...William Anthony Nericcio Autopsy of a Rat: Odd, Sundry Parables of Freddy Lopez, Speedy Gonzales, and Other Chicano/Latino Marionettes Prancing About Our First World Visual Emporium William Anthony Nericcio...

.... The relationship of the project to the development of feminist film studies, the production conditions for women's filmmaking in Latin America, the contemporary climate for distribution and exhibition in New York City (along with public funding structures), and the cultivation of new Latina/Latino audiences in New...

... and Comparative Literature at San Diego State University. His first book, Portraits and Signatures: Reflections on Fin de Siecle Latino and Latina Writers will be published in 1998 by Curbstone Press. Scott Paulin is a graduate student in the Department of Musicology...

... Autopsy of a Rat: Odd, Sundry Parables of Feddy Lopez, Speedy Gonzales, and Other Chicano/Latino Marionettes Prancing About Our First World Visual Emporium. No. 37; pp. 189-237. Nichols, Bill and Gerald Peary Children, Art, Sex, Pomography: Jennifer Montgomery's Art for Teachers...

.... Young African-Ameri- cans, Latinos, Chicanos, and Asian Americans experience their daily 8 lives, to say nothing of the means by which they develop political strategies of resistance and survival, in decidedly ambivalent ways. For African-Americans or Latinos partial economic...

... of the challenges they faced in making the documentary, and the subsequent outreach campaign for raising awareness about social justice and human rights issues on the Mexico-US border. Camera Obscura 2010 Rosa-Linda Fregoso is a professor and former chair of Latin American and Latino studies...

... (and to one idyllic moment with his young family that was ruined by the Nazis) that tend to be inspired by his shop’s ghetto envi- ronment. These flashbacks result in very confusing and prob- lematic parallels being drawn between the Black and Latino...

.... The Scorcese Connection by Lesley Stern. Indiana University Press, 1996. $14.95. The Ethnic Eye: Latino Media Arts edited by Chon A. Noriega and M. Lopez. 225 University of Minnesota Press, 1996. $18.95. Mexican Cinema edited by Paulo Antonio Paranagua. Translated by Ana M. Lopez. Indiana...

...://www.maquilapolis.com (accessed September 2021). 11. Lisa Lowe, “Utopia and Modernity: Some Observations from the Border,” Rethinking Marxism 13, no. 2 (2001): 11. 12. Alicia Schmidt Camacho, Migrant Imaginaries: Latino Cultural Politics in the US-Mexico Borderlands (New York: New York University...

...- Ruby Red and Emerald Green  •  197 chant for Seabreezes mixed by Latino barmen, he is connected to darkness. But Lorne is also the one who nurtures injured warrior women and a vampire-spawned baby, the one who offers to “keep the home fires burning [and] bake some nice, healing...

... and debunks the new-right position that seeks to jettison public broadcasting because (as the balderdash goes) the current multichannel environment is already serving the needs of, among others, women (Lifetime),African Americans (Black Entertainment Television),Latinos (Telemundo...

... in American society. In Oz, conflicts of identity often lead directly to violence in this war for territory and power. When the security of one’s identity is threatened in Oz (as in the Latinos’ taunting of Miguel Alvarez [Kirk Acevedo] as “too white” and “a fag extreme violence and despair often...

...; or springing out of your father’s head complete with sword and body armor — divas offer the world a compelling brass standard that has plenty to say to women, queer men, blacks, Latinos, and other marginalized groups about the costs and the rewards that can come when you decide both to live...

... to speak to Dallas’s Latino com- munity, and, as a largely white, middle- and upper-middle-class congregation, its ultimate separation from that community. By excluding the grammatically necessary article before “Esper- anza,” the very...

..., underrepresents Latinos/as and African Americans in its depiction of postholo- caust San Francisco. Blade Runner at least tries to suggest racial diversity in its inclusion of mostly Asian and Latino/a minorities, and its emphasis on human oppression makes it a more self- consciously political film than...

...: Rutgers University Press, 1982). We do not mean to imply that the queers of the punk nineties Mission District were not themselves implicated in the story of gentrification and in the transformation of what had been a predominantly Latino neighborhood. We would also like...

... it, and they live in denial for many years, the parents, and prefer not to address the problem.’ ”30 The informant role asked of Vergara produces a supplementary narrative of homophobic Latinas and Latinos through the liberal register of culture as the racialized subtext of the article’s main story...

... in The King and I (dir. Walter Lang, US, 1956) and on the television show Father Knows Best (NBC/CBS) in 1958 before she played a Puerto Rican character in West Side Story , Herrera cites these as examples of “stealth Latino” performance—“instances in which an actor's known or perceived Latina/o identity...

... with Veronica Clare. As Stormy Weathers, Cybill Shepherd, reprising her private investigator persona, got involved with Robert Beltran, the latino actor who played Duke Rado, Veronica’s business partner-with-a-shady- past. Although Veronica Clare never explored the narrative potential for romance...

... affiliates in Miami, Los Angeles, New York, and ten other US cities ran episodes of the one-hour program on Saturday and Sunday mornings. The show proved "a sensation," with a reported 80% share of Latino viewers aged two to eleven watching Xuxa by February 1992. 34...