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luca

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Journal Article
Camera Obscura (2012) 27 (2 (80)): 1–23.
Published: 01 September 2012
...Kathleen Collins First appearing on the air in 1947, Dione Lucas was one of the earliest television cooking-show hosts. As a business owner, single mother, influential salesperson, and highly respected professional in her field (Julia Child referred to Lucas as “the mother of French cooking...
Journal Article
Camera Obscura (2005) 20 (2 (59)): 35–71.
Published: 01 September 2005
... is busy throwing her boyfriend Lucas’s belongings out of the window and does not let her in. Reconsidering, Rita walks off to the subway in order to find Paulo, who is filming at a metro construction site. When she finally finds him and shouts his name, he does not hear her because...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 178–183.
Published: 01 May 2008
...Lucas Hilderbrand Camera Obscura 2008 Lucas Hilderbrand is an assistant professor of film and media studies at the University of California, Irvine. His book Inherent Vice: Bootleg Histories of Videotape and Copyright is forthcoming from Duke University Press. “More Than One Way...
Journal Article
Camera Obscura (2013) 28 (3 (84)): 169–170.
Published: 01 December 2013
... in Philippe Vallois’s Johan. No. 84: pp. 125 – 57 Lucas Hilderbrand Sex Out of Sync: Christmas on Earth’s and Couch’s Queer Sound Tracks. No. 83: pp. 45 – 75 Dijana Jelacˇa Between Mothers and Daughters: Adoption, Family, and Black Female Subjectivity in Finding Christa...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 181–183.
Published: 01 December 2012
... Cynthia Chris Censoring Purity. No. 79: pp. 97 – 125 Kathleen Collins A Kitchen of One’s Own: The Paradox of Dione Lucas. No. 80: pp. 1 – 23 Chris Dumas On Film Studies and the Unconscious. No. 81: pp. 39 – 67 Victor Fan The Poetics of Addiction: Stardom, “Feminized” Spectatorship...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 39–67.
Published: 01 December 2012
... York: Routledge, Star Wars: Episode IV — A New Hope (dir. George Lucas, US, Star Wars: Episode V — The Empire Strikes Back (dir. Irvin Kershner, US, Star Wars: Episode VI — The Return of the Jedi (dir. Richard Marquand, US, Star Wars: Episode I — The Phantom Menace...
Journal Article
Camera Obscura (1980) 2 (2 (5)): 111–114.
Published: 01 September 1980
... not be possible now. At R.C.A. I worked as a camera assistant on other student productions, and worked collectively to produce videotapes for Lucas Aerospace Shop Stewards Combine Committee. I directed and shot Taking A Part between 1977-79.,1 am now unemployed, and have submitted a treatment...
Journal Article
Camera Obscura (2013) 28 (2 (83)): 45–75.
Published: 01 September 2013
...Lucas Hilderbrand This essay draws from queer theory and sound studies in an analysis of two sexually explicit 1960s underground films that refused synchronization: Barbara Rubin's Christmas on Earth (US, 1963), which is intended to be screened with a live radio sound track, and Andy Warhol's Couch...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 61–91.
Published: 01 December 2007
... and Larry Wachowski, US, 2003); Return of the Jedi (now also known as Star Wars: Episode VI, dir. Richard Marquand, US, 1983); RoboCop (dir. Paul Verhoeven, US, 1987); Star Wars (now also known as Star Wars: Episode IV — A New Hope, dir. George Lucas, US, 1977); Star Wars...
Journal Article
Camera Obscura (2004) 19 (3 (57)): 57–91.
Published: 01 December 2004
...Lucas Hilderbrand Camera Obscura 2004 Lucas Hilderbrand is a PhD candidate in cinema studies at New York University and a programmer for MIX: The New York Lesbian and Gay Experimental Film/Video Festival. Framed in front of a staticky TV monitor, Karen’s subjectivity is influenced...
Journal Article
Camera Obscura (1986) 5 (3 (15)): 36–65.
Published: 01 December 1986
...Janet Bergstrom Liyirrd Sky (Sl,iv,i Tsukerrnan, 1982) Androids and Androgyny Junet Bergs trom The overwhelming response of the young public to Star Wars in 1977 sparked an unforeseen renaissance in the popularity of science fiction films. Star Wars and the Lucas/ Spielberg...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 1–9.
Published: 01 May 2008
... places is Justin Bond, otherwise known as “Kiki” of the duo Kiki and Herb, who work somewhere at the intersection of cabaret, per- formance art, and stand-up comedy. Lucas Hilderbrand’s apprecia- tion — which is “mostly” on Kiki — uses Kiki and Herb’s Carne­gie Hall “farewell” performance...
Journal Article
Camera Obscura (1995) 12 (2 (35)): 106–128.
Published: 01 May 1995
... given by important French and Italian filmmakers who praised and encouraged Riefenstahl in the 1950s,83 by American cineastes who noted her contribution to the art and technology of film at the Telluride Film Festival in 1974, and by Steven Spielberg and George Lucas, mainstream directors who often...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 25–59.
Published: 01 December 2007
..., passive, and emotionless accomplice (3 – 7). In a more derogatory way, many critics liken the film to George Lucas’s American Graffiti (US, 1973) or, to a lesser extent, Peter Bogdanovich’s The Last Picture Show (US, 1971). For example, in his work on teen film, Jon Lewis couples...
Journal Article
Camera Obscura (2012) 27 (2 (80)): 25–59.
Published: 01 September 2012
... and practices of video media to Lucas Hilderbrand’s more recent formulation of video as a bootleg technology, media historians and theorists have brought attention to the way in which video, while connected to older forms of media, disrupts the forms of stability they rely on. To begin with, video...
Journal Article
Camera Obscura (2004) 19 (1 (55)): 181–197.
Published: 01 May 2004
... forget. When I am frus- trated with this or that institution, I invoke these people in my mind, and they kind of put it all into perspective. You have often been linked to other young feminist video makers such as Elisabeth Subrin and Kristin Lucas. How do you feel about this genera- tional...
Journal Article
Camera Obscura (2009) 24 (1 (70)): 7–35.
Published: 01 May 2009
..., Technics and Time, 1: The Fault of Epimetheus, trans. Richard Beardsworth and George Collins (Stanford, CA: Stanford University Press, 1998). 3. See Luca Cavalli-Sforza and Francesco Cavalli-Sforza, The Great Human Diasporas (Reading, MA: Addison-Wesley, 1995); Alan Templeton...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 161–185.
Published: 01 December 1982
... think there is some truth to that, even from the studio point of vrevv’. J-LG: And Francis is a great spender (laughter). PK: But there is a kind ofmagnificence about that. Some ofthese people have made a tremendous amount of money for the studios. In the case of say, Spielberg, and Lucas...
Journal Article
Camera Obscura (2021) 36 (1 (106)): 155–185.
Published: 01 May 2021
... for a group photo, with awards veterans like Meryl Streep from The Post (dir. Steven Spielberg, US, 2017) joining new nominees like Mary J. Blige from Mudbound (dir. Dee Rees, US, 2017) and Timothée Chalamet from Call Me by Your Name (dir. Luca Guadagnino, Italy/France, 2017). In the group of over 150...
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Journal Article
Camera Obscura (2020) 35 (2 (104)): 95–123.
Published: 01 September 2020
... of society, like the beach in Moonlight, the countryside in Call Me by Your Name (dir. Luca Guadagnino, Italy/France/Brazil/US, 2017), the stage in Bohemian Rhapsody (dir. Bryan Singer, UK/US, 2018), and the road in Green Book (dir. Peter Farrelly, US, 2018). Notes 1. Queer in this context refers...