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Journal Article
Camera Obscura (2013) 28 (1 (82)): 135–145.
Published: 01 May 2013
...Catherine L. Benamou; Bienvenida Matías This is part memoir, part historical reflection on the creation of “Punto de Vista: Latina,” a transnational distribution and local exhibition project of films by and about Latinas during the reorganization of Women Make Movies in the early 1980s...
Journal Article
Camera Obscura (2017) 32 (3 (96)): 33–61.
Published: 01 December 2017
... Molina- Guzmán’s Latina feminist anal-
ysis of how Modern Family makes difference appear manageable
while also aiming to queer the coercive intimacies that enable the
Pritchetts to appear modern.22 This semblance of modernity takes
place through a relational racialization in which white liberalism...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 1–31.
Published: 01 September 2021
... and Denise Ferreira da Silva, for example, have written about the “racial and colonial logic of global capitalism” that undergirded and predated the 2008 crisis. 12 In a US context, the blaming of Black and Latina/o “subprime debtors” for the crisis 13 is a contemporary manifestation of constructions...
FIGURES
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Journal Article
Camera Obscura (1996) 13 (2 (38)): 187.
Published: 01 May 1996
... revolution, gender and international commu-
nication theory, Latinas in film, and general issues of multiculturalism in
popular literature.
Catherine Williamson received her Ph.D. in English from Louisiana State
University. She lives in Los Angeles and works in the Rare Books and Manu-
scripts...
Journal Article
Camera Obscura (2013) 28 (3 (84)): 169–170.
Published: 01 December 2013
... 2013 Volume Index
Volume 28 corresponds to issues 82 – 84
Catherine L. Benamou and Bienvenida Matías
Remembering “Punto de Vista: Latina” in Two Voices. No. 82:
pp. 135 – 45
Jonathan Cohn
Female Labor and Digital Media: Pattie Maes, Postfeminism, and the
Birth...
Journal Article
Camera Obscura (1996) 13 (1 (37)): 238–239.
Published: 01 January 1996
... and Comparative Literature at San
Diego State University. His first book, Portraits and Signatures: Reflections
on Fin de Siecle Latino and Latina Writers will be published in 1998 by
Curbstone Press.
Scott Paulin is a graduate student in the Department of Musicology...
Journal Article
Camera Obscura (2001) 15 (3 (45)): 266–268.
Published: 01 December 2001
.... A Latina in the Land of Hollywood and Other Essays
on Media Culture. Tucson: University of Arizona Press, 2000.
Wills, David, ed. Jean-Luc Godard’s Pierrot le fou. New York: Cambridge
University Press, 2000.
08-Books.sh 266-268=3pgs 4/18/01 4...
Journal Article
Camera Obscura (2000) 15 (2 (44)): 202–204.
Published: 01 September 2000
..., eds. Puro
Teatro: A Latina Anthology. Tuscon: University of Arizona Press,
2000.
Schutzman, Mady. The Real Thing: Performance, Hysteria, and
Advertising. Hanover, NH: Wesleyan University Press, 1999...
Journal Article
Camera Obscura (2002) 17 (3 (51)): 180–182.
Published: 01 December 2002
... Aesthetics. Minneapolis:
University of Minnesota Press, 2001.
Sandoval-Sánchez, Alberto, and Nancy Saporta Sternbach. Stages of
Life: Transcultural Perfomance and Identity in U.S. Latina Theater.
Tucson: University of Arizona Press, 2001.
182 • Camera Obscura
Sarlo, Beatrice. Scenes...
Journal Article
Camera Obscura (2011) 26 (2 (77)): 91–121.
Published: 01 September 2011
... and Shoulders Gives Good Hair: Dance, Hair, and
Latina Representation,” Priscilla Peña Ovalle discusses how suc-
cessful Latinas in US mainstream media have had to change their
hair to conform more closely to white standards of cosmetic beauty.
At the same time, their bodies are imbued with a sense...
