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judy
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Journal Article
Why Isn't Michelle Lopez on Judge Judy ? Citizenship and Televisuality in Hima B.'s And I Do Survive
Camera Obscura (2010) 25 (2 (74)): 183–195.
Published: 01 September 2010
... Wanda.
Why Isn’t Michelle Lopez on
Judge Judy? Citizenship
and Televisuality in Hima B.’s
And I Do Survive
Ani Maitra
I talked to Hima B., a queer independent filmmaker, in New York
in February 2009. What follows is a conversation with Hima and
analysis of her video And I Do...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 127–133.
Published: 01 September 2007
... and the Limits of Religious Tolerance (2003), and the coeditor of Queer Theory and the Jewish Question (2003). Unnatural Affinities:
Me and Judy at the Lesbian Bar
Ann Pellegrini
For my eighteenth birthday, my high school boyfriend gave me
two Judy Garland albums: Alone and Miss Show...
Journal Article
Camera Obscura (2011) 25 (3 (75)): 101–141.
Published: 01 December 2011
... away with murdering his wife, Mad-
eleine (Kim Novak); Scottie ( James Stewart) gets away with making
Judy (Kim Novak) over into Madeleine. First the film gets away with
forcing us to believe that Judy is Madeleine, and that Madeleine is
possessed by the spirit of her great-grandmother...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 1–9.
Published: 01 September 2007
... — and
Camera Obscura 65, Volume 22, Number 2
doi 10.1215/02705346-2007-001 © 2007 by Camera Obscura
Published by Duke University Press
1
2 • Camera Obscura
voices — likewise seemed to saturate my childhood beginning in
the mid-1950s: Marilyn Monroe, Elizabeth Taylor, Judy Garland,
Leontyne...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 178–183.
Published: 01 May 2008
...-
down, but she’s also a survivor, a character who responds to life’s
hard knocks by kicking back and telling all. Judy Garland’s leg-
endary show “Judy at Carnegie Hall” was an implicit antecedent
to Kiki and Herb’s performance in that same hall, a connection
augmented by the release of a double...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 1–9.
Published: 01 May 2008
..., the introduction for issue 65 was bookended by an image of
the Blessed Virgin Mary in all her glory and the poster for Rufus
Wainwright’s “Judy Garland at Carnegie Hall” concert. The first
of Wainwright’s “people” we contacted couldn’t have been nicer
about assuring us that we could have permission...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 160–164.
Published: 01 May 2008
...
an implication of artifice in the term that leaves me unsettled. Gay
men have historically been attracted to classical Hollywood divas
like Joan Crawford because of the ways that these women chal-
lenge and expose the artificiality of gender itself — a queer project
if there ever was one. Divas like Judy...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 134–139.
Published: 01 September 2007
... the potential
to open up spaces of fantasy, both real and imagined, in which we
are able to play with different ways of being in the world, to live
(albeit temporarily) at the height of our senses. Just as the figure
of Judy Garland was able to “articulate directly the desire to escape
into the world...
Journal Article
Camera Obscura (1990) 8 (1 (22)): 8–27.
Published: 01 January 1990
... with a wealth of examples
to support this idea of the “subversive text”. The final scene in which
16 Judy O’Brien (Maureen O’Hara) discovers Steve Adams’s identity as
director of a dance academy, and hence the real reason for his pursuit
of her (iSea9her abilities as a dancer) is cited...
Journal Article
Camera Obscura (2024) 39 (1 (115)): 63–93.
Published: 01 May 2024
... that Tony Delrasso, an “angry, scared father,” for example, throws a container of milk through Mare's window after she arrests his daughter for potentially being involved in Erin's murder, an ironic reversal of the life-giving, nurturing symbol of breastmilk. 81 Colin's mother, Judy, represents...
FIGURES
Journal Article
Camera Obscura (2012) 27 (3 (81)): 69–98.
Published: 01 December 2012
... are not permitted to hate or desire her. As Kittler writes,
“Women who have been subjected to phonographs and typewriters
are souls no longer; they can only end up in musicals.”9
Figure . Deanna Durbin and Judy Garland on the set of
Every Sunday (dir. Felix E. Feist, US...
Journal Article
Camera Obscura (1996) 13 (3 (39)): 126–150.
Published: 01 September 1996
..., the lack of
educational opportunities, the prohibitions (both legal and social)
against women controlling their own sexuality and reproductivity,
artists such as Judy Chicago, Miriam Schapiro, Joyce Kozloff, and
Faith Ringgold utilized traditional "craft" techniques to examine
themes such as pattern...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 25–59.
Published: 01 December 2007
...” is the greeting Judy
(Natalie Wood) offers to Jim when performing her bad-girl role
on the first day of school — and seems to use it mockingly. In other
words, Kit may look just like Dean, but Holly does not always give
him the star treatment. He asks her to take another walk, and she
demurs, pleading...
Journal Article
Camera Obscura (1995) 12 (2 (35)): 52–84.
Published: 01 May 1995
... after Stonewall. The ostensible birth of gay activism at
Stonewall was, after all, precipitated by the death of camp icon Judy
Garland. For Mark Finch and David Roman, camp exists only as a
pre-Stonewall phenomenon, an important but dead, if you will, mo-
ment of gay history, and, as early as 1983...
Journal Article
Camera Obscura (2001) 15 (3 (45)): 1–33.
Published: 01 December 2001
... on Wilson, while Rodney’s
essay was not published.4 In 1996, Wilson was also included in
Sexual Politics: Judy Chicago’s Dinner Party in Feminist Art History,
an exhibition at the Armand Hammer Museum in Los Angeles
that reconsidered the Dinner Party within...
Journal Article
Camera Obscura (1980) 2 (3 (6)): 54–89.
Published: 01 December 1980
... in relation to the trajectory of desire,
worhng to the advantage of the Family and against the sense of over- 65
determination derived from the sipfication of the star system. It is
unquestionable that Judy Garland is out of the category of other women
in the film and equally so that Gene Kelly...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 101–135.
Published: 01 December 2012
... been
considered forerunners of feminist postmodernism, such as Mary
Kelly, Yvonne Rainer, and Martha Rosler, appeared in the galleries
alongside artists who have usually been considered dyed- in- the-
wool essentialists, such as Judy Chicago, Mary Beth Edelson, and
Hammer. Although on one...
Journal Article
Camera Obscura (2004) 19 (1 (55)): 1–41.
Published: 01 May 2004
... and fem-
inist.
Judi Buenoano was electrocuted in Florida only a month
after Karla Faye Tucker on 30 March 1998. While Amnesty Inter-
national lists her race as “white,” this whiteness is repeatedly
undone by the narrative and visual representations of the case, as
well as by her own willful...
Journal Article
Camera Obscura (2011) 26 (1 (76)): 39–63.
Published: 01 May 2011
... the constraints of chronology and causality. Reed’s
installation Judy’s Bedroom, a homage to Alfred Hitchcock’s Vertigo
(US, 1958), even creates a mise en abyme of this process of revi-
sion. Through digital manipulation, the artist inserted his paint-
ing #271 — already a quotation of Caravaggio’s...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 132–137.
Published: 01 December 1989
... of the gay male subculture to
the films of Judy Garland provides an important analysis of the way
in which different cultural groups can produce different readings of
texts based on an alternative set of shared codes and experiences.
Alternative readings must also...
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