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1
Journal Article
Camera Obscura (1991) 9 (1-2 (25-26)): 101–124.
Published: 01 September 1991
...Thomas DiPiero Copyright © 1991 by The Johns Hopkins University Press 1991 Responses to “Male Trouble”
The Patriarch is Not (Just) a Man
Thomas DiPiero
I have always been curious-and, I must admit, a little bit anxious-
to read about men’s desires. Curious, because...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 47–67.
Published: 01 May 2008
... regimes. South Park (Comedy Central), season 6, “The New Terrance
and Phillip Movie Trailer,” 3 April 2002. Courtesy Comedy
Central/Photofest
Cinderella Man:
Russell Crowe as Il Diva
Michael DeAngelis
Born in New Zealand in ’64
A hot-headed actor named Russell Crowe
He loves to act...
Journal Article
Camera Obscura (2006) 21 (2 (62)): 74–107.
Published: 01 September 2006
...Jonathan Kahana Camera Obscura 2006 Jonathan Kahana teaches in the Department of Cinema Studies at New York University. He is completing a book on the public spheres of American documentary. William Powell as the Forgotten Man in My Man Godfrey
(dir. Gregory La Cava, US, 1936...
Journal Article
Camera Obscura (1988) 6 (2 (17)): 194–205.
Published: 01 May 1988
...Scott Bukatman The Delicate Delinquent (Don McGuire, 1957)
Paralysis in Motion: Lewis’s Life as a Man
Scott Bu katman
Jerry Lewis: the disorderly orderly, the delicate delinquent, the ladies
man, the nutty professor. Jerry Lewis: oxymoron, idiot savant. In
Cracking Up...
Journal Article
Camera Obscura (2012) 27 (2 (80)): 61–91.
Published: 01 September 2012
...J. E. Smyth Although The Man in the Gray Flannel Suit (dir. Nunnally Johnson, US, 1956) ostensibly focuses on Tom Rath (Gregory Peck), the production of the screenplay and shooting largely revolved around actress Jennifer Jones's characterization of Betsy Rath, a stay-at-home wife and mother...
Journal Article
Camera Obscura (1999) 14 (3 (42)): 4–29.
Published: 01 September 1999
...Rachel Adams Copyright © 1999 by Indiana University Press 1999
"Fat Man Walking": Masculinity and Racial
Geographies in James Mangold's Copland'
Rachel Adams
In Hard Bodies, Susan Jeffords argues that the Reagan era was char•
acterized by an uncommonly close...
Journal Article
Camera Obscura (2004) 19 (1 (55)): 151–179.
Published: 01 May 2004
...James Kim Jet Li in Romeo Must Die (dir. Andrzej Bartkowiak, US, 2000)
The Legend of the White-and-Yellow
Black Man: Global Containment
and Triangulated Racial Desire
in Romeo Must Die
James Kim
How may I touch you across this chasm of flown things?
—Li-Young Lee, The Winged Seed...
Journal Article
Camera Obscura (2011) 26 (3 (78)): 146–153.
Published: 01 December 2011
... as numerous articles examining the relationship between women's behind-the-scenes employment and on-screen representation. IN practice
Kathryn Bigelow:
On Her Own in No-(Wo)Man’s- Land
Martha M. Lauzen
As high-profile film directors, women largely remain strangers...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 3–17.
Published: 01 December 1984
...Denise Mann © 1984 by Camera Obscura 1984
Modem Sexuahty (1979)
Staggering Toward Modern Times: The Video Art
of Max Almy
DeniJe Man n
Max Almy’s video art moves from the highly personal, low-tech, black and
white multi-monitor performance piece to that of the multi-layered...
Journal Article
Camera Obscura (1988) 6 (1 (16)): 47–77.
Published: 01 January 1988
... is Really Dorothy Lamour?" Look 12
(March 30, 1948), p. 15.
41. "How Has Having a Movie Star's Name Affected You?" Look 12 (March 16,
1948), pp. 14, 16.
42. Jonathan Kilbourne, "America's Man Godfrey," Look 13 (February 1, 1949),
pp. 28-29, 32.
43...
Journal Article
Camera Obscura (2019) 34 (1 (100)): 67–73.