Journal Article
Camera Obscura (2002) 17 (1 (49)): 73–105.
Published: 01 May 2002
... Girl, Nos. 1–3
(US, American Mutoscope and Biograph, 1903) and Latina, Phys-
ical Culture Poses, Nos. 1–3 (US, American Mutoscope and Bio-
graph, 1905). In the Physical Culture Girl series we see a woman in
her bedroom dressed in a white nightgown performing a series of
rather unglamorous...
Journal Article
Why Isn't Michelle Lopez on Judge Judy ? Citizenship and Televisuality in Hima B.'s And I Do Survive
Camera Obscura (2010) 25 (2 (74)): 183–195.
Published: 01 September 2010
.../AIDS quilt by/about/for women and girls called “HIV Sis-
ters” (www.HIVsisters.org). I launched it in 2008 in collaboration
with ten African American and Latina women whose lives have
been impacted by the virus. While the AIDS Memorial Quilt is
created by people who lost their loved ones...
Journal Article
Camera Obscura (1996) 13 (1 (37)): 187–237.
Published: 01 January 1996
... in the
late twentieth century, Latino and Latina bodies in the U.S. mass media
serve as vivid synecdoches for a particular and peculiar sensually charged
form of evil potentiality-Freddy Lopez adds his body (courtesy of Fusco
and Brillstein) to this growing roster...
Journal Article
Camera Obscura (1996) 13 (2 (38)): 29–59.
Published: 01 May 1996
...
"feminine" appeal and its star's particular US construction as a blonde
Latina. We turn now explicitly to issues of gender, race and cultural
difference that are crucial to an understanding of Xuxa's comparative
lack of impact in the US.
Most popular American children's programs-in recent years...
Journal Article
Camera Obscura (2024) 39 (1 (115)): 1–33.
Published: 01 May 2024
... and harm in the borderlands? To begin addressing these questions and to offer a set of initial responses for further consideration, I examine two critically acclaimed Chicana and Latina documentary films, Maquilapolis ( City of Factories ) (Mexico/US, 2006), produced and directed by Vicky Funari...
FIGURES
Journal Article
Camera Obscura (2006) 21 (3 (63)): 137–143.
Published: 01 December 2006
... seem like cari-
catures thereof, but here, with the political always personal: take
one flamboyant gay guy, one angry African American, one south-
ern belle, one fiery Latina, and so on to a house or island, and
see what happens Thus while identity politics arose to encour-
age community struggle...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 147–155.
Published: 01 May 2013
...”
and “Punto de Vista: Latina.” Now I think we have one of the most
important collections by and about Muslim and Arab women. Post-
9/11 we made the films available for free to anyone who wanted
to use them. Before launching the offer — we called it “Response
to Hate” — we all needed to look...
Journal Article
Camera Obscura (1992) 10 (1 (28)): 134–151.
Published: 01 January 1992
... by the
epidemic. In the first WAVE project, a group of six black and Latina
women from Brooklyn (and myself, a white woman from Manhattan)
were recruited by the Brooklyn AIDS Task Force (BATF), a community
AIDS service provider, to participate in a six-month project in which...
Journal Article
Camera Obscura (2003) 18 (3 (54)): 71–97.
Published: 01 December 2003
... of their movement (in New York,
the female-driven AIDS activist video collectives included Testing
the Limits, DIVA TV, and my own WAVE project); and lesbian
Latina high-school students creating poetic and angry images of
their daily lives (through the youth video empowerment project,
REACH LA...
Journal Article
Camera Obscura (2014) 29 (3 (87)): 93–115.
Published: 01 December 2014
... Antonio Paranaguá, Tradición y modernidad en el cine
de América Latina (Madrid: Fondo de Cultura Económica de
España, 2003), 247 – 50.
2. Paul A. Schroeder Rodríguez, “After New Latin American
Cinema,” Cinema Journal 51, no. 2 (2012): 108.
3. In a recent survey, three...
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