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Journal Article
Camera Obscura (1993) 11 (2 (32)): 124–160.
Published: 01 September 1993
...Timothy Murray Copyright © 1993 by Indiana University Press 1993 Figure 1. Mary Kelly, “La Hudson Boite en fer blanc #6,” from Magiciens de la Mer(d), Artforum, January 1991. Televisual Fears and Warrior Myths: Mary Kelly Meets Dawn Dedeaux Timothy...
Journal Article
Camera Obscura (1985) 5 (1-2 (13-14)): 148–157.
Published: 01 September 1985
...Jane Weinstock Copyright © 1985 by Camera Obscura 1985 No Essential Femininity: A Conversation between Mary Kelly and Paul Smith Introduction Mary Kelly, an American living in London, resists definition. An artist, a teacher, a curator, a writer, and a filmmaker, a socialist...
Image
Published: 01 September 2021
Figure 1. From left to right: Jeanne Coyne, Stanley Donen, Gene Kelly, Carol Haney, and Donald O'Connor on the set of Singin’ in the Rain (dir. Gene Kelly and Stanley Donen, US, 1952). Courtesy of Photofest Figure 1. From left to right: Jeanne Coyne, Stanley Donen, Gene Kelly, Carol Haney More
Image
Published: 01 September 2021
Figure 4. From left to right: Reynolds as Kathy Selden, Kelly as Don Lockwood, Jean Hagen as Lina Lamont, and the Puerto Rican singer-actor-dancer Rita Moreno as the flapper Zelda Zanders. Here Zanders, who had a more prominent role in earlier film scripts, tells Lockwood, “Oh, anytime, Don More
Journal Article
Camera Obscura (1991) 9 (3 (27)): 134–147.
Published: 01 September 1991
...Margaret Iversen Copyright © 1992 by The Johns Hopkins University Press 1991 Interim, (Mary Kelly, 1984-89). Installation view. Shaped by Discourse, Dispersed by Desire: Masquerade and Mary Kelly’s Interim Margaret lversen In Julia Kristeva’s indispensable essay “Women’s...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 1–31.
Published: 01 September 2021
...Figure 1. From left to right: Jeanne Coyne, Stanley Donen, Gene Kelly, Carol Haney, and Donald O'Connor on the set of Singin’ in the Rain (dir. Gene Kelly and Stanley Donen, US, 1952). Courtesy of Photofest Figure 1. From left to right: Jeanne Coyne, Stanley Donen, Gene Kelly, Carol Haney...
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Journal Article
Camera Obscura (1992) 10 (3 (30)): 51–56.
Published: 01 May 1992
...Mary Kelly Mary Kelly Gloria Patri Ignoring the trail, he’d followed a tributary to the river. Sharp currents gouged their course through ferruginous clay, spalling iron ore...
Image
Published: 01 September 2021
Figure 2. Debbie Reynolds performs an approximation of a Hawaiian hula dance as O'Connor and Kelly (from left to right) look on, part of the eruption of a multiracial genealogy of jazz dance in the “Good Morning” number. Singin’ in the Rain (dir. Gene Kelly and Stanley Donen, US, 1952) Figure More
Journal Article
Camera Obscura (2001) 15 (3 (45)): 35–69.
Published: 01 December 2001
...Kelly Hankin Camera Obscura 2001 Kelly Hankin received her Ph.D. in English from the University of Rochester, where she is currently a visiting professor of film studies. Her book The Girls in the Back Room: The Lesbian Bar in Film, Television, and Video is forthcoming from...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 159–167.
Published: 01 December 2012
...Kelly Hankin In 2001, the Clif Bar and Company, makers of LUNA: The Whole Nutrition Bar for Women, debuted LUNAFEST, an international touring film festival that showcases short narrative and documentary work by female filmmakers. Since its inception, this festival has made significant inroads...
Image
Published: 01 September 2021
Figure 5. Our first introduction to Rita Moreno as the “Zip girl” starlet Zelda Zanders, a nod to the 1920s white “It” girl Clara Bow. Singin’ in the Rain (dir. Gene Kelly and Stanley Donen, US, 1952) Figure 5. Our first introduction to Rita Moreno as the “Zip girl” starlet Zelda Zanders More
Journal Article
Camera Obscura (1985) 5 (1-2 (13-14)): 158–161.
Published: 01 September 1985
... of Her Proceedings: Mary Kelly's Post-Partum Document” Parachute , 1-2 ( 1982 ), pp. 29 –35. By Mary , Kelly “Re-Viewing Modernist Criticism,” Screen 22 , 1-2 ( 1981 ), pp. 41 –62. “Woman-Desire-Image,” Desire . London: Institute of Contemporary Arts Documents, 1984 . Post...
Image
Published: 01 September 2021
’ in the Rain (dir. Gene Kelly and Stanley Donen, US, 1952) Figure 3. This screenshot of Coyne (front row, far left), Reynolds (front row, second from the left), and fellow chorus dancers mid-Charleston in “All I Do Is Dream of You” makes visible the contrast between Coyne's get-down Africanist stance More
Journal Article
Camera Obscura (1995) 12 (3 (36)): 118–133.
Published: 01 September 1995
...Scott MacDonald The scrapbook version of Chronicles ofa Lying Spirit (by Kelly Gabron). Photography by William C. Parker. Interview with Cauleen Smith Scott MacDonald When African American women have managed to find access to the technological...
Journal Article
Camera Obscura (1986) 5 (3 (15)): 180–181.
Published: 01 December 1986
.... Kaplan, E. Ann The Hidden Agenda: Re-Vision: Essays in Feminist Film Criticism. N0.13-14; pp. 235-249. Kelly, Mary and Paul Smith No Essential Femininity: A Conversation Between Mary Kelly and Paul Smith. No.13-14; pp. 149-157. Kirby...
Journal Article
Camera Obscura (1991) 9 (3 (27)): 148–165.
Published: 01 September 1991
... essays primarily on film in Screen (including Laura Mulvey’s “Visual Pleasure and Narrative Cin- ema” of 1975, and Mary Kelly’s 1981 “Reviewing Modernist Criti- cism Pollock’s perspective provides an important insider’s view of spe- cifically British, Marxian...
Journal Article
Camera Obscura (1985) 5 (1-2 (13-14)): 84–85.
Published: 01 September 1985
... in the hope that it will help to fill the gap in a neglected area of feminist thinking about film. In all three cases - Trinh T. Minh-ha’s filmic investigation of the ethnographic I /eye, Connie Hatch’s polemical reconstruction of conventional docu- mentary photography, Mary Kelly’s exhaustive...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 195–203.
Published: 01 September 2016
... A Conversation with Jemima Wyman  • 199 feminism) but is still embodied and desiring the gaze (without reverting to the female subject only being articulated through text, like Mary Kelly’s early strategies to subvert the male gaze).7 The fabric in my work says “look at me,” the masks say “you don’t...
Journal Article
Camera Obscura (1980) 2 (3 (6)): 54–89.
Published: 01 December 1980
... by a determinate logc placed on the narrative by the star system: it is unthinkable that Don Pedro (Walter Slezak) could be placed in the position of desire to the exclusion of Serafin (Gene Kelly) who has yet to be introduced into the narrative. Thus there is a double motivation for ths repression...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 153–162.
Published: 01 December 2009
... exception at TIFF 2008 was US independent Kelly Reichardt’s Wendy and Lucy, which chronicles the journey of a young woman who, on the road with her dog, reaches the edge of destitution in the Pacific Northwest. With festival “buzz” (from Cannes and New York, as well as Toronto), Wendy and Lucy...