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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2007) 22 (3 (66)): 25–59.
Published: 01 December 2007
...-over. From within her forest idyll with the outlaw murderer Kit, who has dispatched her father and driven her from her burning home, Holly imagines an alternate narra- tive for herself as Kit goes about daily chores. With her eyes in the viewfinder, Holly asserts that she is really “just a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1984) 4 (3 (12)): 126–129.
Published: 01 December 1984
... Choreographyfor the Camera; The T~akPersona; Gold Diggers of 1933 ; Une Femme est Une Femme; Madame de. . . ; Julia; The Power of Emotions; The State of Things. In conclusion, here is one more text from Potter about the film, provided in the B.F.I.’s press kit: “I...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1988) 6 (3 (18)): 42–51.
Published: 01 September 1988
...: Redgrave, 1984). 2. The press kit for the film includes a map of West Berlin. The protagonist's movements from scene to scene are marked on the map and joined by a line, like a strange sort of promotional tour guide. 3. See Miriam Hansen's "Visual Pleasure, Fetishism and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 139–146.
Published: 01 September 2011
... which vidders’ modes of creative analysis could provide useful additions to cultural theorists’ methodological tool kits. Unlike the structured linearity of academic argument, vidding uses the interplay of sound and images, as well as the extensive intertextual references each clip offers, to...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1988) 6 (1 (16)): 203–225.
Published: 01 January 1988
... presence of commercials, program promos, press kits, and miscellaneous trailers. Nina Leibman The UCLA Film and Television Archive 1438 Melnitz Hall 405 Hilgard Avenue Los Angeles, CA 90024 (213) 206-8013 The UCLA Film and Television...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1992) 10 (1 (28)): 100–133.
Published: 01 January 1992
... patent dispute over the ELISA test kit to construct a narrative of the history of the isolation of the virus. He states, “At the heart of the dispute, however, are different perceptions of the events that led to the identification of the AIDS virus and different interpretations of what...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2011) 26 (3 (78)): 95–135.
Published: 01 December 2011
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (3 (30)): 92–111.
Published: 01 May 1992
..., where he must undress under the gaze of others. Thus dispossessed of his identity kit and other defenses, he receives a towel (always too small) and a pair of shower clogs. Of course, he may yet deny his accessibility and refuse to engage in sexual acts, but only...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1994) 11-12 (3-1 (33-34)): 212–241.
Published: 01 May 1994
.... That half-hour program, Homemade for the Holidays, showed viewers how to decorate Christmas ornaments using a craft kit available for $39.95.12The infomer- cial generated $750,000 in sales for the network.13 In general, infomercials are also an attractive format...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1990) 8 (2 (23)): 176–205.
Published: 01 May 1990
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 131–160.
Published: 01 December 1982
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1994) 11-12 (3-1 (33-34)): 12–41.
Published: 01 May 1994
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2004) 19 (3 (57)): 23–55.
Published: 01 December 2004
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2004) 19 (3 (57)): 57–91.
Published: 01 December 2004
... charged that Super- star violated copyright laws through unauthorized use of the Car- penters’ logo (which appears on props throughout the film, such as the drum kit and miniature albums), their images (such as the photograph of Karen and Richard Carpenter on the wall in Karen’s bedroom), life story...