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kathryn

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Journal Article
Camera Obscura (2011) 26 (3 (78)): 146–153.
Published: 01 December 2011
...Martha M. Lauzen From the release of The Hurt Locker in October 2008 through the Academy Awards ceremony in March 2010, Kathryn Bigelow and her film garnered substantial press attention. An analysis of articles appearing on Bigelow in major English-language newspapers worldwide during this period...
Journal Article
Camera Obscura (2000) 15 (2 (44)): 202–204.
Published: 01 September 2000
.... Branston, Gill, and Roy Stafford, eds. The Media Student’s Handbook. 2d ed. New York: Routledge, 1999. Cook, Pam, and Mieke Bernink, eds. The Cinema Book. 2d ed. London: British Film Institute, 1999. Elder, Kathryn, ed. The Films of Joyce...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 1–3.
Published: 01 May 2014
... Kathryn Bigelow, Sofia Coppola, Lucrecia Martel, and others. Building on these shifts, and attending to examples beyond these much-­discussed auteurs, each contributor in this issue examines a director and the manner in which her practice is uniquely contemporary as it moves between different...
Journal Article
Camera Obscura (2004) 19 (1 (55)): iii–np.
Published: 01 May 2004
...: Johns Hopkins University, Swarthmore College, University of Rochester, and Division of the Arts, University of California, Santa Cruz. Thanks to the Department of Film Studies at the University of California, Santa Barbara, to Kathryn Carnahan, film studies business officer at UCSB, and to Caroline...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 166–172.
Published: 01 September 2007
..., with all of its entanglements. Hillary’s predicament in the public eye is little different from that of mass media’s fictional females. Soon after the first lady’s hair-care regimen became newsworthy, we met the sci-fi diva Kathryn Janeway (Kate Mulgrew), the first woman to captain...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 1–9.
Published: 01 September 2007
... and imaginary — Hillary Rodham Clin- ton, Kathryn Janeway/Kate Mulgrew, and Olivia Benson/Mariska Hargitay — Julie Levin Russo discovers that if hair doesn’t exactly make the diva, the type of diva you become can be decided by the hair. Hair, it seems, remains a major fetish item for diva devotees...
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 180–198.
Published: 01 May 1997
... attending to themselves and their families, and not rely on the government nor on other people.20 In the home, 187 the individual and hidher family are seen to be a closed, private, coherent unit, a view encouraged by the designers of the new accom- modation in Kristine Kathryn Rusch’s vampire...
Journal Article
Camera Obscura (2017) 32 (1 (94)): 179–186.
Published: 01 May 2017
... making films I had hoped that maybe I could get some work in television, but that door was firmly shut to me too. Occasionally women today get to direct a feature film, but I don’t think it’s a very good situation overall. I mean, people point to Kathryn Bigelow, but, beyond that, who can...
Journal Article
Camera Obscura (2002) 17 (2 (50)): 155–189.
Published: 01 September 2002
... the representation of animals, knowledge, and expertise. Angela Bassett and Ralph Fiennes in Strange Days (dir. Kathryn Bigelow, US, 1995) Can “We All” Get Along? Social Difference, the Future, and Strange Days Mark Berrettini Several of the disparate character-driven narrative threads...
Journal Article
Camera Obscura (1992) 10 (1 (28)): 206–237.
Published: 01 January 1992
... resources to maintain a youthful, and there€ore socially acceptable and attractive, body appearance. Kathryn Pauly Morgan, in an essay in a special issue of Hypatia on “Feminism and the Body,” argues that the normalization of cosmetic surgery-“the inversion...
Journal Article
Camera Obscura (2022) 37 (3 (111)): 87–113.
Published: 01 December 2022
...: Harvard University Press, 2013), 201. 10. Haraway, “Tentacular Thinking,” 49. 9. Hortense J. Spillers, “Mama's Baby, Papa's Maybe: An American Grammar Book,” Diacritics 17, no. 2 (1987): 67. 8. Kathryn Yusoff, A Billion Black Anthropocenes or None (Minneapolis: University...
FIGURES
Journal Article
Camera Obscura (2009) 24 (3 (72)): 153–162.
Published: 01 December 2009
... and tourism-oriented festivals, these competitive showcases are indus- try players that receive intense media coverage. Thus their visible programming commitments to women filmmakers — Agnès Varda, Kathryn Bigelow, Gina Prince-Bythewood, and Samira Makhalbaf were among the many prominent women...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 137–147.
Published: 01 December 2012
... as the congress aimed to take account of the ten years between it and the Film Is Film festival in London, the congress looked to changes in experimental media in the twenty- one years since Art Gallery of Ontario, Kathryn Elder, Catherine Jonasson, and Bart Testa, International...
Journal Article
Camera Obscura (1983) 4 (2 (11)): 120–131.
Published: 01 September 1983
..., but in the activation ofhuman relations where sexuality is not just a function of vision but is experienced simultaneously with its representa• tional forms. Two additional panels were included in the conference's program. Kathryn Montgomery (UCLA) chaired the panel, "Gay and Lesbian...
Journal Article
Camera Obscura (2002) 17 (2 (50)): 191–217.
Published: 01 September 2002
... of racialization, kinship, and sexuality under US slavery. Ralph Fiennes in Strange Days (dir. Kathryn Bigelow, US, 1995) Strange Days and the Subject of Mobility Brian Carr This is not like TV, only better. This is life. It’s a piece of somebody’s life. It’s pure and uncut—straight...
Journal Article
Camera Obscura (2015) 30 (3 (90)): 61–91.
Published: 01 December 2015
... surprising that witches have enjoyed a resurgence of late in US film and television products.40 The gendered implications of witches and witchcraft are even more prominent in Paranormal Activity 4, which features another nuclear family consisting of a teenaged girl, Alex (Kathryn Newton), her...
Journal Article
Camera Obscura (1992) 10 (1 (28)): 100–133.
Published: 01 January 1992
... narratives are told by persons who invest themselves in their narratives, which are stories of their experience. As Kathryn Hunter demonstrates with physicians’ case reports, “When the reader or listener disagrees with the case report, the narrator is no longer a mere...
Journal Article
Camera Obscura (2022) 37 (3 (111)): 31–57.
Published: 01 December 2022
... (Austin: University of Texas Press, 1976), 108; Rosa Linda Fregoso, “Filming California: Re-imagining the Nation,” in Art, Women, California 1950–2000: Parallels and Intersections , ed. Diana Burgess Fuller and Daniela Salvioni (Berkeley: University of California Press, 2002), 262–63; and Kathryn Ramey...
FIGURES
Journal Article
Camera Obscura (2014) 29 (1 (85)): 5–31.
Published: 01 May 2014
... University Press, 2005), 498. 5. The most conspicuous example is Kathryn Bigelow. While her work has been examined in relation to questions of gender, her public statements shy away from feminism. 6. It is significant that in many national industries, women are overrepresented...
Journal Article
Camera Obscura (2011) 25 (3 (75)): 1–27.
Published: 01 December 2011
..., Homo Economics: Capitalism, Community, and Gay Life (London: Routledge, 1997); Rosemary Hennessy, Profit and Pleasure: Sexual Identities in Late Capitalism (New York: Routledge, 2000); Kathryn Sender, Business, Not Politics: The Making of the Gay Market (New York: Columbia...