Search Results for martel

...Paul A. Schroeder Rodríguez Lucrecia Martel is quite possibly the leading filmmaker in Latin America today, thanks to her subtle yet scathing critique of patriarchy's traditional gender roles and normative sexuality through a multilayered and innovative cinematic language that privileges...

..., and the Color Line. No. 86: pp. 1 – 33 Dan Reyes, see Iveta Jusová and Dan Reyes Paul A. Schroeder Rodríguez Little Red Riding Hood Meets Freud in Lucrecia Martel’s Salta Trilogy. No. 87: pp. 93 – 115 Belinda Smaill The Male Sojourner, the Female Director, and Popular European Cinema...

... Kathryn Bigelow, Sofia Coppola, Lucrecia Martel, and others. Building on these shifts, and attending to examples beyond these much-­discussed auteurs, each contributor in this issue examines a director and the manner in which her practice is uniquely contemporary as it moves between different...

... image (Look at Me, France, 2004) and featured Lucretia Martel’s La niña santa (The Holy Girl, Argentina, 2004), and the 2006 edition of New Director/New Films, programmed by the NYFF programmers in conjunction with the Museum of Modern...

..., earlier text within their own boundaries have in fact frequently turned to incest to allegorize their fissured peripheries and unsettled intelligibility, as we see in Tsai Ming-liang's The River (Taiwan, 1997), Pedro Almodóvar's Volver (Spain, 2006), or the cinema of Lucrecia Martel. It should...