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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2014) 29 (1 (85)): 81–109.
Published: 01 May 2014
...Therese Davis The article looks at the contributions of writer and director Darlene Johnson to an emerging Australian Indigenous cinema. It discusses the ways in which Johnson draws on her experience as a young, urban Indigenous woman and her knowledge of Aboriginal culture to explore the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 61–91.
Published: 01 September 2012
...J. E. Smyth Although The Man in the Gray Flannel Suit (dir. Nunnally Johnson, US, 1956) ostensibly focuses on Tom Rath (Gregory Peck), the production of the screenplay and shooting largely revolved around actress Jennifer Jones's characterization of Betsy Rath, a stay-at-home wife and mother with...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 165–173.
Published: 01 May 2016
...-motion animated films that explicitly consider questions of disability, gender, and political action. This article considers in particular the short films The Toll Collector (US, 2003), made by Lift founder Rachel Johnson, and Henrietta Bulkowski , currently in production at Lift. It argues that both...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1994) 11-12 (3-1 (33-34)): 42–75.
Published: 01 May 1994
...Eithne Johnson Copyright © 1994 by Indiana University Press 1994 Theresa Saldana in Confessions of Crime. Lifetime’s Feminine Psychographic Space and the “Mystery Loves Company” Series Eitbne Johnson Since its debut in 1984, Lifetime Television has been carving a niche in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (3 (30)): 138.
Published: 01 May 1992
... Martin Scorsese. Rajani Sudan teaches at Middlebury College. She has published articles on Johnson and De Quincey, and is currently working on her book manuscript, “Fair Exotics: Xenophobia, Representation, and Gender in English Literature” (1775-1 845). ...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2014) 29 (3 (87)): 184–185.
Published: 01 December 2014
.... 149 – 83 Nick Davis The Face Is a Politics: A Close-Up­ View of Julie Dash’s Illusions. No. 86: pp. 149 – 83 Therese Davis Between Worlds: Indigenous Identity and Difference in the Films of Darlene Johnson. No. 85: pp. 81 – 109 Therese Davis and Belinda Smaill...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 89–115.
Published: 01 September 2017
... John- son emphasizes the extent to which the Brony is a product of dis- course.  Johnson suggests that a degree of mythologizing surrounds both the narrative in which the series’ audience is positioned and the meanings that it is made to bear. Popular lore on websites and journalistic...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 61–91.
Published: 01 September 2016
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1997) 14 (1-2 (40-41)): 275–276.
Published: 01 May 1997
... larger project on ethics and subjectivity in contemporary culture. Rajani Sudan teaches English and cultural studies at the University of Texas at Arlington. She has published on a wide variety of topics ranging from Samuel Johnson, Thomas De Quincey, and Mary...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1984) 4 (3 (12)): 107–109.
Published: 01 December 1984
.... 64-69. “Endurance and the Profession, ” trans. Christophe Gallier, Steven Ungar and Barbara Johnson, Yale French Stadies, no. 63 (1982), pp. 72-77. “The Insistence of Pragmatics’ ’ (with Jean-Loup Thebaud), trans. Ruth Brinkley and Robert Brinkley, Mirsirszjjpi Review, no. 33 (Winter...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1994) 11-12 (3-1 (33-34)): 262–263.
Published: 01 May 1994
... of Seeing Through the Eighties: Television and Reaganism (Duke, 1995). Eithne Johnson is a PhD candidate in the Department of Radio-Television- Film, University of Texas, Austin. She teaches film courses at Emerson College while working on her dissertation...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1997) 14 (1-2 (40-41)): 103–128.
Published: 01 May 1997
...) who instead brings someone else in from “outside.” Meredith Johnson (Demi Moore), Sanders’ former lover, is given the position, and it is clear that this is an unpopular choice with the company, especially because of Garvin’s putative reasons for address- ing gender...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1995) 12 (3 (36)): 158–160.
Published: 01 September 1995
... China Beach. No. 35; pp. 159-186. Jacobs, Lea The Woman’s Picture and the Poetics of Melodrama. No 31; pp. 121-147. James, JOY Black Femmes Fatales and Sexual Abuse in Progressive “White” Cinema: Neil Jordan’s Mona Lisa and The Crying Game. No. 36; pp. 33-48 Johnson, Eithne...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1995) 12 (2 (35)): 223–225.
Published: 01 May 1995
... R. Schwartz. University of California Press, 1996. $19.95. Shakespeare and Gender edited by Ivo Kamps. Verso, 1995. $19.95 Space, Time, and Perversion by Elizabeth Grosz. Routledge, 1995. $17.95. Brazilian Cinema edited by Randal Johnson and Robert Starn. Columbia University Press, 1995. $19.50...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1985) 5 (1-2 (13-14)): 3–27.
Published: 01 September 1985
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 172–177.
Published: 01 May 2008
... Lee Lacker in Marvin’s Room; her colonial hauteur as Karen Blixen in Out of Africa (dir. Sydney Pollock, US, 1985); her satiric, desperado glamour as Madeline Ashton in Death Becomes Her; her shy arousal as Francesca Johnson in Bridges of Madison County; or her shock as the bereft mother Lindy...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2000) 15 (1 (43)): 95–121.
Published: 01 May 2000
.... Based on the 1946 best-selling novel Quality by Cid Ricketts Sumner,5 Pinky is set in the South, where Patricia “Pinky” Johnson (Jeanne Crain) has returned home from nursing school “up yon- der,” in the North. She returns to the small shack where her grand...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1994) 11-12 (3-1 (33-34)): 6–11.
Published: 01 May 1994
... programs have only just begun. Initial versions of many of the essays published here (Byars and Meehan, Feuer, Johnson, Streeter and Wahl, White, and Wilson) were originally presented on Lifetime panels at Console- ing Passions: Feminism, Television, and Video Conferences in 1993 8 and 1994...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1988) 6 (3 (18)): 4–7.
Published: 01 September 1988
... 1. Julia Kristeva, About Chinese Women (New York: Urizen Books, 1977). 2. See, for example, Elisabeth Croll, Feminism and Socialism in China, (Lon• don: Routledge & Kegan Paul, 1978), Kay Ann Johnson, Women, The Family, and Peasant Revolution in China, (Chicago: University of Chicago...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 1–27.
Published: 01 September 2017
... after they reunite post-­ prom in De Palma’s film). In Kent’s vision, mother and son survive because they have tested each other’s limits, used each other to the point of annihilation, and then discovered a way to break out of their prescribed roles. Their process recalls Barbara Johnson’s elu...