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josephine

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2008) 23 (3 (69)): 35–79.
Published: 01 December 2008
...Anne Anlin Cheng This article tells the stories of architect Adolf Loos and cabaret/film icon Josephine Baker in order to trace the philosophic intimacy between modernist preoccupation with the nude surface and the staging of exposed, racialized skin in the early twentieth century. The racial or...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2007) 22 (2 (65)): 73–101.
Published: 01 September 2007
... and Performance . Her interview with David Wilson, cofounder of the Museum of Jurassic Technology in Los Angeles, appears in Other Voices 3 (2007). She is currently revising her book manuscript, “Moving Performances.” It’s Time from House for Josephine Baker (parody series) by Darell Wayne...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2007) 22 (2 (65)): 1–9.
Published: 01 September 2007
... this issue are also connected by their interest in diva reception. Making a case for the progressive potential of “Baker’s mobile diasporic diva iconicity,” Jeanne Scheper considers how Josephine Baker’s image as both a sexualized black woman and a mother has been understood and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 177–183.
Published: 01 December 2016
... (accessed 10 May 2016); and Katharine Mieszkowski, “The Most Feared Woman on the Internet,” Salon, 1 March 2002, w w w.salon.com/2002/03/01 /netochka/. Cyberfeminist artist collectives like VNS Matrix (founded in 1991 in Adelaide, Australia, by Josephine Starrs, Julianne...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2009) 24 (2 (71)): 1–41.
Published: 01 September 2009
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2009) 24 (3 (72)): 153–162.
Published: 01 December 2009
... running daily life. His daughter  Joséphine (“Jo,” played by Mati Diop, in her debut) watches him — for signs of fatigue, hunger, or discontent — indeed she attends  to him, as does their neighbor and close family friend, Gabrielle (Nicole Dogue). Leaning out of her high-rise window 158...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2001) 16 (3 (48)): 197–227.
Published: 01 December 2001
.... Still a child, Rebecca is shipped off again—to boarding school. She returns visually transformed, a beautiful young woman (of seventeen) ready to forgive her dying Aunt Miranda (Josephine Crowell) for her occasionally harsh treat- ment of her. But her character retains enough spontaneity (or...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 177–189.
Published: 01 September 2013
... have lived: fragments of Rich- ards’s story were taken from the lives of Dorothy Arzner, Butterfly McQueen, Josephine Baker, and many others. I loved the chal- lenge of imagining a person who’s fictional but who is also kind of real in a way. That is, she could have lived, though even if she had...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2002) 17 (1 (49)): 73–105.
Published: 01 May 2002
...Elizabeth Coffman Camera Obscura 2002 Elizabeth Coffman is an associate professor of communication at the University of Tampa. She has published on Josephine Baker and Lillian Gish and is completing a book titled Visual Communication for Allyn and Bacon Press. She is also a filmmaker...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2005) 20 (3 (60)): 159–191.
Published: 01 December 2005
... yellow yellowface performance, which is simultaneously occasioned and occluded by Orientalist modes of representation and reception. To clarify further Wong’s paradoxical agency, I refer to Josephine Lee’s analysis of Asian American actors’ stage acting and to Susan Sontag’s study of the camp...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2001) 15 (3 (45)): 1–33.
Published: 01 December 2001
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2001) 16 (1 (46)): 1–45.
Published: 01 May 2001
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2001) 16 (2 (47)): 133–175.
Published: 01 September 2001
... (signified by her three different names: Nikita/Marie/ Josephine in the French film, Maggie/Claudia/Nina in the American one). Thus the films stand in a complicated relation- ship both to the noir tradition and to the oedipal tale that noir films enact—an origin story if there ever was one—because...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2011) 25 (3 (75)): 29–67.
Published: 01 December 2011
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 1–43.
Published: 01 September 2013
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2014) 29 (3 (87)): 1–31.
Published: 01 December 2014