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Journal Article
Rereading the Work of Claire Johnston
Available to Purchase
Camera Obscura (1979) 1-2 (3-1 (3-4)): 21–31.
Published: 01 May 1979
...Janet Bergstrom Copyright © 1979 by Camera Obscura 1979 Rereading the Work of Claire Johnston
Janet Bergstrom
There is an argument running throughout Claire Johnston’s work
which has to do with the relationship of the “progressive classical film”
and a potential feminist...
Journal Article
The Jewish Closet in Europa, Europa
Available to Purchase
Camera Obscura (2003) 18 (1 (52)): 1–33.
Published: 01 May 2003
...Ruth D. Johnston Camera Obscura 2003 Ruth D. Johnston is professor of English at Pace University, New York City, where she teaches and writes about film, literature, and critical theory. Her current project, which includes this article, is a study of masquerade structures...
Journal Article
Feminism and Film History
Available to Purchase
Camera Obscura (1990) 8 (1 (22)): 8–27.
Published: 01 January 1990
.... Appearing in 197.5, only a year after the pub-
lication of From Reverence to Rape, Claire Johnston’s and Pam Cook’s 15
essays on Dorothy Arzner effectively redefined the terms of traditional
auteur criticism by submitting the concept of film authorship to posts-
tructuralist revision...
Journal Article
The Last Days of Women's Cinema
Available to Purchase
Camera Obscura (2006) 21 (3 (63)): 145–151.
Published: 01 December 2006
... C H I V E F O R T H E F U T U R E
The Last Days of Women’s Cinema
Patricia White
Claire Johnston’s “Women’s Cinema as Counter Cinema,” with
its injunction that “women’s cinema . . . embody the working
through...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 1–39.
Published: 01 December 2009
... and, later, as the Little Colonel.
Namesakes: The Genealogy of Our Little Colonels
Through her series, The Little Colonel, Annie Fellows Johnston
(born in 1853 in Indiana) became one of the most popular South-
ern writers at the turn of the century. Like Griffith, Johnston was
nostalgic...
Journal Article
Mulvey's Manifesto
Available to Purchase
Camera Obscura (2007) 22 (3 (66)): 1–23.
Published: 01 December 2007
... syllabi,
and the moving image (aside from a brief footnoted reference)
from Suleiman’s avant-garde.
Similarly, feminist film histories neglect the import of the
manifesto form employed not only by Mulvey but also by her con-
temporaries in the 1970s — for example, Claire Johnston’s rejec...
Journal Article
Editorial
Available to Purchase
Camera Obscura (1990) 8 (1 (22)): 4–7.
Published: 01 January 1990
...Lea Jacobs; Patrice Petro Copyright © 1990 by The Johns Hopkins University Press 1990 Editorial
In her important and oft-cited introduction to The Work of Dorothy
Arzner, Claire Johnston asked: “DO feminist critics simply want to
introduce women into film history?” Johnston...
Journal Article
“One Right Guy to Another”: Howard Hawks and Auteur Theory Revisited
Available to Purchase
Camera Obscura (2007) 22 (1 (64)): 43–75.
Published: 01 May 2007
... of sexual difference. In fact, Wise already points us in
this direction, claiming that Hawks is concerned with “the shedding
of sexual roles in both men and women for the creation of a single,
human role” (118; emphasis original). Claire Johnston, by contrast,
suggests that such a transformation...
Journal Article
Foucault in the Field of Feminism
Available to Purchase
Camera Obscura (1990) 8 (1 (22)): 138–149.
Published: 01 January 1990
... the 1977 Edinburgh Film
Festival Special Event “History/Production//Memory,” Claire Johnston
argued the necessity for film historians to address Foucault’s work on
history.11 In the announcement for the 1981 conference on “Cinema
HistorieslCinema Practices,” moreover, Patricia...
Journal Article
Unfixings: Archiving the Future
Available to Purchase
Camera Obscura (2007) 22 (3 (66)): 185–191.
Published: 01 December 2007
... bobbing together
in the water on a lake), rather than in hierarchical or so-called
progressive order. So if I wanted, as I often do, to revisit Claire
Johnston’s work because it is useful for a current Althusserian
and psychoanalytic project, I could.8 Johnston’s work would be in
my...
Journal Article
Medusa in the Land of Oz: The Female Spectator in Australia
Available to Purchase
Camera Obscura (1989) 7 (2-3 (20-21)): 53–67.
