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Journal Article
Camera Obscura (1991) 9 (1-2 (25-26)): 144–180.
Published: 01 September 1991
... with heterosexual and lesbian and gay audi- ences alike. Personal Best (Robert Towne, 1982), Lianna (John Sayles, 1983), Entre Nous (Diane Kurys, 1983) and Desert Hearts (Donna Deitch, 1986) all feature lesbians and straight female characters who, on the whole, are femmes rather than butches. Because...
Journal Article
Camera Obscura (2022) 37 (3 (111)): 145–177.
Published: 01 December 2022
... experienced figure: think The Killing of Sister George (dir. Robert Aldrich, US, 1968), Lianna (dir. John Sayles, US, 1983), Desert Hearts (dir. Donna Deitch, US, 1985), High Art (dir. Lisa Cholodenko, US, 1998), Blue Is the Warmest Color , and Carol (dir. Todd Haynes, UK/US/Australia, 2015...
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Journal Article
Camera Obscura (1996) 13 (2 (38)): 132–160.
Published: 01 May 1996
... that did not pass as a lesbian bar in John Sayles' Lianna." Dark but not too dark, Club Safe Sex offers subdued halogen lighting on impracticably small tables draped in midnight blue tablecloths. The craze for faux marble is evident on the Mediterranean orange, red, and deep...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 336–372.
Published: 01 December 1989
..., Kobena, and Isaac Julien. “Race, Sexual Politics and Black Mascu- linity: A Dossier.” Male Order. Edited by Rowena Chapman and Jonathan Rutherford. London: Lawrence and Wishart, 1988. 97-164. Merck, Mandy. “Lianna and the Lesbians of Art Cinema.” Films for Women...