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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1977) 1 (2 (2)): 131–136.
Published: 01 September 1977
...Constance Penley © 1977 by Camera Obscura 1977 What Maisie Knew by Babette Mangolte CHILDHOOD AS POINT-OF-VIEW Babette Mangolte describes What Maisie Knew as 'a film made around the subjective camera, the vision of a child, and a re-reading of the Henry ]ames novel...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 194–197.
Published: 01 May 1979
...Constance Penley Copyright © 1979 by Camera Obscura 1979 The Camera ; Je (0Babette Mangolte, 1975) The Camera:]e/La Camkra: Eye (Babette Mangolte) Constance Pen ley And, if it has to do with time, it has to do with psychology, which means it has to do with...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 198–210.
Published: 01 May 1979
... Copyright © 1979 by Camera Obscura 1979 Camera Obscura Interview with Babette Mangolte Babette Mangolte began living and working in New York in 1970. From childhood she had been interested in novelistic fiction and says that this is the reason for her ongoing involvement with...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2019) 34 (1 (100)): 31–57.
Published: 01 May 2019
...Janet Bergstrom For this interview, cinematographer, photographer, and filmmaker Babette Mangolte agreed to focus on her collaborations as cinematographer with Belgian filmmaker Chantal Akerman on her 1970s New York films. Besides Jonas Mekas and Anthology Film Archives, Mangolte brought in the art...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2019) 34 (1 (100)): 67–73.
Published: 01 May 2019
...Babette Mangolte This essay describes the last work by Chantal Akerman, an installation titled NOW made between January and March 2015 for the 2015 Venice Biennale. The author interrogates an installation work that is not linear and that changes while looking at it, producing thoughts as much as...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2019) 34 (1 (100)): 1–11.
Published: 01 May 2019
... contributions to the special issue by such Akerman scholars as Janet Bergstrom, Kelley Conway, Sandy Flitterman-Lewis, Ute Holl, Eva Kuhn, Brenda Longfellow, Ivone Margulies, and Maureen Turim; interviews with Akerman’s collaborators, editor Claire Atherton, cinematographer Babette Mangolte, and cellist and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1980) 2 (2 (5)): 116–118.
Published: 01 September 1980
.... Vol. I, no. 3-4;pp. IS7-17s. Interview with Babette Mangolte. Vol. I, no. 3-4;pp. 198-210. Interview with The Legend of Maya Deren Project. Vol. I, no. 3-4;pp. 177-191. Review: mlf. Vol. I, no. 3-4;pp. 233-237, Cine-Femmes...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1977) 1 (2 (2)): 147.
Published: 01 September 1977
..., 135:Photographsfrom WhatMaisieKnewcopyright © Babette Mangolte. We would like to express our appreciation to Audio Brandon (Oakland) for their generous help. ...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 3–4.
Published: 01 May 1979
... India Song and Babette Mangolte’s What Maisie Knew. Over the weekend, we presented papers, screened Aker- man’s Hotel Monterey and News from Home, India Song, and Babette Mangolte’s new film The Camera:]e/La Cambra: I, and held both large and small group discussions. We had several goals...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1976) 1 (1 (1)): 128–139.
Published: 01 May 1976
.... All of Anne Severson's films are available from Serious Business Company, 1609jaynesSt., Berkeley, Calif. 94703. BABETTE MANGOLTE Born in Montmorot aura), France. Took her Baccalaureat in Dijon. She re- discovered film at the showings of the Cinematheque Francaise in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1984) 4 (3 (12)): 126–129.
Published: 01 December 1984
... bateau and Born in Flames, one can see the laughter of Medusa shattering form and decorum alike. Shot by Babette Mangolte in black and white and co-starring Julie Christie and Colette Laffont, the film is well synopsized by Potter herself “In The Gold Dzggers two women are searching for...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2007) 22 (3 (66)): 185–191.
Published: 01 December 2007
...: Contemporary Visual Culture” and “Screening Older Women: Desire, Shame and the Body.” Renfren Neff and John Erdman in Yvonne Rainer’s A Film about a Woman Who . . . (US, 1974). Courtesy of Babette Mangolte ...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1995) 12 (2 (35)): 186–221.
Published: 01 May 1995
... intellec- tual investigation and formal sensuality-the exquisite chiaroscuro of Babette Mangolte's cinematography, most obviously, and the memo- rable voices of Christie and Lafont-kept The Gold Diggers from achieving anything like the audience Potter had hoped for. Indeed, the film was so...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1976) 1 (1 (1)): 53–70.
Published: 01 May 1976
... theoretical concerns-what she sawas the problematic of dance-in articles and interviews. Lives ofPer- formers, her first feature film, was made in 1972, and in 1974 she made Filmaboutawoman who (both with cinematograher Babette Mangolte). Rainer has just completed her third film Kristina Talking...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1976) 1 (1 (1)): 76–96.
Published: 01 May 1976
... Babette Mangolte made photos for it. The lion tamer is sometimes played by herself and sometimes by me in photos. I have her discuss questions of art and film, things like Godard, the acting in Godard's films, etc. as though she is the author. Each page or double page has a different lay...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2015) 30 (2 (89)): 1–27.
Published: 01 September 2015
... alongside Deren’s Study, Shirley Clarke’s Dance in the Sun (US, 1953), Ed Emshwiller’s Dance Chromatic (US, 1959) and Thanatopsis (US, 1962), Hilary Harris’s Nine Variations on a Dance Theme (US, 1966), Babette Mangolte’s WaterMotor (US, 1978) (featuring Trisha Brown), and the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2006) 21 (1 (61)): 1–25.
Published: 01 May 2006
...- en’s alternative production, something also emphasized in the journal. As noted, the first issue of the journal showcased films by Jackie Raynal and Yvonne Rainer;4 the second included work on films by Chantal Akerman, Marguerite Duras, and Babette Mangolte;5 the double third-and-fourth issue...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1977) 1 (2 (2)): 2–33.
Published: 01 September 1977