language that privileges...
Journal Article
Camera Obscura (2014) 29 (3 (87)): 184–185.
Published: 01 December 2014
..., and the Color Line. No. 86: pp. 1 – 33 Dan Reyes, see Iveta Jusová and Dan Reyes Paul A. Schroeder Rodríguez Little Red Riding Hood Meets Freud in Lucrecia Martel’s Salta Trilogy. No. 87: pp. 93 – 115 Belinda Smaill The Male Sojourner, the Female Director, and Popular European Cinema...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 1–3.
Published: 01 May 2014
... Kathryn Bigelow, Sofia Coppola, Lucrecia Martel, and others. Building on these shifts, and attending to examples beyond these much-­discussed auteurs, each contributor in this issue examines a director and the manner in which her practice is uniquely contemporary as it moves between different...
Journal Article
Camera Obscura (2006) 21 (3 (63)): 145–151.
Published: 01 December 2006
... image (Look at Me, France, 2004) and featured Lucretia Martel’s La niña santa (The Holy Girl, Argentina, 2004), and the 2006 edition of New Director/New Films, programmed by the NYFF programmers in conjunction with the Museum of Modern...
Journal Article
Camera Obscura (2022) 37 (1 (109)): 61–89.
Published: 01 May 2022
... Volver (Spain, 2006), or the cinema of Lucrecia Martel. It should be unsurprising that these directors, like Denis, are routinely linked to a queer and feminist aesthetic that renegotiates prevailing narrative and representational idioms to signal what Ellis describes as “an urgent desire...
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