Published: 01 December 1989
... of Cultures.” Third Cinema: Theories and Practices , edited by Pines, Jim, and Paul Willemen (London: British Film Institute, 1989 ). Johnston , Claire . “Towards a Feminist Film Practice: Some Theses.” Edinburgh Magazine 1 ( 1975 ): 50 –59. Kay , Shelley . “Confessions of a Splatter Girl...
Journal Article
Discourse and Difference
Available to Purchase
Camera Obscura (1979) 1-2 (3-1 (3-4)): 14–20.
Published: 01 May 1979
... characteristic of some early
feminist film criticism, and it is in this context that the work of French
psychoanalyst Luce Irigaray and some of Claire Johnston’s early work
will be discussed. Another direction in theorizing feminine specificity
from psychoanalysis has been taken up by Michele Montrelay...
Journal Article
Editorial: Television and the Female Consumer
Available to Purchase
Camera Obscura (1988) 6 (1 (16)): 4–8.
Published: 01 January 1988
...
Johnston's tragic death, in London. Claire was one of the pioneers of
feminist film theory. Her essay,"Women's Cinema as Counter-Cinema,"
which appeared in the influential pamphlet that she edited, "Notes on
Women's Cinema," published in 1973, set the tone for all later feminist...
Journal Article
The Woman's Film and the Female Spectator
Available to Purchase
Camera Obscura (1988) 6 (3 (18)): 52–66.
Published: 01 September 1988
... of the contradictory text is clearly indebted to Claire
Johnston's formulations, among others." But rather than focusing on
the subversive potential of the contradictory text, as Johnston does,
Doane uses the concept to explain the fragmentary and partial nature
of Hollywood's constructions of femininity...
Journal Article
Lynne Joyrich
Available to Purchase
Camera Obscura (1989) 7 (2-3 (20-21)): 190–194.
Published: 01 December 1989
... found to be important to my own work. Theorists who have
discussed the female spectator in ways that I have found particularly
useful include Teresa de Lauretis, Mary Ann Doane, Claire Johnston,
Judith Mayne, Tania Modleski, Laura Mulvey, Kaja Silverman and
Linda...
Journal Article
References
Available to Purchase
Camera Obscura (1976) 1 (1 (1)): 143.
Published: 01 May 1976
...
Screen, vol. 14, no. 3 (Autumn 1973).
"The Narrative Text of Shock Corridor", Screen, vol. 15, no.
4 (Winter 1974/5).
] ohnston,Claire. "Femininityand the Masquerade: AnneoftheIndies' '.
jacques Tourneur. Claire Johnston and Paul Willeman, eds., London:
Edinburgh Film Festival, 1975...
Journal Article
E. Ann Kaplan
Available to Purchase
Camera Obscura (1989) 7 (2-3 (20-21)): 194–199.
Published: 01 December 1989
... have found to be important to my own work. Theorists who have
discussed the female spectator in ways that I have found particularly
useful include Teresa de Lauretis, Mary Ann Doane, Claire Johnston,
Judith Mayne, Tania Modleski, Laura Mulvey, Kaja Silverman...
Journal Article
Editorial: Feminism, Fiction and the Avant-Garde
Available to Purchase
Camera Obscura (1979) 1-2 (3-1 (3-4)): 3–4.
Published: 01 May 1979
... woman? How can this be thought
about in terms of specific films?
Janet Bergstrom’s discussion of the seminal work of Claire John-
ston in feminist film theory outlined several points from which to
reevaluate Johnston’s proposals for a theoretical basis for a feminist...
Journal Article
Histories of The Watermelon Woman : Reflexivity between Race and Gender
Available to Purchase
Camera Obscura (2008) 23 (2 (68)): 41–66.
Published: 01 September 2008
...
counterparts from the arena of the male auteur (think Fellini or
François Truffaut). The terms of the opposition between “women’s
voices” and intervention at the level of representation were set early
on, notably by Claire Johnston, in her 1974 discussion of the pos-
sibilities of a women’s...
Journal Article
LUNAFEST on Campus
Available to Purchase
Camera Obscura (2012) 27 (3 (81)): 159–167.
Published: 01 December 2012
... studies and the director of the Johnston Center for Integrative Studies at the University of Redlands. She is the author of Girls in the Back Room: Looking at the Lesbian Bar (University of Minnesota Press, 2002) and numerous essays that explore the intersections between women, sexuality, and cinema...
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