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linda

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 332–335.
Published: 01 December 1989
... Copyright © 1990 by The Johns Hopkins University Press 1989 332 Linda Williams In 1975 I was studying in the seminar of Christian Metz at the ficole des Hautes fitudes. The topic was what was to become his book on the imaginary signifier. I have a vivid memory of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2014) 29 (3 (87)): 149–183.
Published: 01 December 2014
...Juliana Chang This essay explicates how Mei Li (Miyoshi Umeki) and Linda Low (Nancy Kwan), the Asian migrant and Asian American female leading characters in the film Flower Drum Song (dir. Henry Koster, US, 1961), oscillate between embodying the fantasies of American modernity and exposing the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 63–87.
Published: 01 September 2017
... Tom Lutz, Steve Neale, and Linda Williams. Peter Brooks and Geoffrey Nowell-Smith mobilized ideas expressed here about melodrama. As a melodramatic enactment of masculine roles in the late 1950s and early 1960s, The Manchurian Candidate is both a trauma film and a “male weepy.” Joy McEntee...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1983) 4 (2 (11)): 60–71.
Published: 01 September 1983
...Linda Reisman © 1983 by Camera Obscura 1983 DaughtersofChaos (Marjorie Keller, 1979) Personal Film / Feminist Film Linda Reisman 1. With [Daughters ofChaos] [Keller] is established as a major filmmaker, perhaps the only major...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1983) 4 (2 (11)): 72–85.
Published: 01 September 1983
...Linda Reisman © 1983 by Camera Obscura 1983 Interview with Marjorie Keller LindaReisman LR: How did you get started in filmmaking? MK: In 1968I was in college at Tufts University and interested in writing poetry. I was reading, going to hear poets, and trying to write. It was...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2010) 25 (2 (74)): 173–181.
Published: 01 September 2010
...Rosa-Linda Fregoso In January 2007 the author interviewed Vicky Funari and Sergio de la Torre about the making of their new documentary Maquilapolis . Produced and developed in partnership with the Chilpancingo Collective, Maquilapolis is filmed in the first “maquilized” city in the Americas...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2015) 30 (3 (90)): 61–91.
Published: 01 December 2015
...Linda Liu Many US horror films made within the last thirty years feature haunted real estate narratives involving histories of land usurpation, territorial displacement, and other violence inflicted on socially marginalized groups. Insofar as the aftereffects of these histories recurrently manifest...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2010) 25 (1 (73)): 29–67.
Published: 01 May 2010
...Linda Williams This essay's point of departure is the question of how images of death and torture are literally and metaphorically framed by the people who take them and how they are further received by the publics who see them. Beginning with a comparison of two digital headshots of an Arab enemy...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (2 (29)): 232–239.
Published: 01 May 1992
...Joe Henderson, MD; Eric Baumgartner; Scott Chesnut; Brian Driscoll; Anne Henderson; Linda Hurd Copyright © 1992 by Indiana University Press 1992 Figure 1. Graphic showing ways that breast cancer may spread. The large round areas are lobules (which make milk); the thin lines are ducts...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2015) 30 (1 (88)): 71–99.
Published: 01 May 2015
.... Intervention (A&E, 2005 – 13) viewer advisory Figure 2. Linda with a fentanyl lollipop. “Linda,” season 8, episode 1 of Intervention, 23 November 2009 (TV) Junkies in Need of an Intervention: On Addictive Spectatorship and Recovery Television Hunter Hargraves In a May 2008 ABC...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1984) 4 (3 (12)): 162–163.
Published: 01 December 1984
...Fred Camper © 1984 by Camera Obscura 1984 162 Letter to the Editors To the Editor: I am confused and, if I understand it correctly, appalled, at Linda Reisman’s “Personal Film/Feminist Film” (Camera Obsczcra 11). Reisman criticizes Marjorie Keller’s...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2001) 16 (1 (46)): 180–181.
Published: 01 May 2001
..., 1999. Gledhill, Christine, and Linda Williams, eds. Reinventing Film Studies. London: Arnold, 2000. Glynn, Kevin. Tabloid Culture: Trash Taste, Popular Power, and the Transformation of American Television. Durham, NC: Duke...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2015) 30 (3 (90)): 188–190.
Published: 01 December 2015
... Linda Liu Occult Anxieties and the Recessionary Imaginary in the Paranormal Activity Franchise. No. 90: pp. 61 – 91 Diana Adesola Mafe Race and the First-Person Shooter: Challenging the Video Gamer in BioShock Infinite. No. 89: pp. 89 – 123 Mauro Resmini Reframing the New French...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2001) 16 (3 (48)): 264–265.
Published: 01 December 2001
.... Lion, Jenny, ed. Magnetic North. Minneapolis: University of Minnesota Press, 2001. Ferrara, Serena. Steadicam: Techniques and Aesthetics. Boston: Focal Press, 2001. Fregoso, Rosa Linda, ed. Lourdes Portillo: The Devil Never Sleeps and Other Films. Austin: University of Texas Press...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1983) 4 (2 (11)): 146–147.
Published: 01 September 1983
... television industries. Linda Reisman received an MFA degree in film production from the San Francisco Art Institute, and is currently associated with Zoetrope Studios. Marc Silberman is Assistant Professor of German and Humanities at the University of Texas at San Antonio...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1983) 4 (2 (11)): 3–5.
Published: 01 September 1983
... Keller and its companion-piece "Personal Film/Feminist Film," Linda Reisman questions the assump• tions behind an influential current of feminist and avant-garde film criticism in terms of essentialism. Larry Horne and John Ramirez's "Report on the UCLA Gay and Lesbian Media Conference" argues that...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2004) 19 (1 (55)): iii–np.
Published: 01 May 2004
... Alexander, Rey Chow, Danae Clark, Julie D’Acci, Mary Ann Doane, Alexander Doty, Rosa Linda Fregoso, Ana Lopez, Wahneema Lubiano, Anna McCarthy, Meaghan Morris, Linda Orr, and David Rodowick Managing Editors: Emily Davis and Andrea Fontenot Intern: Junko Yamazaki Camera Obscura is published three...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2006) 21 (2 (62)): 178–183.
Published: 01 September 2006
... melodramatic state politics that has fre- quently buttressed oppressive liberal political forms. As a result, the political analysis of melodrama has typically ended before it has begun. Linda Williams comes closest to recognizing the political limitations of the genre when she concedes that melo...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1984) 4 (3 (12)): 169–170.
Published: 01 December 1984
... Conference. Vol. 4, no. 11; pp. 121-131. Reisman, Linda Personal Film/Feminist Film. Vol. 4, no. 11; pp. 61-71. Interview with Marjorie Keller. Vol. 4, no. 11; pp. 72-85. Rosenbaum, Jonathan The Gold Diggers: A Preview. Vol. 4, no. 12; pp. 127 - 129. 170 Sil berman, Marc...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2002) 17 (1 (49)): 216–218.
Published: 01 May 2002
... Mississippi Press, 2001. Golden, Eve. Anna Held and the Birth of Ziegfeld’s Broadway. Lexington: University of Kentucky Press, 2000. Greenfield, Sayre, and Linda Troost, eds. Jane Austen in Hollywood. Lexington: University of Kentucky Press, 1998. Haberski, Raymond J. “It’s Only a Movie...