1-20 of 67 Search Results for

judy

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Camera Obscura (2010) 25 (2 (74)): 183–195.
Published: 01 September 2010
... Wanda. Why Isn’t Michelle Lopez on Judge Judy? Citizenship and Televisuality in Hima B.’s And I Do Survive Ani Maitra I talked to Hima B., a queer independent filmmaker, in New York in February 2009. What follows is a conversation with Hima and analysis of her video And I Do...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 127–133.
Published: 01 September 2007
... and the Limits of Religious Tolerance (2003), and the coeditor of Queer Theory and the Jewish Question (2003). Unnatural Affinities: Me and Judy at the Lesbian Bar Ann Pellegrini For my eighteenth birthday, my high school boyfriend gave me two Judy Garland albums: Alone and Miss Show...
Journal Article
Camera Obscura (2011) 25 (3 (75)): 101–141.
Published: 01 December 2011
... away with murdering his wife, Mad- eleine (Kim Novak); Scottie ( James Stewart) gets away with making Judy (Kim Novak) over into Madeleine. First the film gets away with forcing us to believe that Judy is Madeleine, and that Madeleine is possessed by the spirit of her great-­grandmother...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 1–9.
Published: 01 September 2007
... — and Camera Obscura 65, Volume 22, Number 2 doi 10.1215/02705346-2007-001  © 2007 by Camera Obscura Published by Duke University Press 1 2  •  Camera Obscura voices — likewise seemed to saturate my childhood beginning in the mid-1950s: Marilyn Monroe, Elizabeth Taylor, Judy Garland, Leontyne...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 178–183.
Published: 01 May 2008
...- down, but she’s also a survivor, a character who responds to life’s hard knocks by kicking back and telling all. Judy Garland’s leg- endary show “Judy at Carnegie Hall” was an implicit antecedent to Kiki and Herb’s performance in that same hall, a connection augmented by the release of a double...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 1–9.
Published: 01 May 2008
..., the introduction for issue 65 was bookended by an image of the Blessed Virgin Mary in all her glory and the poster for Rufus Wainwright’s “Judy Garland at Carnegie Hall” concert. The first of Wainwright’s “people” we contacted couldn’t have been nicer about assuring us that we could have permission...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 160–164.
Published: 01 May 2008
... an implication of artifice in the term that leaves me unsettled. Gay men have historically been attracted to classical Hollywood divas like Joan Crawford because of the ways that these women chal- lenge and expose the artificiality of gender itself — a queer project if there ever was one. Divas like Judy...
Journal Article
Camera Obscura (1990) 8 (1 (22)): 8–27.
Published: 01 January 1990
... with a wealth of examples to support this idea of the “subversive text”. The final scene in which 16 Judy O’Brien (Maureen O’Hara) discovers Steve Adams’s identity as director of a dance academy, and hence the real reason for his pursuit of her (iSea9her abilities as a dancer) is cited...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 134–139.
Published: 01 September 2007
... the potential to open up spaces of fantasy, both real and imagined, in which we are able to play with different ways of being in the world, to live (albeit temporarily) at the height of our senses. Just as the figure of Judy Garland was able to “articulate directly the desire to escape into the world...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 69–98.
Published: 01 December 2012
... are not permitted to hate or desire her. As Kittler writes, “Women who have been subjected to phonographs and typewriters are souls no longer; they can only end up in musicals.”9 Figure . Deanna Durbin and Judy Garland on the set of Every Sunday (dir. Felix E. Feist, US...
Journal Article
Camera Obscura (1996) 13 (3 (39)): 126–150.
Published: 01 September 1996
.... In re- sponse to the very limited career options for women, the lack of educational opportunities, the prohibitions (both legal and social) against women controlling their own sexuality and reproductivity, artists such as Judy Chicago, Miriam Schapiro, Joyce Kozloff, and Faith Ringgold utilized...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 25–59.
Published: 01 December 2007
...” is the greeting Judy (Natalie Wood) offers to Jim when performing her bad-girl role on the first day of school — and seems to use it mockingly. In other words, Kit may look just like Dean, but Holly does not always give him the star treatment. He asks her to take another walk, and she demurs, pleading...
Journal Article
Camera Obscura (1995) 12 (2 (35)): 52–84.
Published: 01 May 1995
... postmodern- ism, even after Stonewall. The ostensible birth of gay activism at Stonewall was, after all, precipitated by the death of camp icon Judy Garland. For Mark Finch and David Roman, camp exists only as a pre-Stonewall phenomenon, an important but dead, if you will, mo- ment of gay history...
Journal Article
Camera Obscura (2001) 15 (3 (45)): 1–33.
Published: 01 December 2001
... on Wilson, while Rodney’s essay was not published.4 In 1996, Wilson was also included in Sexual Politics: Judy Chicago’s Dinner Party in Feminist Art History, an exhibition at the Armand Hammer Museum in Los Angeles that reconsidered the Dinner Party within...
Journal Article
Camera Obscura (1980) 2 (3 (6)): 54–89.
Published: 01 December 1980
... in relation to the trajectory of desire, worhng to the advantage of the Family and against the sense of over- 65 determination derived from the sipfication of the star system. It is unquestionable that Judy Garland is out of the category of other women in the film and equally so that Gene Kelly...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 101–135.
Published: 01 December 2012
... been considered forerunners of feminist postmodernism, such as Mary Kelly, Yvonne Rainer, and Martha Rosler, appeared in the galleries alongside artists who have usually been considered dyed- in- the- wool essentialists, such as Judy Chicago, Mary Beth Edelson, and Hammer. Although on one...
Journal Article
Camera Obscura (2004) 19 (1 (55)): 1–41.
Published: 01 May 2004
..., and articles. An awareness of the mobility of these terms seems fundamental to any critique of the representa- tion of death row inmates that seeks to be both antiracist and fem- inist. Judi Buenoano was electrocuted in Florida only a month after Karla Faye Tucker on 30 March 1998. While Amnesty...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 39–63.
Published: 01 May 2011
... the constraints of chronology and causality. Reed’s installation Judy’s Bedroom, a homage to Alfred Hitchcock’s Vertigo (US, 1958), even creates a mise en abyme of this process of revi- sion. Through digital manipulation, the artist inserted his paint- ing #271 — already a quotation of Caravaggio’s...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 132–137.
Published: 01 December 1989
... of the gay male subculture to the films of Judy Garland provides an important analysis of the way in which different cultural groups can produce different readings of texts based on an alternative set of shared codes and experiences. Alternative readings must also...
Journal Article
Camera Obscura (1981) 3 (1 (7)): 128–135.
Published: 01 May 1981
... (1976). Directed by Denise Bostrum and Jane Warrenbrand; 32 min., color, 16mm. Distributed by Serious Business Com- pany, 1145 Mandana Blvd., Oakland, Ca. 94610. SeIf-Health (1974). Directed by Catherine Allan, Judy Irola, Allie Light, and Joan Musante with the assistance of the San Francisco...