Skip Nav Destination
Close Modal
Search Results for
literary crowd-funding
Update search
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
NARROW
Format
Subjects
Journal
Article Type
Date
Availability
1-14 of 14 Search Results for
literary crowd-funding
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
Sort by
Journal Article
Camera Obscura (2016) 31 (3 (93)): 65–97.
Published: 01 December 2016
... 2016 Crowdsourcing collaborative writing literary crowd-funding promise economy processuality Figure 1. A screenshot of the crowdsourcing campaign Web
page for Daniel Perlmutter’s “Unwritten Masterpiece” project,
first launched in 2012
Collective Writing Projects
Online...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 157–165.
Published: 01 May 2013
... of
feminist cinema but, alas, discovered that WMM’s workshops had
deteriorated into a platform for its members’ own productions.
Meanwhile, NYSCA had initiated its own funding for filmmakers
and would eventually fund Barbara Kopple, Camille Billops, Jill
Godmilow, Yvonne Rainer, Lizzie Borden, Jennie...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 5–33.
Published: 01 December 2016
...: Television Nationalism and Affect (2011) and four literary books, including the award-winning food memoir Comfort Food for Breakups: The Memoir of a Hungry Girl (2007). Her media works are in the collections of the National Gallery of Canada, the National Archives, and various universities and libraries...
Journal Article
Camera Obscura (2003) 18 (1 (52)): 35–83.
Published: 01 May 2003
... Smith Purchase Fund, 1995
Memory Once Removed:
Indirect Memory and Transitive
Autobiography in Chantal
Akerman’s D’Est
Alisa Lebow
In the Imaginary Jew, contemporary French philosopher Alain
Finkielkraut laments that while his Jewishness furnished him with
the deepest, most...
Journal Article
Camera Obscura (2022) 37 (3 (111)): 145–177.
Published: 01 December 2022
..., her work, her identity, and her identifications? Akhavan's characters lambaste the very foundations of her own career trajectory by mocking the Brooklyn hipster crowd for “talking about their Kickstarter campaigns” and dismissing an OKCupid date for declaring his desire to use “comedy to bring...
FIGURES
| View All (4)
Journal Article
“How much did you pay for this place?” Fear, Entitlement, and Urban Space in Bernard Rose's Candyman
Camera Obscura (1996) 13 (1 (37)): 69–91.
Published: 01 January 1996
... housing funds:
The housing crisis for the poor reached a new level of severity under policies
of deliberate cruelty during the Reagan and Bush administrations. From
1977 to 1980, during the Carter administration, the federal government
added an average of 290,000 new families each year...
Journal Article
Camera Obscura (2013) 28 (3 (84)): 33–65.
Published: 01 December 2013
... through censorship or prescreening committees in the
1910s. This strand of thinking culminated in the Payne Fund
Studies of the late 1920s and early 1930s and other attempts to
link child and adolescent behaviors with those groups’ attendance
at movies.
The other mode by which film study...
Journal Article
Camera Obscura (1996) 13 (3 (39)): 4–33.
Published: 01 September 1996
... flyers on the subject of global
feminism tied to the 1995 UN Beijing Women's Conference. We at-
tended the screening of the rough cut of the film at the 1993 San
Francisco Gay and Lesbian film festival where a capacity crowd en-
thusiastically applauded the presentation of a special director's award...
Journal Article
Camera Obscura (2001) 16 (3 (48)): 9–57.
Published: 01 December 2001
... reporters turned to an enumerative
structure, akin to the idiom of lists, when describing the star’s
ceaseless momentum. “In France French soldiers on furlough
idolize her,” began one commentator’s litany: “In Porto Rico [sic]
she crowds the theatres. In Bombay she figures frequently...
Journal Article
Camera Obscura (2012) 27 (1 (79)): 1–29.
Published: 01 May 2012
... that privatization and gen-
dered space galvanized both social thought and literary/cinematic
representation throughout the s and s and worked to
obscure what had been seen as public politics.
The Wages of Af uence •
Social theorist Tada Michitaro¯ explains...
Journal Article
Camera Obscura (2001) 16 (3 (48)): 113–157.
Published: 01 December 2001
... about the dollhouse and its tour. These ads functioned
120 • Camera Obscura
like literary or cinematic serials: although each could clearly
stand on its own, to a certain extent they depended on prior
knowledge of the story (Moore’s identity, information about the
tour in general, and so forth...
Journal Article
Camera Obscura (2004) 19 (1 (55)): 43–75.
Published: 01 May 2004
...
as a heritage film—a costume drama based on literary works in
which Merchant and Ivory specialize—has decisively separated it
from the material circumstances of its British audience.6 When
we revisit the film without this disciplining critical overlay, we can
see that it is much more than just a heritage...
Journal Article
Camera Obscura (2022) 37 (2 (110)): 119–147.
Published: 01 September 2022
... audience. 11 As Göktürk puts it, “They have been expected to make films about the problems of their people. To receive funding, filmmakers have been almost driven to represent the ‘other’ culture in terms of common assumptions and popular misconceptions.” 12 Among other things, this cinema frequently...
FIGURES
Journal Article
Camera Obscura (2000) 15 (2 (44)): 105–149.
Published: 01 September 2000
... in Germany!” thereby establishing not himself
but his mother as final arbiter. Adelson’s assessment of Torkan’s
literary production seems equally pertinent in this filmic
instance: what emerges is “the sense of personal accountability...