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kathryn

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Journal Article
Camera Obscura (2011) 26 (3 (78)): 146–153.
Published: 01 December 2011
...Martha M. Lauzen From the release of The Hurt Locker in October 2008 through the Academy Awards ceremony in March 2010, Kathryn Bigelow and her film garnered substantial press attention. An analysis of articles appearing on Bigelow in major English-language newspapers worldwide during this period...
Journal Article
Camera Obscura (2000) 15 (2 (44)): 202–204.
Published: 01 September 2000
.... Branston, Gill, and Roy Stafford, eds. The Media Student’s Handbook. 2d ed. New York: Routledge, 1999. Cook, Pam, and Mieke Bernink, eds. The Cinema Book. 2d ed. London: British Film Institute, 1999. Elder, Kathryn, ed. The Films of Joyce...
Journal Article
Camera Obscura (2004) 19 (1 (55)): iii–np.
Published: 01 May 2004
... Hopkins University, Swarthmore College, University of Rochester, and Division of the Arts, University of California, Santa Cruz. Thanks to the Department of Film Studies at the University of California, Santa Barbara, to Kathryn Carnahan, film studies business officer at UCSB, and to Caroline Hong...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 1–3.
Published: 01 May 2014
... directors like Kathryn Bigelow, Sofia Coppola, Lucrecia Martel, and others. Building on these shifts, and attending to examples beyond these much-­discussed auteurs, each contributor in this issue examines a director and the manner in which her practice is uniquely contemporary as it moves between...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 166–172.
Published: 01 September 2007
..., with all of its entanglements. Hillary’s predicament in the public eye is little different from that of mass media’s fictional females. Soon after the first lady’s hair-care regimen became newsworthy, we met the sci-fi diva Kathryn Janeway (Kate Mulgrew), the first woman to captain...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 1–9.
Published: 01 September 2007
... their hair. Contemplat- ing the coifs of divas real and imaginary — Hillary Rodham Clin- ton, Kathryn Janeway/Kate Mulgrew, and Olivia Benson/Mariska Hargitay — Julie Levin Russo discovers that if hair doesn’t exactly make the diva, the type of diva you become can be decided by the hair. Hair...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 153–162.
Published: 01 December 2009
... circuit of audience and tourism-oriented festivals, these competitive showcases are indus- try players that receive intense media coverage. Thus their visible programming commitments to women filmmakers — Agnès Varda, Kathryn Bigelow, Gina Prince-Bythewood, and Samira Makhalbaf were among...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 137–147.
Published: 01 December 2012
.... articles.synoptique.ca/cammaer_ aming/. . Just as the congress aimed to take account of the ten years between it and the Film Is Film festival in London, the congress looked to changes in experimental media in the twenty- one years since Art Gallery of Ontario, Kathryn Elder...
Journal Article
Camera Obscura (1983) 4 (2 (11)): 120–131.
Published: 01 September 1983
... included in the conference's program. Kathryn Montgomery (UCLA) chaired the panel, "Gay and Lesbian Pressure Groups and the TV Networks," in which representatives from these organizations discussed current institutional problems for television programming. Jim Boyle (USC) led...
Journal Article
Camera Obscura (2017) 32 (1 (94)): 179–186.
Published: 01 May 2017
.... After I stopped making films I had hoped that maybe I could get some work in television, but that door was firmly shut to me too. Occasionally women today get to direct a feature film, but I don’t think it’s a very good situation overall. I mean, people point to Kathryn Bigelow, but, beyond that...
Journal Article
Camera Obscura (2002) 17 (2 (50)): 191–217.
Published: 01 September 2002
... under US slavery. Camera Obscura 2002 Ralph Fiennes in Strange Days (dir. Kathryn Bigelow, US, 1995) Strange Days and the Subject of Mobility Brian Carr This is not like TV, only better. This is life. It’s a piece of somebody’s life. It’s pure and uncut—straight...
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 180–198.
Published: 01 May 1997
... family are seen to be a closed, private, coherent unit, a view encouraged by the designers of the new accom- modation in Kristine Kathryn Rusch’s vampire novel, Sins of the Blood. They “have added a number of touches,” like elegantly letter- ing the numbers on the doors, “to make the residents...
Journal Article
Camera Obscura (2002) 17 (2 (50)): 155–189.
Published: 01 September 2002
... expertise. Camera Obscura 2002 Angela Bassett and Ralph Fiennes in Strange Days (dir. Kathryn Bigelow, US, 1995) Can “We All” Get Along? Social Difference, the Future, and Strange Days Mark Berrettini Several of the disparate character-driven narrative threads in Kathryn...
Journal Article
Camera Obscura (1992) 10 (1 (28)): 206–237.
Published: 01 January 1992
... attractive, body appearance. Kathryn Pauly Morgan, in an essay in a special issue of Hypatia on “Feminism and the Body,” argues that the normalization of cosmetic surgery-“the inversion of the domains of the deviant and the pathological”-are “catalyzed by the...
Journal Article
Camera Obscura (1992) 10 (1 (28)): 100–133.
Published: 01 January 1992
... their experience. As Kathryn Hunter demonstrates with physicians’ case reports, “When the reader or listener disagrees with the case report, the narrator is no longer a mere transparent medium for the ‘facts.’ Attacks on medical information quickly become attacks ad...
Journal Article
Camera Obscura (2015) 30 (3 (90)): 61–91.
Published: 01 December 2015
... television products.40 The gendered implications of witches and witchcraft are even more prominent in Paranormal Activity 4, which features another nuclear family consisting of a teenaged girl, Alex (Kathryn Newton), her mother and father, and her kid brother Wyatt (Aiden Lovecamp). Set in yet...
Journal Article
Camera Obscura (2011) 25 (3 (75)): 1–27.
Published: 01 December 2011
Journal Article
Camera Obscura (2017) 32 (3 (96)): 63–91.
Published: 01 December 2017
Journal Article
Camera Obscura (2014) 29 (1 (85)): 5–31.
Published: 01 May 2014
Journal Article
Camera Obscura (2020) 35 (1 (103)): 109–137.
Published: 01 May 2020
... film tells the story of war through the perspective of the white male and indeed, the majority of war films do feature white men we can follow a new heuristic formulation in the superhu- man white women in popular war TV and film.7 The Academy- Award- winning film Zero Dark Thirty (dir. Kathryn...