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jeffrey

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Journal Article
Camera Obscura (2008) 23 (3 (69)): 137–157.
Published: 01 December 2008
... it, the strangeness and instability of gender can elicit a violent reaction. Frank’s physical assaults on both Jeffrey Beaumont (Kyle MacLachlan) and Dorothy are clearly driven by an intense discomfort with the ways in which their genders manifest themselves and by a corresponding need to assert...
Journal Article
Camera Obscura (2011) 26 (2 (77)): 33–63.
Published: 01 September 2011
... by the film’s hero Jeffrey (Kyle MacLachlan), has him performing all sorts of bizarre rituals as he engages in a violent sexual act with Isabella Rossellini’s character Dorothy Vallens. The components of this ritual are the fetishistic meaning of Dorothy’s blue velvet robe, the Oedipal roleplaying...
Journal Article
Camera Obscura (1986) 5 (3 (15)): 174–175.
Published: 01 December 1986
... and Sexual Difference Simon Watney The Banality of Gender Jeffrey Weeks Masculinity and the Science of Desire Feminism and Psychoanalysis Bice Benvenuto Com pliance and Disagreemen t Mary Jacobus Madonna:like Virgin Richard Rand...
Journal Article
Camera Obscura (1992) 10 (3 (30)): 76–91.
Published: 01 May 1992
... with the interpreting subject. These are 80 the lipstick scene between Frank the psychotic and Jeffrey the would-be detective, and the S and M gagging scene featuring Dorothy and Frank. The characters, however, should not be seen as standing in place of text and analyst; there is no one-to-one...
Journal Article
Camera Obscura (2020) 35 (2 (104)): 171–179.
Published: 01 September 2020
... At the time of writing, the MIT Media Lab had its financial ties to the sexual predator and pedophile Jeffrey Epstein exposed.5 But rather than focus further on tech s all- too- obvious gen- der problem, I want to suggest we turn instead to gender s tech A Manifesto for the Broken Machine Sarah Sharma Camera...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 165–173.
Published: 01 May 2016
... is almost always set in a world apart. “The monster,” Jeffrey Jerome Cohen writes in one of his the- ses on monster culture, “dwells at the gates of difference.”10 Thesis 4: Lift Animation’s stop-­motion creations stare back at us from across the gates of difference. Among Lift’s stated goals...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 194–199.
Published: 01 May 2008
... 2003. 8. “Belonging,” episode of Angel, writ. Jeffrey Bell, dir. Skip Schoolnik, prod. Joss Whedon and James A. Contner, WB, 23 April 2003. 9. “Habeas Corpses,” episode of Angel, writ. Jeffrey Bell, dir. Skip Schoolnik, WB, 15 January 2003. 10. “Sacrifice,” episode...
Journal Article
Camera Obscura (1994) 11-12 (3-1 (33-34)): 264.
Published: 01 May 1994
... Spectatorship and the Impression of Reality by Rich- ard Allen. Cambridge University Press, 1995. $49.95. Britain Can Take It: The British Cinema in the Second World War, second edition, by Anthony Aldgate and Jeffrey Richards. Columbia University Press, 1995. $19.50...
Journal Article
Camera Obscura (2001) 16 (1 (46)): 180–181.
Published: 01 May 2001
.... Durham, NC: Duke University Press, 2000. Sconce, Jeffrey. Haunted Media: Electronic Presence from Telegraphy to Television. Durham, NC: Duke University Press, 2000. Smith, Paul Julian. Desire Unlimited: The Cinema of Pedro...
Journal Article
Camera Obscura (2004) 19 (2 (56)): 170–171.
Published: 01 September 2004
...: New York University Press, 2004. Higley, Sarah L., and Jeffrey Andrew Weinstock, eds. Nothing That Is: Millennial Cinema and the Blair Witch Controversies. Detroit, MI: Wayne State University Press, 2004. Hirsch, Joshua. After Image: Film, Trauma, and the Holocaust. Philadelphia...
Journal Article
Camera Obscura (2001) 16 (2 (47)): 230–231.
