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Camera Obscura (2011) 25 (3 (75)): 29–67.
Published: 01 December 2011
...Sangita Gopal; Sujata Moorti In the years since its release, Moulin Rouge! (dir. Baz Luhrmann, 2001) has emerged as the harbinger of Bollywood cinema's growing visibility in the West. We argue here that while the film's visual excesses are immediately recognizable as citing “Bollywood style...
Camera Obscura (2009) 24 (2 (71)): 1–41.
Published: 01 September 2009
... tracing and interrogating the theoretical history of the pretty and its exclusion, this article seeks to trouble the discursive field of aesthetics and politics in film theory. Camera Obscura 2009 The decorative surface of the screen in Moulin Rouge! (dir. Baz Luhrmann, Australia/US, 2001) Pretty...
Camera Obscura (2014) 29 (1 (85)): 81–109.
Published: 01 May 2014
... well as many more recent films such as Baz Luhrmann’s Australia (Australia/US/UK, 2008), The Tracker (dir. Rolf de Heer, Australia, 2002), and Rabbit-Proof Fence. Johnson and Gulpilil met on the set of Rabbit-Proof Fence. He was playing a key role as a Black tracker; Johnson, as we...