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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2012) 27 (1 (79)): 157–191.
Published: 01 May 2012
... overlooked, the controversial 1991 film María Antonia (Cuba), by Afro-Cuban filmmaker Sergio Giral. In this article, I first follow the transatlantic figure of Carmen from Spain to Spanish America, sharing unexpected Creole connections between Cuba and the original works of Carmen that emerged in the course...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1984) 4 (3 (12)): 110–125.
Published: 01 December 1984
...Jean-François Lyotard; Maria Minich Brewer; Daniel Brewer © 1984 by Camera Obscura 1984 Ler Bazgneuzez (Claude-Joseph Vernet , 1771) Philosophy and Painting in the Age of Their Experimentation: Contribution to an Idea of Postmodernity Jean-FranGotj- LYO~UT~ I imagine you are...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2003) 18 (2 (53)): 93–123.
Published: 01 September 2003
...Maria Margaroni Camera Obscura 2003 Maria Margaroni is an assistant professor of English at the University of Cyprus. Her main publications are in the areas of twentieth-century British fiction and drama, continental philosophy, and feminism. Her current projects include a book...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1986) 5 (3 (15)): 137–164.
Published: 01 December 1986
... sequence, a model of the “happy ending,” depicts the emotional reconciliation of the employer with his workers, brought about by the employer’s son, who, with the blessing of Maria, the pure young woman who is soon to be- come his wife, assumes the role of Mediator (Mittler in German). The film...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2014) 29 (2 (86)): 59–83.
Published: 01 September 2014
... has published in the area of affect and visceral displays of the body in both television drama and reality television. Her current research focuses on affect in postapartheid South African television. © 2014 by Camera Obscura 2014 Figure 1. Maria shyly tilts her head away from the camera...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2006) 21 (2 (62)): 32–73.
Published: 01 September 2006
... the 21 January 2001 epi- sode titled “Badlaa,”1 and the two recent films Dirty Pretty Things (dir. Stephen Frears, UK, 2002) and Maria Full of Grace (dir. Joshua Marston, US/Colombia, 2004). Although the problems faced by the protagonists in each have their roots in the international eco...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1993) 11 (2 (32)): 162.
Published: 01 September 1993
..., Images, Politics: Genders #19 edited by Abouali Farmanfarmaian, Ann Kibbey, and Kayann Short. New York University Press, 1994. $17.50. Liberating Literature: Feminist Fiction in America by Maria Lauret. Routledge, 1994. $16.95. Portraits and gods: Paintings by...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1996) 13 (1 (37)): 240.
Published: 01 January 1996
... Copyright © 1996 by Indiana University Press 1996 240 Books Received Movies about the Movies: Hollywood Reflected by Christopher Ames. Uni- versity Press of Kentucky, 1997. $27.95. Projecting the Past: Ancient Rome, Cinema and History by Maria Wake...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2002) 17 (2 (50)): 218–219.
Published: 01 September 2002
...-Cultural Mimesis. Bloomington: Indiana University Press, 2001. Journal of Scholarly Publishing 33.1. Toronto: University of Toronto Press, 2001. King, John, Sheila Whitaker, and Rosa Bosch, eds. An Argentine Passion: María Luisa Bemberg and Her Films. New York: Verso, 2000...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2012) 27 (3 (81)): 181–183.
Published: 01 December 2012
... Sundance Film Festival. No. 81: pp. 149 – 157 Nadia Sophia Sanko Creolizing Carmen: Reading Performance in María Antonia, Cuba’s Overlooked Carmen Adaptation. No. 79: pp. 157 – 191 J. E. Smyth The Organization Woman behind The Man in the Gray Flannel Suit. No. 80: pp. 61 – 91...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2001) 16 (3 (48)): 264–265.
Published: 01 December 2001
... Dave Wagner, eds. A Very Dangerous Citizen: Abraham Lincoln Polonsky and the Hollywood Left. Berkeley: University of California Press, 2001. DiBattista, Maria. Fast-Talking Dames. New Haven, CT: Yale University Press, 2001. Dyja, Eddie, ed. BFI: Film and Television Handbook 2001...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 28–39.
Published: 01 December 1989
...: L'Espresso, 1980 . Martini , Emanuela . “Mio Dio, come sono caduta in basso. L'omologazione verso il basso del cinema italiano.” Sull'industria cinematografica italiana . Edited by Magrelli, Enrico. Venice: Marsilio, 1986 . Melchiorre , Virgilio , and Anna-Maria Cascetta. Il corpo in scena...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2006) 21 (2 (62)): 108–143.
Published: 01 September 2006
... temporal and spatial terms. This is the logic of the final moments in Tykwer’s first fea- ture film, Deadly Maria (Die Tödliche Maria, Germany, 1993): the almost autistic Maria (Nina Petri), a domestic servant of sorts to her husband (Péter Franke) and her father ( Josef Bierbichler...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1986) 5 (3 (15)): 176–179.
Published: 01 December 1986
.... $10.00. Touch of Evil edited by Terry Comito. 1985. $10.00. 179 The Marriage of Maria Braun edited by Joyce Rheuban. 1986. $10.00. Letter from an Unknown Woman edited by Virginia Wright Wexman, with Karen Hollinger. 1986. $12.00. American Vision: The Films of Frank Capra by...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2007) 22 (2 (65)): 144–153.
Published: 01 September 2007
... selfhoods and desires (“besides which you’ll see, I have confidence in me,” sings Andrews/Maria in plucky ode to the self-made woman) but also sets about productively altering the lives of the two families into whose midst she has come and whose damaged worlds she corrects.10 Descending like a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2005) 20 (3 (60)): 234–235.
Published: 01 December 2005
... example, the archive might contain statements regarding the following: • Anthology Film Archives Maya Deren screening room • Specific films: for example, Dorothy Arzner’sMerrily We Go to Hell, Maria Luisa Bemberg’s I, the Worst of All, and Marziyeh Meshkini’s The Day I Became a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2005) 20 (3 (60)): 236–237.
Published: 01 December 2005
... example, the archive might contain statements regarding the following: • Anthology Film Archives Maya Deren screening room • Specific films: for example, Dorothy Arzner’sMerrily We Go to Hell, Maria Luisa Bemberg’s I, the Worst of All, and Marziyeh Meshkini’s The Day I Became a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1995) 12 (2 (35)): 223–225.
Published: 01 May 1995
... University Press, 1996. $9.95. Queen Christina by Marcia Landy and Amy Villarejo, Indiana University Press, 1996. $9.95. Novas Travessias:Contemporary Photography in Brazil edited by Maria Luiza Melo Carvalho. Verso, 1996. $24.95. The Passion ofPier Paolo Pasolini by...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1986) 5 (3 (15)): 3–5.
Published: 01 December 1986
... motivation for the enmity between Fredersen and the inventor, Rotwang, but shows why the robot (the false Maria) must be a woman. Roger Dadoun’s “Metropolis: Mother City-‘Mitt1er’-Hitler” pro- vides a psychoanalytic interpretation of the film, extending into psycho- history. Many of the central...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2005) 20 (2 (59)): 196–197.
Published: 01 September 2005
... example, the archive might contain statements regarding the following: • Anthology Film Archives Maya Deren screening room • Specifi c fi lms: for example, Dorothy Arzner’s Merrily We Go to Hell, Maria Luisa Bemberg’s I, the Worst of All, and Marziyeh Meshkini’s The Day I Became a...