1-5 of 5 Search Results for

knokke

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
×Close Modal
Sort by
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2012) 27 (3 (81)): 169–179.
Published: 01 December 2012
...Gerda Johanna Cammaer The small Belgian coastal town of Knokke-le-Zoute once was the scene for one of the most impressive gatherings of the international film avant-garde, when it hosted the last three editions of the illustrious EXPRMNTL film festival (1963, 1967, and 1974). This article focuses...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2012) 27 (3 (81)): 181–183.
Published: 01 December 2012
... 2012 Volume Index Volume 27 corresponds to issues 79 – 81 Nadia Awad, see Colleen Jankovic with Nadia Awad Gerda Cammaer How EXPRMNTL Made the Small Coastal Town of Knokke the Scene for Radical Artistic New Waves and Political Sea Changes. No. 81: pp. 169 – 179...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2012) 27 (3 (81)): 137–147.
Published: 01 December 2012
... decade has seen an explosion of festivals and conferences focusing on experimental media in all its forms, the and congresses in Toronto are in the tradition of EXPRMNTL. EXPRMNTL was organized ve times between and It was held in Knokke- le- zoute in as part of a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1976) 1 (1 (1)): 128–139.
Published: 01 May 1976
...." (Unattributed quotes from Dore o. are drawn from her printed filmography, a document accompanying a showing of her films in Freiburg, Germany, May 1973.)Dore O. 's films have been shown in festivals and cinema- theques in Knokke, Oberhausen, Berlin, Mannheim, London, Hamburg, Tokyo, Montreal, Palmero...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2005) 20 (1 (58)): 1–31.
Published: 01 May 2005
... between the fi lm cooperatives and countercultural festivals of the 1960s (such as the London Film Makers’ Co-op or the experimental fi lm festival at Knokke Le Zoute in Belgium) and the commodity culture of the contemporary art world. A 1960s or 1970s multiscreen projection was quite likely...