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Journal Article
Camera Obscura (1995) 12 (2 (35)): 24–51.
Published: 01 May 1995
... complete form
from the mouth of Jody (Forrest Whittaker), a Britishsoldier held hostage
by the Irish Republican Army in an abandoned greenhouse. He tells the
parable to his silent captor, and as he does so, the camera pulls back to
show him as that captor (Stephen Rea's Fergus) sees him: sitting...
Journal Article
Camera Obscura (1995) 12 (3 (36)): 32–48.
Published: 01 September 1995
... in The Crying
Game,” Cineaste 20.1 (1994): 35.
5. The Crying Game opens with Percy Sledge’s soul anthem, “When a Man
Loves a Woman,” foregrounding a black man’s (Jody’s) drunken court-
ing of a bored white woman (Jude) in occupied Ireland. U.S. audiences
aware of the history...
Journal Article
Camera Obscura (2006) 21 (2 (62)): 178–183.
Published: 01 September 2006
... describe how interaction between the two areas
of study has often resulted in a depoliticization of cultural cri-
tique; as the editor Jodi Dean asserts, “the presumption of a politi-
cal everything in effect eliminates politics.”1 In particular, Dean
and others note, cultural studies has too...
Journal Article
Camera Obscura (1999) 14 (3 (42)): 163–164.
Published: 01 September 1999
... Invasion Themes in Vampire Narratives.
No. 40-41; pp. 181-200.
Chow, Rey
Nostalgia in the New Wave: Structure in Wong Kar-wai's Happy Together.
No. 42; pp. 31-50.
Dean, Jodi
The Truth is Out There: Aliens and the Fugitivity of Postmodern Truth.
No. 40-41; pp. 43-76.
DiPiero, Thomas...
Journal Article
Camera Obscura (2014) 29 (3 (87)): 184–185.
Published: 01 December 2014
... 2014 Volume Index
Volume 29 corresponds to issues 85 – 87
Jodi Brooks
The Kids Are All Right, the Pursuits of Happiness, and the Spaces
Between. No. 85: pp. 111 – 35
Juliana Chang
I Dreamed I Was Wanted: Flower Drum Song and Specters of Modernity.
No. 87: pp...
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 275–276.
Published: 01 May 1997
... complet-
ing a research project on trauma, fantasy, and the mechanized body in aspects
of modernist and contemporary culture.
Jodi Dean teaches political, cultural, and feminist theory at Hobart and Wil-
liam Smith Colleges. She is the author of Aliens in America: Conspiracy
Cultures...
Journal Article
Camera Obscura (1993) 11 (1 (31)): 149–151.
Published: 01 May 1993
... Grady. Verso, 1993. $29.95.
Visualizing Theory: Selected Essays from V.A.R., 1990-2 994 edited by Lucien
Taylor. Routledge, 1994.
The Practice of Love: Lesbian Sexuality and Perverse Desire by Teresa de
Lauretis. Indiana University Press, 1994.
Plays, Movies, and Critics edited by Jody...
Journal Article
Camera Obscura (1995) 12 (2 (35)): 223–225.
Published: 01 May 1995
... ofStrangers: Feminism After Identity Politics by Jodi Dean. Univer-
sity of California Press, 1996. $16.00.
From Peep Show to Palace: The Birth ofAmerican Film by David Robinson.
Columbia University Press, 1996. $29.50.
Silent Film edited by Richard Abel. Rutgers University Press, 1996. $20.00.
New Novel...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 111–135.
Published: 01 May 2014
...Jodi Brooks The Kids Are All Right (US, 2010) is Lisa Cholodenko's most commercial film to date and has been the most divisive in its reception. Pitched as a film of and for the times, the film has been celebrated for its portrayal of a lesbian family unit and taken to task for its homonormativity...
Journal Article
Camera Obscura (1990) 8 (3 (24)): 7–10.
Published: 01 September 1990
....