Published: 01 September 2001
.... Mayne, Judith. Framed: Lesbians, Feminists, and Media Culture. Minneapolis: University of Minnesota Press, 2000. Merck, Mandy. In Your Face: 9 Sexual Studies. New York: New York University Press, 2000. Books Received • 231 Meyers, Jeffrey...
Journal Article
Camera Obscura (2003) 18 (3 (54)): 212–214.
Published: 01 December 2003
... Grundman, Roy. Andy Warhol’s Blow Job. Philadelphia: Temple University Press, 2003. Halle, Randall, and Margaret McCarthy, eds. Light Motives: German Popular Film in Perspective. Detroit, MI: Wayne State University Press, 2003. Hoberman, J., and Jeffrey Shandler. Entertaining America...
Journal Article
Camera Obscura (1991) 9 (1-2 (25-26)): 181–201.
Published: 01 September 1991
... that people are free to make their own meanings out of the cultural bits and ideological pieces that are presented to them. But this postmodern, anti-essentialist (indeed, democratic) discourse could also be interpreted as a homophobic response. As Jeffrey Weeks ironically...
Journal Article
Camera Obscura (2022) 37 (2 (110)): 91–117.
Published: 01 September 2022
... Republic of China (PRC). According to the historians Rui Gao and Jeffrey C. Alexander, after defeating the Kuomintang government and winning the Civil War in 1949, the Chinese Communist Party (CCP) was busy identifying the US-backed Kuomintang as the biggest enemy of the Chinese people and deliberately...
FIGURES
Journal Article
Camera Obscura (2023) 38 (2 (113)): 89–117.
Published: 01 September 2023
...”—the casting of straight-identified talent to perform male-male sex sequences in gay adult media. In that realm, Jeffrey Escoffier's important intervention in gay pornography studies on gay-for-pay performers illuminated the intersections of gender, sexuality, and class in the specifically gendered labor...
FIGURES
Journal Article
Camera Obscura (2017) 32 (3 (96)): 1–31.
Published: 01 December 2017
..., writ. Steven Levitan and Jeffrey Richman, dir. Chris Koch, prod. Lloyd- Levitan Productions, ABC, 23 March 2011. 18. “The Wow Factor,” season 4, episode 18 of Modern Family, writ. Ben Karlin, dir. Steven Levitan, prod. Picador Productions and Steven Levitan Productions...
Journal Article
Camera Obscura (2011) 26 (3 (78)): 95–135.
Published: 01 December 2011
... film, and the vintage stag film. As artifacts of a subterra- nean cinema, they inadvertently make visible their filmic labor and the inevitability of its failure. Examining this mythos of failure, Jeffrey Sconce has analyzed how cult film audiences attached to such “bad films” — which he...
Journal Article
Camera Obscura (1991) 9 (3 (27)): 108–132.
Published: 01 September 1991
.... Jeffrey Moussaieff Masson (Cambridge: Harvard Uni- versity Press, 1985) 230. 18. Freud, The Complete Letters 239. 19. Jean Laplanche, Life and Death in Psychoanalysis, trans. Jeffrey Mehlman (Baltimore: Johns Hopkins University Press, 1976) 24. 20...
Journal Article
Camera Obscura (2005) 20 (1 (58)): 185–207.
Published: 01 May 2005
..., “Polynesian Gender Liminality,” 288–89). 32. Jeffrey Sissons redirects Edward Said’s analysis of orientalism to refer to relations of power and representation in the Pacific. See Jeffrey Sissons, “Conspiracy, Class, and Culture in Oceania: A View from the Cook Islands...
Journal Article
Camera Obscura (1994) 11-12 (3-1 (33-34)): 76–101.
Published: 01 May 1994
... Entertainment Productions, Anthony Santa Croce, producer, created and written by Jeffrey Bloom, directed by Mark Cullingham, Rafal Zielinski, et al., music by Gil MelC, cinematography by Edward Pei. I have subsequently received some conflicting information from Hearst Entertainment...