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jeffrey

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2008) 23 (3 (69)): 137–157.
Published: 01 December 2008
..., the strangeness and instability of gender can elicit a violent reaction. Frank’s physical assaults on both Jeffrey Beaumont (Kyle MacLachlan) and Dorothy are clearly driven by an intense discomfort with the ways in which their genders manifest themselves and by a corresponding need to assert...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1994) 11-12 (3-1 (33-34)): 264.
Published: 01 May 1994
... Spectatorship and the Impression of Reality by Rich- ard Allen. Cambridge University Press, 1995. $49.95. Britain Can Take It: The British Cinema in the Second World War, second edition, by Anthony Aldgate and Jeffrey Richards. Columbia University Press, 1995. $19.50...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2001) 16 (1 (46)): 180–181.
Published: 01 May 2001
.... Sexuation. Durham, NC: Duke University Press, 2000. Sconce, Jeffrey. Haunted Media: Electronic Presence from Telegraphy to Television. Durham, NC: Duke University Press, 2000. Smith, Paul Julian. Desire Unlimited: The Cinema of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2001) 16 (2 (47)): 230–231.
Published: 01 September 2001
.... Mayne, Judith. Framed: Lesbians, Feminists, and Media Culture. Minneapolis: University of Minnesota Press, 2000. Merck, Mandy. In Your Face: 9 Sexual Studies. New York: New York University Press, 2000. Books Received • 231 Meyers, Jeffrey...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2004) 19 (2 (56)): 170–171.
Published: 01 September 2004
... University Press, 2004. Higley, Sarah L., and Jeffrey Andrew Weinstock, eds. Nothing That Is: Millennial Cinema and the Blair Witch Controversies. Detroit, MI: Wayne State University Press, 2004. Hirsch, Joshua. After Image: Film, Trauma, and the Holocaust. Philadelphia: Temple University...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1986) 5 (3 (15)): 174–175.
Published: 01 December 1986
... - 1 Jonathan Dollimore Homophobia and Sexual Difference Simon Watney The Banality of Gender Jeffrey Weeks Masculinity and the Science of Desire Feminism and Psychoanalysis Bice Benvenuto Com pliance and Disagreemen t Mary...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2003) 18 (3 (54)): 212–214.
Published: 01 December 2003
... Warhol’s Blow Job. Philadelphia: Temple University Press, 2003. Halle, Randall, and Margaret McCarthy, eds. Light Motives: German Popular Film in Perspective. Detroit, MI: Wayne State University Press, 2003. Hoberman, J., and Jeffrey Shandler. Entertaining America: Jews, Movies...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 194–199.
Published: 01 May 2008
... James A. Contner, WB, 9 April 2003. 8. “Belonging,” episode of Angel, writ. Jeffrey Bell, dir. Skip Schoolnik, prod. Joss Whedon and James A. Contner, WB, 23 April 2003. 9. “Habeas Corpses,” episode of Angel, writ. Jeffrey Bell, dir. Skip Schoolnik, WB, 15 January 2003...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 165–173.
Published: 01 May 2016
... almost always set in a world apart. “The monster,” Jeffrey Jerome Cohen writes in one of his the- ses on monster culture, “dwells at the gates of difference.”10 Thesis 4: Lift Animation’s stop-­motion creations stare back at us from across the gates of difference. Among Lift’s stated goals is...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (3 (30)): 76–91.
Published: 01 May 1992
... scenes that I will take as metonymic of the kind of exchange that the text initiates with the interpreting subject. These are 80 the lipstick scene between Frank the psychotic and Jeffrey the would-be detective, and the S and M gagging scene featuring Dorothy and Frank. The characters...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 33–63.
Published: 01 September 2011
... and violent acts of inhalation on display in David Lynch’s Blue Velvet (US, 1986). Dennis Hopper’s portrayal of the sadistic Frank Booth is extremely disturbing; his character’s first appearance, secretly witnessed by the film’s hero Jeffrey (Kyle MacLachlan), has him performing all sorts...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (1-2 (25-26)): 181–201.
Published: 01 September 1991
..., anti-essentialist (indeed, democratic) discourse could also be interpreted as a homophobic response. As Jeffrey Weeks ironically points out, “The essentialist view lends itself most effectively 193 to the defence of minority status.”44 (For example, if homosexuality were to be classified...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 153–163.
Published: 01 September 2017
... game scholars including Edmond Chang, Bonnie Ruberg, and Shaw in conver- sation with work by queer game organizers and designers Jeffrey Sens and Matt Conn.8 Two recently released anthologies, Gaming Representation: Race, Gender, and Sexuality in Video Games, edited by Jennifer Malkowski and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1980) 2 (2 (5)): 100–110.
Published: 01 September 1980
... which one’s sexuality I 10 is based on the object of the function of self-preservation. Thus the term propping has been understood in this tradition as a leaning on the mother.” Quoted from Jean Laplanche, Life and Death in Psychoanalysis, trans. Jeffrey Mehlman...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1994) 11-12 (3-1 (33-34)): 76–101.
Published: 01 May 1994
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 1–25.
Published: 01 September 2016
... Documentary Sound,” Soundtrack The Dialogic Documentary Practice of Natalie Bookchin  • 21 3, no. 2 (2010): 131 – 37; Jeffrey Ruoff, “Conventions of Sound in Documentary,” Cinema Journal 32, no. 3 (1993): 24 – 40. 9. Kate Lacey, Listening Publics: The Politics and Experience...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2014) 29 (1 (85)): 137–159.
Published: 01 May 2014
... intense self-­ consciousness and use of allusion and quotation. In an update of this discourse, Jeffrey Sconce coined the term “smart” film in 2002 to characterize a group of films and cul- tural works, including Your Friends and Neighbors, that reviewers in the popular press had labeled...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2002) 17 (2 (50)): 41–67.
Published: 01 September 2002
... forfeits her title and quits her job to marry André. Again, contemplating the figurative asso- ciations of this artifact illuminates my reading of the film. In “Domesticating Modernity: Ambivalence and Appropriation, 1920–40,” Jeffrey L. Meikle examines how modernity’s fast pace led to a heightened...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2005) 20 (1 (58)): 185–207.
Published: 01 May 2005
..., “Polynesian Gender Liminality,” 288–89). 32. Jeffrey Sissons redirects Edward Said’s analysis of orientalism to refer to relations of power and representation in the Pacific. See Jeffrey...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (3 (27)): 108–132.
Published: 01 September 1991