Published: 01 May 2019
Journal Article
Camera Obscura (2017) 32 (2 (95)): 175–183.
Published: 01 September 2017
... the assumed heteronormativity of the characters in the script as well as by not limiting who can be cast as each character: a straight white man, for instance, can find himself playing a queer woman of color. Coffee troubles the idea of the gaze in the sense of being a transparent production wherein...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 37–67.
Published: 01 May 2013
...), Savage Grace (dir. Tom Kalin, Spain/US/France, 2007), and A Single Man (dir. Tom Ford, US, 2009). Released at a historical conjuncture when queer debates about marriage and conjugal life are deeply polarized, these works share an ambivalent and stylized fascination with the white bourgeois family...
Journal Article
Camera Obscura (2018) 33 (3 (99)): 75–101.
Published: 01 December 2018
... man and mother to an Afro-German daughter named Achieng. Inspired by Obama’s own experiences, a central focus of the film is the personal effects of racism on black immigrant women and the fungibility of black lives in postunification Germany where political rhetoric has contributed to an atmosphere...
Journal Article
Camera Obscura (2019) 34 (1 (100)): 99–111.
Published: 01 May 2019
.... Writing her personal history in images and words, Aker-man explores the meaning of Jewishness and other ethnicities threatened by death while reaching out to her mother as a daughter whose being has always been shadowed by legacy and history. The essay explores intertextual resonances of the installation...
Journal Article
Camera Obscura (2020) 35 (2 (104)): 63–93.
Published: 01 September 2020
...Liam Mitchell Female figures routinely appear in popular fiction as ostensibly critical correctives to masculinity who can inadvertently retrench problematic divisions between “Woman” and “Man.” In video games, these figures are often aural rather than visual; whether they are off-screen narrators...
Journal Article
Camera Obscura (2022) 37 (2 (110)): 1–29.
Published: 01 September 2022
... and complicates the established configurations of the gendered “Orientals”: the Janus‐faced Japanese man and the ornamentalist yellow woman. The gendering of Asian male characters is a complex historical issue. As Higashi famously argues, the visual pairing of the white female protagonist and Hayakawa's...
FIGURES
Image
/10.1215_02705346-9052816/3/s_cob9052816figure1.png?Expires=2147483647&Signature=RCxp8~zIt6Cue18xLRCVciWRV4fwyUox13Hc3kNMBZ7eLmw3fKiBUpdKXbQkvEzEMmxaHlDwn6FqXYRDOaivNaDXybIwvzKgvFuTeDX9loecN9sFUFAe7pBMV4DfFimqsUg3zBn0OpcofMYZcROVMSnlm~GE-9Q0BvDbfK4-k4rh9ynsu60jEpn0bLzqhdkB3JnYQXPDKL67yR47WArzDLUf3EMicgiK3OTFXs9~DiCXlmWijHTRazbYFbh7t3cExEDPDTaBn2Ij9hRBJ5pWKtGX8RfnbJTvNoBv3j~Udg~kgfq3Um7hJ941J6rYxmJZ54cTPwBYk~s3jzb3bRtQHQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Daughter of Saul, or Saul Leanya : The Gendered Place of Atrocity in László Nemes's Son of Saul
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 September 2021
Figure 1. A Nazi doctor strangles a young survivor of Zyklon B gassing as a Hungarian doctor and another SK man look on ( Son of Saul , dir. László Nemes, Hungary, 2015).
More
Journal Article
Camera Obscura (2007) 22 (3 (66)): 61–91.
Published: 01 December 2007
...? If the gun sim-
ply replaced the hand, or was at least integrated into the hand,
the hand itself would be a much simpler design project; imag-
ine the finger dexterity necessary for wielding a gun, loading it,
aiming it, pulling the trigger. Nor is the phenomenon of a gun-
toting metal man limited...
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 75–102.
Published: 01 May 1997
... that seems a gloss on his earlier comment
that he has “been a participant in some of the most insidious lies and
witness to deeds that no crazed man could imagine.” Mulder, Ham-
let-like, becomes the vehicle for the Truth, a means for Deep Throat
to “atone.” But in a paranoid...
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