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listening

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 1–25.
Published: 01 September 2016
... political speech, demonstrating the simultaneous insignificance and importance of the everyday. Her work therefore highlights the problematic of communicability that the excess of online textual expression presents while at the same time holding out the possibility that—through listening—engaged, dialogic...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2012) 27 (3 (81)): 69–98.
Published: 01 December 2012
...Jennifer Fleeger This article argues that each new development in sound technology is accompanied by a mismatched woman — a figure with a voice that fails to gel with the image of her body. Because they are famous for having singing voices that startle listeners with their beauty and dexterity and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1977) 1 (2 (2)): 105–114.
Published: 01 September 1977
... which is controlling everything : the look. W 1 Listen, readyour text. MI . Allright, andthen? WI O.K., wait a second, let 's look at your hands first, once again. In fact, when one looks carefully, it's really a strange activity! You don't notice...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1980) 2 (3 (6)): 42–49.
Published: 01 December 1980
... example: “Anne-Marie Stretter enters the private drawing room, looks out at the garden,” then Delphne Seyng in fact entered and looked at the garden. But at the same time she was listening to what was said about what she did. She there- fore entered less, looked at the garden less, but by the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (3 (30)): 76–91.
Published: 01 May 1992
... psychoanalyst (she who listens to and enables interpretation of the analysand’s discourse). This also assumes an identification between two kinds of text-the patient’s discourse and the filmic discourse. You might consider this to be a somewhat wild approach. And you would be...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 151–154.
Published: 01 December 1989
... Mulvey’s essay, an essay that I found utterly persuasive at the time. Now I appreciate the modifications it has undergone, since we are finding that women’s options as viewers, listeners and readers are not as limited as was first suggested. This is not to say that boundless...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 186–191.
Published: 01 December 1982
... the Walker Art Center’s “Meanings of Modernism” series, February 16, 198 I Listening again to my tapes of Godard’s appearance at the Walker Art Center, I am surprised by what the sound space of the recording communicates to me. First there is the close and almost...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1992) 10 (1 (28)): 152–155.
Published: 01 January 1992
... have experienced in working with video is the video makers themselves. They are real people. They are school teachers, activists, housewives, students, clerks. They do not hesitate to share their knowledge, nor are they closed to listening to the knowledge and ideas...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 93–117.
Published: 01 September 2016
... texts in their hands, guided less by understanding than by breath, leaving in their wake a new score that delineates their passage through the material, its stops and starts, its difficulties and accidents. In the first rehearsals, Straub and Huillet listen attentively to the vicissitudes of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2007) 22 (2 (65)): 11–37.
Published: 01 September 2007
... got to listen to all kinds of performers who — Russ Columbo — all sorts of vocalists and as I say musicians. His whole life had been listening to these records and he had an enormous collection. Divas and the Cultural Logic of Late Ca(m)pitalism  •  29 We would listen...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 211–215.
Published: 01 May 1979
... the movie Anna listens to the messages recorded on her phone’s answering device; one friend, explaining that he would have liked to spend his birthday with her, says “It will be for next year and with this line the movie ends. A related thematic is that of foreign...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 246–248.
Published: 01 December 1989
... images to flavor the sense of our own subjectivity: we see, listen, move, speak and write ourselves and the other, and that modifies being seen, heard, moved, spoken and written. 4. “Reading against the grain” presumes an already established dis- course with a determined direction and a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 151–159.
Published: 01 May 2008
... the black entertainer for a white audience? queer Warhol studies? all of the above Davis forged an intimate, affectively charged context for the presentation of her text. She thereby offered her academics the possibility of listening differently, of lending an ear, to her chatty...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2008) 23 (3 (69)): 137–157.
Published: 01 December 2008
... become lovers that same evening, both Dorothy and Jeffrey realize almost simultaneously that they are threatened by a third, namely Frank, who also sits in the audience. Bathed in light and wearing a silvery jacket, Frank caresses a piece of blue velvet as he listens. From the moment Dorothy...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 88–115.
Published: 01 December 1982
... lesson, but rather to show how tele- vision is composed, how they did it. A television announcer never says how it’s done. . . . We have the right to tell you . . . but we shouldn’t be surprised if no one listens. How has the listening post that no one listens to been manufactured...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2014) 29 (3 (87)): 93–115.
Published: 01 December 2014
... Sky, 1997 Mexican director Marisa Sistach (Nadie te oye: Perfume de violetas [Violet Perfume: No One Is Listening, 20 01 Argentinean directors Albertina Carri (La rabia [Anger, 2008]) and Lucía Puenzo (XXY [2007 and Peruvian director Claudia Llosa (La teta asustada [The Milk of Sorrow, 2009...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1993) 11 (2 (32)): 75–101.
Published: 01 September 1993
... cinematic apparatus involve looking, speaking, and listening authoritatively; woman’s responsibility lies in the passive reception of his actions.” To return to Rouge and its story of “missed encounters,” the para- digm of masculine denial delineated above in relation to classical Hol- lywood...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2007) 22 (2 (65)): 154–157.
Published: 01 September 2007
... Blood Meridian, called Love a “train wreck,” and left my apartment in disgust. But I still had the taste of a bombed job talk in my mouth, and so I grabbed my copy of Live through This (Geffen Records, 1994), lit a cigarette, and gave it a good listen. I spent my first years of graduate...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 194–199.
Published: 01 May 2008
... protected by a sanctuary spell that prevents any violence within its walls. Lorne makes no judgments of his patrons, simply listens as they mangle Manilow or the Pointer Sisters — although, thank God, he draws the line at “Stairway to Heaven” — and offers them guidance to their true path...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (3 (30)): 51–56.
Published: 01 May 1992
... her breathing; the rapid, shallow breathing of the second stage and thirty-third page of the parentcraft manual. He suggested sighing, but she wouldn’t listen. She was panting and pushing, then regurgitating while he held the tray. He examined the curdled contents, but...