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Journal Article
Camera Obscura (1988) 6 (1 (16)): 154–168.
Published: 01 January 1988
...Robert H. Deming Kate and Allie Kate and Allie: "New Women" and the Audience's Television Archive Robert H. Deming Network television rediscovered the "new woman" again in the Fall 1984 season. Several prime-time programs featured female leads in take-charge roles rather...
Journal Article
Camera Obscura (2015) 30 (1 (88)): 11–39.
Published: 01 May 2015
... and dispersed in ambivalent representations and interpretations across the mediascape. Due to its combinatory nature and gendered valences, we call this concept the transmediated grotesque . We build this discussion around three reality celebrity case studies: Kate Gosselin, star of TLC's Jon and Kate...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 137–159.
Published: 01 May 2014
... Money  concerns a group of four female friends, three who are wealthy and married and one who is poor and single, while Please Give  focuses on the escalating guilt of its main character, Kate (Catherine Keener), over her middle-­class lifestyle. Reviewers cite Holofcener’s “unsparing...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 166–172.
Published: 01 September 2007
..., with all of its entanglements. Hillary’s predicament in the public eye is little different from that of mass media’s fictional females. Soon after the first lady’s hair-care regimen became newsworthy, we met the sci-fi diva Kathryn Janeway (Kate Mulgrew), the first woman to captain...
Journal Article
Camera Obscura (1992) 10 (3 (30)): 92–111.
Published: 01 May 1992
... somewhat extreme in degree, is nonetheless standard in kind, and in its structure substantially conforms to the scenario I have sketched above. In its initial sequences, Dressed to Kill focuses on a middle-aged, apparently upper middle-class New York woman named Kate Miller...
Journal Article
Camera Obscura (1992) 10 (2 (29)): 247–248.
Published: 01 May 1992
...-Garde edited by Douglas Kahn and Gregory Whitehead. MIT Press, 1992. $35.00. George Bizet: Carmen by Susan McClary. Cambridge University Press, 1992. $15.95. Kate Chopins The Awakening: Screenplay as Interpretation by Marilyn Hoder-Salmon. University of...
Journal Article
Camera Obscura (1985) 5 (1-2 (13-14)): 158–161.
Published: 01 September 1985
...Jane Weinstock Copyright © 1985 by Camera Obscura 1985 Bibliography On the Post-Partum Document: Cowie , Elizabeth . “Introduction to Post-Partum Document,” m/f , 1-2 ( 1981 ), pp. 115 –23. Linker , Kate “Representation and Sexuality,” Parachute , 1-2 (September...
Journal Article
Camera Obscura (2003) 18 (2 (53)): 27–55.
Published: 01 September 2003
... that a successful business- man, Jack Campbell, is afforded the opportunity through the magical intervention of a supernatural black man to see what his life would have been like if he had settled down with his girl- friend, Kate (Téa Leoni), thirteen years earlier. In the opening scene, the young...
Journal Article
Camera Obscura (1988) 6 (1 (16)): 4–8.
Published: 01 January 1988
... economic upheavals of postwar America. Robert Deming considers how feminism has been popularized on the TV sit-com Kate and Allie, which, he argues, recycles discourses of the "new woman" found in earlier television programs and in magazines like Ms. He claims that women understand...
Journal Article
Camera Obscura (1988) 6 (3 (18)): 157–159.
Published: 01 September 1988
.... Cousins, Mark Forme frustre: Introduction to Fellowdrama (Ray Barrie). No.17; pp. 83• 84. deCordova,Richard Film History as Discipline. On Robert C. Allen and Douglas Gomery's Film History: Theory 'and Practice. No.18; pp. 146-154. Deming, Robert H. Kate and Allie: "New" Women and the...
Journal Article
Camera Obscura (1995) 12 (3 (36)): 49–65.
Published: 01 September 1995
... relationship between Kate Delacroix (Melissa Gilbert) and Carrie Grace Battle (Cicely Tyson) is a study in race and class opposition. Delacroix is a young white woman, whose family is one of the wealthiest and most powerful in the state. Battle is an older African American...
Journal Article
Camera Obscura (1988) 6 (2 (17)): 169–193.
Published: 01 May 1988
... that crazy show.” Kate, acknowledging that “it’s kinda funny-talking,” said that her father does not like her to watch it either, though she frequently views it anyway. My son responded that “finally, at last,” they would be able to watch Pee-wee at our party: “And your parents won’t be able...
Journal Article
Camera Obscura (2006) 21 (3 (63)): 167–170.
Published: 01 December 2006
... women. In the early eighties, a bunch of feminists got together in New York and thrashed out how best to draw media attention to the threats then looming against abortion rights. Ellen Wil- lis, Annie Snitow, Judith Levine, Temma Kaplan, Carole Vance, Karen Durbin, Alex Kates Shulman, Vanalyne...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 74–87.
Published: 01 December 1982
... books I liked rather well by a writer, a militant American feminist named Kate Millet, three of whose books I’ve read. . . . And I think that in a certain way it’s a defeat for the feminist viewpoint. . . . But what makes it a defeat is her having made it a book rather than a film, since...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 144–153.
Published: 01 September 2007
... “spent hours counting the freckles on [pictures of] Julie Andrews’ face” and Kate Neilsen’s correlative recollection of a juvenile queer epiphany “sitting next to my mother, munch- ing on popcorn, watching The Sound of Music . . . [wanting] to be with the beautiful Julie Andrews,” or, indeed, my...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 184–193.
Published: 01 May 2008
... United States had never seen — and could only dream of having. Notes I would like to express my thanks to Kate MacPherson for sharing her fabulous photograph, and especially to Georgina Beyer for calling me back and offering her insight and wit. 1. The quip refers back to an earlier joke...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 178–183.
Published: 01 May 2008
... popular songs unrecognizable until she gets to the chorus, Kiki’s vocal stylings occasionally eclipse the original versions, as with the duo’s signature number, Kate Bush’s “Running up That Hill.” Experiencing Kiki and Herb’s music for the first time might be described as a series of epiphanies...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 1–9.
Published: 01 September 2007
... their hair. Contemplat- ing the coifs of divas real and imaginary — Hillary Rodham Clin- ton, Kathryn Janeway/Kate Mulgrew, and Olivia Benson/Mariska Hargitay — Julie Levin Russo discovers that if hair doesn’t exactly make the diva, the type of diva you become can be decided by the hair. Hair...
Journal Article
Camera Obscura (1977) 1 (2 (2)): 131–136.
Published: 01 September 1977
... of appearance to vision is else- where.' Let's take a specific moment of this in]ames: (Kate Croy is look- ing down from a balcony at MillyTheale arriving in a cab) What was also, however, determined for her was, again, yet irrepressi- bly again, that the image presented to her, the...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 179–184.
Published: 01 December 2007
..., and Kate Schatz, eds., The Encyclopedia Project, www.encyclopediaproject.org (accessed 1 February 2006); as well as the work of Abigail Child, Tony Cokes, David Gatten, Lynne Kirby, Jay Rosenblatt, Anri Sala, Deborah Stratman, T. Kim Tranh, and Travis Wilkerson, among...