Translated by Elisabeth Lyon
Photograph by Jodi Buren from “Dede Brooks Makes Her Bid: Sotheby’s
President Wants Her Auction House to Be the Stock Exchange for Art”
by Rita Rief (New York Times Magazine, 2 April 1989) ...
Journal Article
Camera Obscura (1991) 9 (3 (27)): 4–35.
Published: 01 September 1991
...
Starling (Jodie Foster) being summoned by her academic mentor, Dr.
Jack Crawford (Scott Glenn), to help him in his investigation of the
crimes of a serial killer (Ted Levine), whose tabloid nickname, “Buffalo
Bill,” comes from his habit of “skinning his humps,” or flaying the
skin...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 53–67.
Published: 01 December 1989
....” Continuum 1 , no. 2-3 ( 1988 ): 71 –82. Brown-Rrap , Julie , and Leslie Stern. “Stepping In,” Art & Text 29 ( 1988 ). Brooks , Jodi . “Anomalies of Line and Light: Scenic Operations in Film.” Masters Thesis. New South Wales University of Technology, 1988 . Collins...
Journal Article
Camera Obscura (2003) 18 (1 (52)): 129–155.
Published: 01 May 2003
... of an ideal woman. It is itself a metalanguage about
another metalanguage. As Jodi Hauptman writes in her breath-
taking study on Cornell and the cinema, Cornell not only identi-
fies with Rose Hobart, “he also very aggressively ‘masters’ her
through the cutting and splicing of her body.”5 Yet if Cornell’s...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 1–25.
Published: 01 September 2016
... of the Tiller Girls and their ilk
express the operation of the machine as a mirror of sorts to the
watching masses “themselves arranged by the stands in tier upon
ordered tier” (76), Bookchin’s dancers are isolated in their rooms
contributing — as are their viewers — to the functioning of what
Jodi...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 65–91.
Published: 01 May 2016
... and Spike Jonze’s Her
Alla Ivanchikova
The Left should be committed to the collective power
of the people.
— Jodi Dean, The Communist Horizon
After depicting the “information revolution” as a truly eman-
cipatory movement for decades, it is quite difficult to acknowl-
edge its...
Journal Article
Camera Obscura (1994) 11-12 (3-1 (33-34)): 242–261.
Published: 01 May 1994
... it is useful to look at the
role played by the construct of “domesticity” in the industry’s view of
the audience.
According to Jody Berland, “ [tlhe process that produces [broadcast]
audiences is in fact indissoluble from the process that produces the
spaces...
Journal Article
Camera Obscura (2022) 37 (1 (109)): 31–59.
Published: 01 May 2022
... unemployed thus emerges as a late manifestation of racial liberalism, an ideology that Jodi Melamed argues harnessed a limited form of antiracist practice to the global aspirations of the US state and capital between 1945 and the late 1960s. Racial liberalism designates both a way of knowing racial...
FIGURES
Journal Article
Camera Obscura (2009) 24 (1 (70)): 37–65.
Published: 01 May 2009
... perceive others as black.
The use of eBay as the quintessential marketplace, as the
site of the public or of publicity, demonstrates not the demos of
the Internet as public sphere, but as a platform for what Jodi Dean
(borrowing from Paul Passavant) calls “communicative capital-
ism...
Journal Article
Camera Obscura (2019) 34 (3): 97–125.
Published: 01 December 2019
... about the film sometime after the critical heat died down, Jodi Brooks refreshingly encounters Kids as the third installment in a series of Cholodenko films that are concerned with the spaces between queer and straight, between marriage and not-quite marriage, and between the imagined and the lived. 24...
Journal Article
Camera Obscura (2010) 25 (1 (73)): 69–95.
Published: 01 May 2010
...
believe it to through the trust we place in Symbolic efficiency. It
is precisely this trust that is increasingly missing today, so that the
big Other does not exist twice over, as it were (342). As Jodi Dean
concisely states: “Although the symbolic order is always and neces-
sarily lacking...
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