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Journal Article
Camera Obscura (1983) 4 (2 (11)): 72–85.
Published: 01 September 1983
...Linda Reisman © 1983 by Camera Obscura 1983 Interview with Marjorie Keller LindaReisman LR: How did you get started in filmmaking? MK: In 1968I was in college at Tufts University and interested in writing poetry. I was reading, going to hear poets, and trying to write...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 145–151.
Published: 01 December 2021
...Sarah Keller; Patricia White Abstract In this interview, Patricia White and Sarah Keller talk with Barbara Hammer's partner for over thirty years, Florrie Burke, who in multiple ways has helped keep Hammer's work present in the art world after her death in 2019. In the interview, Burke discusses...
FIGURES
Journal Article
Camera Obscura (2021) 36 (3 (108)): 89–103.
Published: 01 December 2021
...Sarah Keller Abstract In the year before her death in 2019, Barbara Hammer gave footage from four incomplete projects as well as funds she had procured from the Wexner Center for the Arts to four fellow filmmakers to use as they wished. Her footage of a Guatemalan marketplace and women weaving...
FIGURES
Journal Article
Camera Obscura (1983) 4 (2 (11)): 60–71.
Published: 01 September 1983
...Linda Reisman © 1983 by Camera Obscura 1983 DaughtersofChaos (Marjorie Keller, 1979) Personal Film / Feminist Film Linda Reisman 1. With [Daughters ofChaos] [Keller] is established as a major filmmaker, perhaps the only major...
Journal Article
Camera Obscura (2005) 20 (1 (58)): 59–105.
Published: 01 May 2005
... Chris Keller (Christopher Meloni). The development of the Beecher- Keller romance aptly coincided with the series’s increasingly melo- dramatic form; significantly, the narrative arc of the two men’s relationship vastly expanded the show’s fan base by appealing to women and gay male viewers...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 162–163.
Published: 01 December 1984
...Fred Camper © 1984 by Camera Obscura 1984 162 Letter to the Editors To the Editor: I am confused and, if I understand it correctly, appalled, at Linda Reisman’s “Personal Film/Feminist Film” (Camera Obsczcra 11). Reisman criticizes Marjorie Keller’s...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 163.
Published: 01 December 1984
... © 1984 by Camera Obscura 1984 Feminist Film was written as a response to a particular situation in avant- 163 garde film criticzjm. Amy Taubin’s unequivocal description of Marjorie Keller as ‘ ‘perhaps the only major filmmaker the American independent film has produced since the end...
Journal Article
Camera Obscura (2006) 21 (3 (63)): 153–156.
Published: 01 December 2006
... Cinema: Critical Frameworks (forthcoming). Daughters of Chaos (dir. Marjorie Keller, US, 1980). Courtesy of Film-Makers’ Cooperative A R C H I V E F O R T H E F U T U R E Rescuing the Fragmentary Evidence of Women’s Experimental Film Robin Blaetz I...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 84–87.
Published: 01 December 2021
... was imminent; just the day before, conference attendees had crowded into the panel “Resituating Barbara Hammer's Queer Legacy,” organized by Laura Stamm and including panelists Greg Youmans, Ronald J. Gregg, Stamm, and Sarah Keller, the coeditor of this dossier. Later, at a gathering celebrating the one...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 169–170.
Published: 01 December 1984
..., Mary Ann Gdda: Epistemology as Striptease. Vol. 4, no. 11; pp. 7-27. Horne, Larry and John Ramirez UCLA Gay and Lesbian Media Conference. Vol. 4, no. 11; pp. 121-131. Jacobs, Lea The Political Unconscious. Vol. 4, no. 11; pp. 103-110. Keller, Marjorie Interview. Vol. 4, no. 11...
Journal Article
Camera Obscura (2023) 38 (1 (112)): 31–53.
Published: 01 May 2023
.... Elsaesser, “Cinephilia or the Uses of Disenchantment,” 27. 25. Keller, Anxious Cinephilia , 27. 24. Sarah Keller, Anxious Cinephilia (New York: Columbia University Press, 2020), 15. 23. Thomas Elsaesser, “Cinephilia or the Uses of Disenchantment,” in Cinephilia: Movies, Love...
FIGURES
Journal Article
Camera Obscura (1983) 4 (2 (11)): 3–5.
Published: 01 September 1983
... Keller and its companion-piece "Personal Film/Feminist Film," Linda Reisman questions the assump• tions behind an influential current of feminist and avant-garde film criticism in terms of essentialism. Larry Horne and John Ramirez's "Report on the UCLA Gay and Lesbian Media Conference" argues...
Journal Article
Camera Obscura (1986) 5 (3 (15)): 176–179.
Published: 01 December 1986
... in the Films of Cocteau, Cornell, and Brakhage by Marjorie Keller. Farleigh Dickinson University Press. Cranbury, NJ: 1986. $36.50. Sexual Difference, edited by Robert Young. A special issue of The Oxford Literary Review (Nottingham, England: vo1.8, nos. 1-2, 1986...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 373–377.
Published: 01 December 1989
... Butler. Routledge, 1989. $12.95. BodylPolitics: Women and the Discourses of Science edited by Mary Jacobus, Evelyn Fox Keller and Sally Shuttleworth. Routledge, 1990. $13.95. ShotlCountershot: Film Tradition and Women’s Cinema by Lucy Fischer. Princeton...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 194–199.
Published: 01 May 2008
... (London: Tauris, 2002), 31. 4. Lorne, in “Over the Rainbow,” episode of Angel, writ. Mere Smith, dir. Fred Keller, prod. Joss Whedon, Skip Schoolnik, and Tim Minear, WB, 8 May 2001. 198  •  Camera Obscura 5. Stan Beeler, “Outing Lorne: Performance for the Performers...
Journal Article
Camera Obscura (2002) 17 (3 (51)): 31–69.
Published: 01 December 2002
...” of the guests Francis interviewed further confirms Home’s mission for edification. As chief writer Fred Freed put it, “Whenever we get a chance to stop treating the housewife like a dull dame with a dust mop . . . we give her something worthwhile.”67 Francis interviewed Pearl S. Buck, Helen Keller, Joseph...
Journal Article
Camera Obscura (1983) 4 (2 (11)): 120–131.
Published: 01 September 1983
... Film Festival) questioned the absence of lesbian images in current feminist avant-garde film. Weiss considered the films Daughters 0/ Chaos by Marjorie Keller and Empty Suitcases by Bette Gordon which promote feminist concerns, albeit solidly within a hetero• sexual framework. Although...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 105–117.
Published: 01 December 2021
... (US, 2015). Figure 2. Hammer tactilely brings the viewer into the light and textures of Elizabeth Bishop's domestic life in the biographical documentary Welcome to This House (US, 2015). I would like to offer immense thanks to Sarah Keller and Patricia White for their invaluable input...
FIGURES
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 103–128.
Published: 01 May 1997
... and the Discourses of Science, eds. Jacobus, Keller, and Shuttleworth (New York: Routledge, 1990) 47-68. 3. I must interject here a problem with Shuttleworth’s argument; it as- sumes that the “body” of the “woman” is unilaterally unproblematized by other markers of difference, most...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 30–59.
Published: 01 December 2020
... of environmental degradation, an idea that maintains prominence among ecofeminists like Caro- lyn Merchant, Greta Gaard, Myra Hird, and Evelyn Fox Keller.43 As artist Vivian Stockman, who is filmed in the documentary, states, Just love each other. Just love the planet. Loving ourselves, with masturbatory...