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Journal Article
Camera Obscura (2008) 23 (3 (69)): 35–79.
Published: 01 December 2008
...Anne Anlin Cheng This article tells the stories of architect Adolf Loos and cabaret/film icon Josephine Baker in order to trace the philosophic intimacy between modernist preoccupation with the nude surface and the staging of exposed, racialized skin in the early twentieth century. The racial...
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in Toward a Feminist Fourth Cinema: Waru (2017)
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 September 2023
Figure 4. In a segment written by Josephine Stewart-Te Whiu and directed by Awanui Simich-Pene, Bash turns to look directly at the camera as Waru whispers a final, “I'm still here,” rupturing standard notions of the extradiegetic reality. Waru (2017)
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in Incestuous Wanderlust: 35 Shots of Rum 's Atmospheres of Circulation
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2022
Figure 1. Lionel and his daughter Joséphine share a tender moment in 35 Shots of Rum ( 35 Rhums , dir. Claire Denis, France/Germany, 2009).
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in Incestuous Wanderlust: 35 Shots of Rum 's Atmospheres of Circulation
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2022
Figure 2. Joséphine and Noé dance ambivalently in 35 Shots of Rum ( 35 Rhums , dir. Claire Denis, France/Germany, 2009).
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in Incestuous Wanderlust: 35 Shots of Rum 's Atmospheres of Circulation
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2022
Figure 3. Joséphine and Lionel go camping in the coast of Lübeck in 35 Rhums (dir. Claire Denis, France/Germany, 2009).
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in Incestuous Wanderlust: 35 Shots of Rum 's Atmospheres of Circulation
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2022
Figure 4. Lionel and Joséphine fall asleep in the dark in 35 Shots of Rum ( 35 Rhums , dir. Claire Denis, France/Germany, 2009).
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in Yellowness as Transpacific Technology: Cinematic Regimes of Race between Japan and Brazil
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2024
Figure 7. “An Afternoon with Josephine Baker,” Cinearte , June 1, 1939, 12. Courtesy of Fundação Biblioteca Nacional
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Journal Article
Camera Obscura (2007) 22 (2 (65)): 73–101.
Published: 01 September 2007
... and Performance . Her interview with David Wilson, cofounder of the Museum of Jurassic Technology in Los Angeles, appears in Other Voices 3 (2007). She is currently revising her book manuscript, “Moving Performances.” It’s Time from House for Josephine Baker (parody series)
by Darell Wayne Fields, 2003...
Journal Article
Camera Obscura (2022) 37 (1 (109)): 61–89.
Published: 01 May 2022
...Figure 1. Lionel and his daughter Joséphine share a tender moment in 35 Shots of Rum ( 35 Rhums , dir. Claire Denis, France/Germany, 2009). ...
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Journal Article
Camera Obscura (2023) 38 (2 (113)): 63–87.
Published: 01 September 2023
...Figure 4. In a segment written by Josephine Stewart-Te Whiu and directed by Awanui Simich-Pene, Bash turns to look directly at the camera as Waru whispers a final, “I'm still here,” rupturing standard notions of the extradiegetic reality. Waru (2017) ...
FIGURES
| View All (4)
Journal Article
Camera Obscura (2024) 39 (3 (117)): 1–31.
Published: 01 December 2024
...Figure 7. “An Afternoon with Josephine Baker,” Cinearte , June 1, 1939, 12. Courtesy of Fundação Biblioteca Nacional ...
FIGURES
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Journal Article
Camera Obscura (2009) 24 (2 (71)): 1–41.
Published: 01 September 2009
... that could
be enjoyed as colorful (in all senses), sensual, and foreign, but was
clearly marked off from the nobility and beauty that was reserved
for the white subject. Josephine Baker is an example of this figure:
massively popular and lauded for her style and modernity, Baker
was nonetheless...
Journal Article
Camera Obscura (2016) 31 (3 (93)): 177–183.
Published: 01 December 2016
...); and Katharine Mieszkowski, “The Most Feared Woman on
the Internet,” Salon, 1 March 2002, w w w.salon.com/2002/03/01
/netochka/. Cyberfeminist artist collectives like VNS Matrix
(founded in 1991 in Adelaide, Australia, by Josephine Starrs,
Julianne Pierce, Francesca da Rimini...
Journal Article
Camera Obscura (2002) 17 (1 (49)): 73–105.
Published: 01 May 2002
...Elizabeth Coffman Camera Obscura 2002 Elizabeth Coffman is an associate professor of communication at the University of Tampa. She has published on Josephine Baker and Lillian Gish and is completing a book titled Visual Communication for Allyn and Bacon Press. She is also a filmmaker...
Journal Article
Camera Obscura (2007) 22 (2 (65)): 1–9.
Published: 01 September 2007
... are also connected by their interest in diva reception. Making
a case for the progressive potential of “Baker’s mobile diasporic
diva iconicity,” Jeanne Scheper considers how Josephine Baker’s
image as both a sexualized black woman and a mother has been
understood and deployed in ways...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 153–162.
Published: 01 December 2009
... — if
only to grow up — are central to all three. Yet, characteristically,
Denis’s film has special regard for the male figure at its center,
the father, Lionel. A train conductor, played by the Denis regular
Alex Descas, he sets the cues for their smoothly running daily life.
His daughter Joséphine...
Journal Article
Camera Obscura (2001) 16 (3 (48)): 197–227.
Published: 01 December 2001
... woman (of seventeen) ready to forgive her dying Aunt
Miranda (Josephine Crowell) for her occasionally harsh treat-
ment of her. But her character retains enough spontaneity (or
rebelliousness) to run away when a neighbor, Adam Ladd (Eugene
O’Brien), coded throughout the film as Rebecca’s future...
Journal Article
Camera Obscura (2005) 20 (3 (60)): 159–191.
Published: 01 December 2005
...
refer to Josephine Lee’s analysis of Asian American actors’ stage
acting and to Susan Sontag’s study of the camp aesthetic. Accord-
ing to Lee, the pleasure for Asian American actors in reenacting
stereotypes lies in “shar[ing] with us as audience the thrill of being
inside what is deeply...
Journal Article
Camera Obscura (2013) 28 (2 (83)): 177–189.
Published: 01 September 2013
..., Butterfly
McQueen, Josephine Baker, and many others. I loved the chal-
lenge of imagining a person who’s fictional but who is also kind of
real in a way. That is, she could have lived, though even if she had
we probably wouldn’t have known about her. This work points to
invisibility. It points...
Journal Article
Camera Obscura (2001) 16 (1 (46)): 1–45.
Published: 01 May 2001
... and internationalism are
inscribed and played out in the European art film. Multilingual
productions or multiple language versions have of course been
made since the introduction of sound in film, and Josephine
Dries distinguishes three methods of multilingual production...
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