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luca

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Journal Article
Camera Obscura (2012) 27 (2 (80)): 1–23.
Published: 01 September 2012
...Kathleen Collins First appearing on the air in 1947, Dione Lucas was one of the earliest television cooking-show hosts. As a business owner, single mother, influential salesperson, and highly respected professional in her field (Julia Child referred to Lucas as “the mother of French cooking in...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 181–183.
Published: 01 December 2012
... Chris Censoring Purity. No. 79: pp. 97 – 125 Kathleen Collins A Kitchen of One’s Own: The Paradox of Dione Lucas. No. 80: pp. 1 – 23 Chris Dumas On Film Studies and the Unconscious. No. 81: pp. 39 – 67 Victor Fan The Poetics of Addiction: Stardom, “Feminized” Spectatorship, and...
Journal Article
Camera Obscura (2013) 28 (3 (84)): 169–170.
Published: 01 December 2013
... Homosexual Desire in Philippe Vallois’s Johan. No. 84: pp. 125 – 57 Lucas Hilderbrand Sex Out of Sync: Christmas on Earth’s and Couch’s Queer Sound Tracks. No. 83: pp. 45 – 75 Dijana Jelacˇa Between Mothers and Daughters: Adoption, Family, and Black Female Subjectivity in...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 178–183.
Published: 01 May 2008
...Lucas Hilderbrand Camera Obscura 2008 Lucas Hilderbrand is an assistant professor of film and media studies at the University of California, Irvine. His book Inherent Vice: Bootleg Histories of Videotape and Copyright is forthcoming from Duke University Press. “More Than One Way...
Journal Article
Camera Obscura (2005) 20 (2 (59)): 35–71.
Published: 01 September 2005
... is busy throwing her boyfriend Lucas’s belongings out of the window and does not let her in. Reconsidering, Rita walks off to the subway in order to find Paulo, who is filming at a metro construction site. When she finally finds him and shouts his name, he does not hear her because of...
Journal Article
Camera Obscura (1980) 2 (2 (5)): 111–114.
Published: 01 September 1980
... postgraduate college and I didn’t have a degree, this would not be possible now. At R.C.A. I worked as a camera assistant on other student productions, and worked collectively to produce videotapes for Lucas Aerospace Shop Stewards Combine Committee. I directed and shot Taking A Part between 1977-79...
Journal Article
Camera Obscura (1986) 5 (3 (15)): 36–65.
Published: 01 December 1986
...Janet Bergstrom Liyirrd Sky (Sl,iv,i Tsukerrnan, 1982) Androids and Androgyny Junet Bergs trom The overwhelming response of the young public to Star Wars in 1977 sparked an unforeseen renaissance in the popularity of science fiction films. Star Wars and the Lucas/ Spielberg...
Journal Article
Camera Obscura (2004) 19 (3 (57)): 57–91.
Published: 01 December 2004
...Lucas Hilderbrand Camera Obscura 2004 Lucas Hilderbrand is a PhD candidate in cinema studies at New York University and a programmer for MIX: The New York Lesbian and Gay Experimental Film/Video Festival. Framed in front of a staticky TV monitor, Karen’s subjectivity is influenced by...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 1–9.
Published: 01 May 2008
... — indeed an entire queer persona — to take viewers (and listeners) to edgy places is Justin Bond, otherwise known as “Kiki” of the duo Kiki and Herb, who work somewhere at the intersection of cabaret, per- formance art, and stand-up comedy. Lucas Hilderbrand’s apprecia- tion — which is “mostly” on...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 39–67.
Published: 01 December 2012
Journal Article
Camera Obscura (2013) 28 (2 (83)): 45–75.
Published: 01 September 2013
...Lucas Hilderbrand This essay draws from queer theory and sound studies in an analysis of two sexually explicit 1960s underground films that refused synchronization: Barbara Rubin's Christmas on Earth (US, 1963), which is intended to be screened with a live radio sound track, and Andy Warhol's Couch...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 61–91.
Published: 01 December 2007
Journal Article
Camera Obscura (1995) 12 (2 (35)): 106–128.
Published: 01 May 1995
... Riefenstahl in the 1950s,83 by American cineastes who noted her contribution to the art and technology of film at the Telluride Film Festival in 1974, and by Steven Spielberg and George Lucas, mainstream directors who often pay critical homage to her work in their popular art.84 Beyond cinema, Thomas...
Journal Article
Camera Obscura (2004) 19 (1 (55)): 181–197.
Published: 01 May 2004
... frus- trated with this or that institution, I invoke these people in my mind, and they kind of put it all into perspective. You have often been linked to other young feminist video makers such as Elisabeth Subrin and Kristin Lucas. How do you feel about this genera- tional grouping of women...
Journal Article
Camera Obscura (2012) 27 (2 (80)): 25–59.
Published: 01 September 2012
... Cubitt’s landmark study on the multiple forms and practices of video media to Lucas Hilderbrand’s more recent formulation of video as a bootleg technology, media historians and theorists have brought attention to the way in which video, while connected to older forms of media, disrupts the forms of...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 25–59.
Published: 01 December 2007
... by Nixon,” and Holly as his pathological, passive, and emotionless accomplice (3 – 7). In a more derogatory way, many critics liken the film to George Lucas’s American Graffiti (US, 1973) or, to a lesser extent, Peter Bogdanovich’s The Last Picture Show (US, 1971). For example, in...
Journal Article
Camera Obscura (2009) 24 (1 (70)): 7–35.
Published: 01 May 2009
Journal Article
Camera Obscura (1988) 6 (1 (16)): 203–225.
Published: 01 January 1988
... with commercials. Rifleman, The. ABC; 1958-1963. Single father Lucas McCain (Chuck Connors) and his son Mark (former mouseketeer Johnny Crawford) struggle for survival and humanity in the old West. UCLA: 23 episodes; 1958-1963. Ruggles, The. ABC; 1949-1952. Produced...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 161–185.
Published: 01 December 1982
... tremendous amount of money for the studios. In the case of say, Spielberg, and Lucas and many of the others, they have brought in hundreds of millions of dollars to the studios. So if they get a lot of ideas and want to try them out, and the picture gets expensive, they do have moral justification...
Journal Article
Camera Obscura (2002) 17 (1 (49)): 189–215.
Published: 01 May 2002
...- ening to his father’s corruption. William Faulkner’s “Barn Burn- ing” (1950) and the films Star Wars (dir. George Lucas, US, 1977) and The Shining (dir. Stanley Kubrick, UK, 1980) are all refer- enced, and each contains a moral of short-lived, and unearned, admiration for fathers. But in this film...