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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 1–23.
Published: 01 September 2012
...Kathleen Collins First appearing on the air in 1947, Dione Lucas was one of the earliest television cooking-show hosts. As a business owner, single mother, influential salesperson, and highly respected professional in her field (Julia Child referred to Lucas as “the mother of French cooking in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2012) 27 (3 (81)): 181–183.
Published: 01 December 2012
... Cynthia Chris Censoring Purity. No. 79: pp. 97 – 125 Kathleen Collins A Kitchen of One’s Own: The Paradox of Dione Lucas. No. 80: pp. 1 – 23 Chris Dumas On Film Studies and the Unconscious. No. 81: pp. 39 – 67 Victor Fan The Poetics of Addiction: Stardom, “Feminized” Spectatorship, and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2013) 28 (3 (84)): 169–170.
Published: 01 December 2013
... Homosexual Desire in Philippe Vallois’s Johan. No. 84: pp. 125 – 57 Lucas Hilderbrand Sex Out of Sync: Christmas on Earth’s and Couch’s Queer Sound Tracks. No. 83: pp. 45 – 75 Dijana Jelacˇa Between Mothers and Daughters: Adoption, Family, and Black Female Subjectivity in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 178–183.
Published: 01 May 2008
...Lucas Hilderbrand Camera Obscura 2008 Lucas Hilderbrand is an assistant professor of film and media studies at the University of California, Irvine. His book Inherent Vice: Bootleg Histories of Videotape and Copyright is forthcoming from Duke University Press. “More Than One Way...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2005) 20 (2 (59)): 35–71.
Published: 01 September 2005
... is busy throwing her boyfriend Lucas’s belongings out of the window and does not let her in. Reconsidering, Rita walks off to the subway in order to find Paulo, who is filming at a metro construction site. When she finally finds him and shouts his name, he does not hear her because of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1980) 2 (2 (5)): 111–114.
Published: 01 September 1980
... system. As it is a postgraduate college and I didn’t have a degree, this would not be possible now. At R.C.A. I worked as a camera assistant on other student productions, and worked collectively to produce videotapes for Lucas Aerospace Shop Stewards Combine Committee. I directed and shot...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1986) 5 (3 (15)): 36–65.
Published: 01 December 1986
... and the Lucas/ Spielberg productions that followed were amazingly successful in capturing audience attention through high-tech special effects housed in cartoon-like stories. The appeal of this wishfulfilling narrative simplicity seemed limitless, and spilled over immediately into a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2007) 22 (3 (66)): 61–91.
Published: 01 December 2007
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2012) 27 (3 (81)): 39–67.
Published: 01 December 2012
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 45–75.
Published: 01 September 2013
...Lucas Hilderbrand This essay draws from queer theory and sound studies in an analysis of two sexually explicit 1960s underground films that refused synchronization: Barbara Rubin's Christmas on Earth (US, 1963), which is intended to be screened with a live radio sound track, and Andy Warhol's Couch...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2004) 19 (3 (57)): 57–91.
Published: 01 December 2004
...Lucas Hilderbrand Camera Obscura 2004 Lucas Hilderbrand is a PhD candidate in cinema studies at New York University and a programmer for MIX: The New York Lesbian and Gay Experimental Film/Video Festival. Framed in front of a staticky TV monitor, Karen’s subjectivity is influenced by...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 1–9.
Published: 01 May 2008
... — indeed an entire queer persona — to take viewers (and listeners) to edgy places is Justin Bond, otherwise known as “Kiki” of the duo Kiki and Herb, who work somewhere at the intersection of cabaret, per- formance art, and stand-up comedy. Lucas Hilderbrand’s apprecia- tion — which is “mostly” on...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1995) 12 (2 (35)): 106–128.
Published: 01 May 1995
... by Steven Spielberg and George Lucas, mainstream directors who often pay critical homage to her work in their popular art.84 Beyond cinema, Thomas Elsaesser finds Riefenstahl's doc- umentary style to be central to television.P Nevertheless, the general perpetuation of Riefenstahl's unique...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2004) 19 (1 (55)): 181–197.
Published: 01 May 2004
... Elisabeth Subrin and Kristin Lucas. How do you feel about this genera- tional grouping of women video makers? Some Kind of Grace • 195 I like the connections, but I also feel connected to artists not related by age or gender. I really like the work of Franz West, an...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2007) 22 (3 (66)): 25–59.
Published: 01 December 2007
... by Nixon,” and Holly as his pathological, passive, and emotionless accomplice (3 – 7). In a more derogatory way, many critics liken the film to George Lucas’s American Graffiti (US, 1973) or, to a lesser extent, Peter Bogdanovich’s The Last Picture Show (US, 1971). For example, in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 25–59.
Published: 01 September 2012
... Cubitt’s landmark study on the multiple forms and practices of video media to Lucas Hilderbrand’s more recent formulation of video as a bootleg technology, media historians and theorists have brought attention to the way in which video, while connected to older forms of media, disrupts the forms of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2009) 24 (1 (70)): 7–35.
Published: 01 May 2009
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1988) 6 (1 (16)): 203–225.
Published: 01 January 1988
... granddaughter, Hassie. MOB: 2 episodes; 1957 (premiere), 1962; one with commercials. Rifleman, The. ABC; 1958-1963. Single father Lucas McCain (Chuck Connors) and his son Mark (former mouseketeer Johnny Crawford) struggle for survival and humanity in the old West. UCLA: 23...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 161–185.
Published: 01 December 1982
... tremendous amount of money for the studios. In the case of say, Spielberg, and Lucas and many of the others, they have brought in hundreds of millions of dollars to the studios. So if they get a lot of ideas and want to try them out, and the picture gets expensive, they do have moral justification...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2002) 17 (1 (49)): 189–215.
Published: 01 May 2002
... allusions to childhood in Twister, references to stories of a boy’s ethical awak- ening to his father’s corruption. William Faulkner’s “Barn Burn- ing” (1950) and the films Star Wars (dir. George Lucas, US, 1977) and The Shining (dir. Stanley Kubrick, UK, 1980) are all refer- enced, and each contains a...