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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 246–248.
Published: 01 December 1989
... Copyright © 1990 by The Johns Hopkins University Press 1989 246 Margaret Morse 1. Female spectatorship is certainly a tacit foundation of my thinking. I use my own sense of the gaps (between feeling and knowing, attraction and repulsion, resistance and engagement...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (3 (27)): 134–147.
Published: 01 September 1991
...Margaret Iversen Copyright © 1992 by The Johns Hopkins University Press 1991 Interim, (Mary Kelly, 1984-89). Installation view. Shaped by Discourse, Dispersed by Desire: Masquerade and Mary Kelly’s Interim Margaret lversen In Julia Kristeva’s indispensable essay “Women’s...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 88–115.
Published: 01 December 1982
...Margaret Ganahl; R. S. Hamilton Copyright © 1982 by Camera Obscura 1982 One Plus One: A Look at Six Fois Deux Margaret Ganahl and R. S. Hamilton No one really knows Or cares whether this is the whole of which...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2000) 15 (2 (44)): 177–201.
Published: 01 September 2000
...Margaret McCarthy Camera Obscura 2000 Margaret McCarthy is assistant professor of German at Davidson College, where she teaches twentieth-century German literature and film. She has published articles on Ingeborg Bachmann, Jutta Brückner, Luc Besson, and G. W. Pabst. At present she is...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 242–243.
Published: 01 December 1982
... Clayton Feminist History and The Song ofthe Shirt, Vol. 3, no. 7; pp. I 11-127. Doane, Mary Ann and Philip Kosen Cinema History, Cinema Practices: Asilomar Conference. Vol. 3, no. 8-9-10; PP- 224-233. Ganahl, Margaret and K. S...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2003) 18 (3 (54)): 212–214.
Published: 01 December 2003
... Grundman, Roy. Andy Warhol’s Blow Job. Philadelphia: Temple University Press, 2003. Halle, Randall, and Margaret McCarthy, eds. Light Motives: German Popular Film in Perspective. Detroit, MI: Wayne State University Press, 2003. Hoberman, J., and Jeffrey Shandler. Entertaining America...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2004) 19 (1 (55)): 198–199.
Published: 01 May 2004
.... Women Filmmakers: Refocusing. New York: Routledge, 2003. MacDonald, Margaret F., Susan Grace Galassi, and Aileen Ribeiro, with Patricia de Montfort. Whistler, Women, and Fashion. New York: The Frick Collection, 2003. Nelmes, Jill, ed. An Introduction to Film Studies. 3d ed. New York...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1986) 5 (3 (15)): 36–65.
Published: 01 December 1986
... abandonment of social identity. This is par- ticularly evident in the case of the main character, Margaret, and her gay male counterpart, Jimmy, both of them androgynous New Wave fashion models. (They are played by the same person, Anne Carlisle.) A number of standard science...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (3 (27)): 188–189.
Published: 01 September 1991
.... Amanda Howell is a graduate student in film at the University of Rochester. Her research focuses on representations of sexual difference in the Vietnam War film and their implications for current psychoanalytic and feminist film theory. Margaret Iversen teaches Art Theory in the Department...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1990) 8 (2 (23)): 206.
Published: 01 May 1990
... Wisconsin-Madison. She has worked for the Film and Photo Archive of the Wisconsin Center for Film and Theater Research and is currently with the Margaret Herrick Library of the Academy of Motion Picture Arts and Sciences. Richard deCordova teaches film and television studies at...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1997) 14 (1-2 (40-41)): 277–278.
Published: 01 May 1997
... American 1900-1 910 by Richard Abel. U of California P, 1999. Key Concepts in Post-Colonial Studies by Bill Ashcroft, Gareth Griffiths, and Helen Tiffin. Routledge, 1998. Cannibalism and the Colonial World edited by Francis Barker, Peter Hulme, Margaret Iversen. Cambridge UP, 1998...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2004) 19 (1 (55)): 43–75.
Published: 01 May 2004
... how Helen changes the space even as it changes her. In the opening scene of the film, Merchant and Ivory’s aestheticizing techniques work to set Helen up as the inevitable inheritor of Howards End, even though the narrative trajectory of the film declares that Margaret Schlegel (Emma Thompson), not...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1980) 2 (2 (5)): 3–5.
Published: 01 September 1980
... welcome Margaret Ganahl into the Camera Obscura Collective. This issue is dedicated to the memory of Roland Barthes (1915-1980). ...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (3 (27)): 179–187.
Published: 01 September 1991
... and the Vietnam War. No. 27; pp. 166-173. Iversen, Margaret Shaped by Discourse, Dispersed by Desire: Masquerade and Mary Kelly’s Interim. No. 27; pp 134-147. Jacobs, Lea Reformers and Spectators: The Film Education Movement in the Thirties...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1985) 5 (1-2 (13-14)): 158–161.
Published: 01 September 1985
... look again at a document which not only anticipates its own analysis but which also A review of Mary Kelly, Post-Partum Document (London and Boston: Routledge and Kegan Paul: 1983). 160 includes elaborations of that analysis as its appendix? Articles by Jo-Anna Isaak, Margaret...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2000) 15 (1 (43)): 123–161.
Published: 01 May 2000
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 77–107.
Published: 01 September 2013
... of family ties or primacy of blood relations. Indeed, the fact that Christa’s adoptive mother Margaret is a singer herself is not used to draw parallels between her and Christa’s musical tendencies in the same way that the parallels are drawn between Camille’s painting and Christa’s music to...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 165–168.
Published: 01 December 1989
... Wind. I have read Margaret Mitchell’s massive novel and have been looking forward to seeing Scarlett and Rhett, Melanie and Ashley transformed onto the screen. I go with my two best girlfriends. Faced with a Technicolor incarnation of this sweeping melodrama, we cry through much of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2006) 21 (1 (61)): 47–51.
Published: 01 May 2006
... outside. It’s like what Groucho Marx famously said to Margaret Dumont in A Day at the Races (dir. Sam Wood, US, 1937): “If I hold you any closer, I’ll be in back of you.” Female characters on plastic sur- gery reality shows have folded into themselves so far that they are in back of themselves...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 160–165.
Published: 01 December 1989
.... Free-lance Writer Amsterdam Anne Friedberg 1967: I am fifteen years old and I go to see, for the first time, Victor Fleming’s Gone With the Wind. I have read Margaret Mitchell’s massive novel and have been looking forward to...