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jude

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Journal Article

The Scorpion and the Frog: Agency and Identity in Neil Jordan's The Crying Game

Amy Zilliax
Camera Obscura (1995) 12 (2 (35)): 24–51.
DOI: https://doi.org/10.1215/02705346-12-2_35-24
Published: 01 May 1995
... me soldier," says Jude (Miranda Richardson) to Jody as she lifts her arms towards him at the fairground, and with this seductive hail both pinpoints his place within an ideological system, and, in a literalization of that Althusserian formulation, seals his narrative fate...
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Journal Article

Black Femmes Fatales and Sexual Abuse in Progressive “White” Cinema: Neil Jordan's Mona Lisa and The Crying Game

Joy James
Camera Obscura (1995) 12 (3 (36)): 32–48.
DOI: https://doi.org/10.1215/02705346-12-3_36-32
Published: 01 September 1995
... nondescript colors or “butch” leather Adam Thornton describes how The Crying Game unfavorably con- trasts the white woman (Jude) with the black “woman” (Dil), as the former’s severe, masculine appearance highlights the latter’s “hyper- femininity. ” Whereas the white woman is sexually...
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Journal Article

The Deaths of Camp

Caryl Flinn
Camera Obscura (1995) 12 (2 (35)): 52–84.
DOI: https://doi.org/10.1215/02705346-12-2_35-52
Published: 01 May 1995
...-as-female" body, which is either excised from the text (Barbara Sukowa, the all but forgotten wife in Butterfly) or brutally assaulted for its presumed excesses and treachery (Miranda Richardson as Jude in Crying). Of course in Crying, Jude's final appearance is marked by her "disguise": gone...
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Journal Article

Imagining Television as a Vital Queer Medium: Riot

Susan Potter
Camera Obscura (2024) 39 (3 (117)): 121–147.
DOI: https://doi.org/10.1215/02705346-11365890
Published: 01 December 2024
.... Digby Duncan and the One in Seven Collective directed the film. Credits list the following production crew: Wendy Freecloud, Jan Kenny, Jeni Thornley, and David Perry on camera; Megan McMurchy, Wendy Freecloud, and Jennifer Neill on sound; Melanie Read, editor; Jude Kuring, narrator. 35. Riot 's...
FIGURES
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Journal Article

“Wherever you may run, you cannot escape him”: Leni Riefenstahl's Self-Reflection and Romantic Transcendence of Nazism in Tiefland

Robert von Dassanowsky
Camera Obscura (1995) 12 (2 (35)): 106–128.
DOI: https://doi.org/10.1215/02705346-12-2_35-106
Published: 01 May 1995
... govern- ment"13 than most, was able to revive his career in the 1950s. Fritz Hippler, creator of the most vicious Nazi propaganda film, Der ewige Jude, was apparently "denazified" in 1951 and employed by the US Army as a translator The absence of women in this list...
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