Search Results for kuntzel

...Raymond Bellour © 1983 by Camera Obscura 1983 Thierry Kuntzel and the Return of Writing RaymondBellour It was after this that there was most ofa virtue for him, most of a cultivated charm, most...

...Thierry Kuntzel; Bertrand Augst © 1977 by Camera Obscura 1977 Le Defilement: A View In Close Up Thierry Kuntzel FILM: 'Strip offilm used in a movie camera', 'film projected in a movie theater. '1 It is the relationship between these two films which will be discussed here...

...Thierry Kuntzel; Elisabeth Lyon Copyright © 1991 by The Johns Hopkins University Press 1990 Working Papers Thierry Kuntzel And you my heart why do you beat Like a melancholy watchman I observe night and death...

...Thierry Kuntzel © 1980 by Camera Obscura 1980 The Most Dangerous Game (Schoedsack and Pichel, I 93 2) The Film-Work, 2 Thierry Kuntzel Repetition: this text is the follow-up of an earlier text entitled “The Film-Work Like the former article, it is an exploration of the dream...

...Thierry Kuntzel; Nancy Huston © 1980 by Camera Obscura 1980 ∗“Sight, Insight, and Power” was published in French as “Savoir, Pouvoir, Voir” in Ça Cinéma , no. 7–8 (May 1975). Sight, Insight, and Power: Allegory of a Cave* Thierry Kuntxel One...

...Bertrand Augst © 1977 by Camera Obscura 1977 The Defilement Into the Look. Bertrand Augst Thierry Kuntzel's' closescrutiny of the effect produced by the defilement of a series of still images passing through the gates of a projector, and Raymond Bellour's- analysis...

... © 1980 by Camera Obscura 1980 Editorial “The Film-Work, 2” by Thierry Kuntzel continues several strains of critical theory which have been addressed in previous issues of Camera Obscura. The article originally appeared in 1975 in a special issue of Communications (Paris...

... of feminine desire and feminine discourse. Although India Song is not a classical film, it has much in common with the two analyses of the classical model presented in this issue, D. N. Rodowick’s “Vision, Desire, and the Film-Text” (on The Pirate) and Thierry Kuntzel’s “Sight, Insight, and Power...

... Barthes . Paris: Fayard, 1974 . Thierry , Kuntzel “The Film-Work.” Enclitic , Vol. 2 , 3-1 (Spring, 1978 ); “Le travail du film.” Communications 19 , ( 1972 ) Thierry , Kuntzel “Le Défilment: A View in Close Up.” Camera Obscura / 3-1 (Fall, 1977 ); “Le défilement.” Revue...

...Anne-Marie Duguet; Jean Andrews Copyright © 1985 by Camera Obscura 1985 Nostos II (Thietry Kuntzel, 1984) The Luminous Image: Video Installation StedeZth Museum, Amsterdam (1 4 September-28 October 1984) Ame-Mane Dzlgzlet Although most video artists have produced...

... Pom- pidou (Paris), the Whitney Museum of American Art and the Museum of Modern Art (New York) and the Stedlijk Museum (Amsterdam). Akiko Iimura is editor of OCS News, a Japanese weekly published in New York. Thierry Kuntzel is a video artist living in Paris. His most recent...

... analysis, this model of reading presupposes a distinction between the work (a material entity) and the text (a construct of analysis) (Barthes 1977b). As Thierry Kuntzel has noted, however, it is often difficult to specify whose text the analyst constructs: that is, in what sense the structures...

... , Julia , ‘Le sujet en procès: le langage poètique’, in L'identité , 1977 , 225 –255 (Editions Grasset & Fasquelle) 15. Kuntzel , Thierry , ‘Savoir, Pouvoir, Voir’, Ça Cinéma , no. 7–8, May 1975 , 85 –97. Kuntzel , Thierry , ‘Le travail du film, 2’, Communications , no 23...

... © 1980 by Camera Obscura 1980 CONTRIBUTORS Elizabeth Cowie is an Editor of mlf and is a member of the editorial board of Screen. Karyn Kaye is a filmmaker and Co-Editor of Women and the Cinema. Thierry Kuntzel is currently making videotapes and heads the Atelier Critique...

... on the Films of Bette Gordon. Vol. 2, no. 5; pp. 81-85. Kuntzel, Thierry The Film-Work, 2. Vol. 2, no. 5; pp. 7-68. Sight, Insight, and Power: Allegory of a Cave. Vol. 2, no. 6; pp. 91-110. Lyon, Elisabeth The Cinema of Lo1 V. Stein. Vol. 2, no. 6; pp. 7-41...

..., will soon be published. Thierry Kuntzel is currently mahng videotapes, worhng with the Groupe de Recherches Images. He has had several group exhibitions in Paris. He also heads the Atelier Critique of the National Audio-visual Institute (INA), Paris. His tapes include: (1979) Nostos I; and (1980...

... a Hollywood film. Besides experiences such as this one, it was the work on textual 30 analysis of classical film-and the work of Bellour, Heath and Kuntzel has been very important for us here-which convinced us that we were operating from too simplistic a view of how Hollywood...

... on the video work of Thierry Kuntzel not only in its relationship to film and film theory, but also in the context of the history of painting, the painterly and finally, of writing itself. In Gilda, Mary Ann Doane addresses what she describes as "the difficulty posed by the woman as a threat...

... an article on the video work of Thierry Kuntzel (Cahievs du Cinima no. 321, March 1981;forthcoming in Cam- era Obscural I I) and prefaces for the new French edition of the collected work of the Brontes. He has also recently completed a color videotape which analyzes how...

...: Selected Writings) edited by Theresa Hak Kyung Cha. Essays by Barthes, Vertov, Baudry, Deren, Huillet and Straub, Kuntzel, Augst, Vernet and Metz. Tanam Press. New York, 1981. Figures of Desire: A Theory and Analysis of Surrealist Film by Linda Williams. University...