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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2003) 18 (2 (53)): 93–123.
Published: 01 September 2003
..., “Mediation and Difference in Contemporary Feminism,” and an edited collection of essays, “Metaphoricity and Postmodern Politics.” The Piano (dir. Jane Campion, Australia/New Zealand/ France, 1993) Jane Campion’s Selling of the Mother/Land: Restaging the Crisis of the Postcolonial Subject Maria...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 160–164.
Published: 01 May 2008
...Joe Wlodarz Camera Obscura 2008 Joe Wlodarz is an assistant professor of film studies at the University of Western Ontario. His book American Macho is forthcoming from the University of Minnesota Press. Love Letter to Jane Joe Wlodarz Dear Jane, I can’t fully express how...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2007) 22 (3 (66)): 25–59.
Published: 01 December 2007
...Barbara Jane Brickman Camera Obscura 2007 Barbara Jane Brickman is an assistant professor of English and film studies at the University of West Georgia, where she is developing a film studies program. She has previously published articles on Cormac McCarthy and on the pathologization of the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2007) 22 (3 (66)): 171–178.
Published: 01 December 2007
...Jane M. Gaines Camera Obscura 2007 Jane M. Gaines is professor of literature and English at Duke University, where she founded the Film/Video/Digital Program, and in 2007-8 is visiting professor in the Film Division, School of the Arts, Columbia University. She is the author of two award...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1996) 13 (3 (39)): 126–150.
Published: 01 September 1996
...Jane Blocker Copyright © 1995 by Indiana University Press 1996 0 U I • [)I n Femme Maison by Louise Bourgeois, 1947. Ink on Paper. Courtesy Robert Miller Gallery, NY. Woman-House: Architecture, Gender and Hybridity in What~s Eating Gilbert...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1985) 5 (1-2 (13-14)): 148–157.
Published: 01 September 1985
...Jane Weinstock Copyright © 1985 by Camera Obscura 1985 No Essential Femininity: A Conversation between Mary Kelly and Paul Smith Introduction Mary Kelly, an American living in London, resists definition. An artist, a teacher, a curator, a writer, and a filmmaker, a socialist and a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1985) 5 (1-2 (13-14)): 158–161.
Published: 01 September 1985
...Jane Weinstock Copyright © 1985 by Camera Obscura 1985 Bibliography On the Post-Partum Document: Cowie , Elizabeth . “Introduction to Post-Partum Document,” m/f , 1-2 ( 1981 ), pp. 115 –23. Linker , Kate “Representation and Sexuality,” Parachute , 1-2 (September-October...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1989) 7 (1 (19)): 134–141.
Published: 01 January 1989
...Jane Weinstock Copyright © 1989 by The Johns Hopkins University Press 1989 Women on the Verge of a Nervous Breakdown (Pedro Almodovar, 1988) Out of Her Mind: Fantasies of the 26th New York Film Festival by Jane Weinstock You could say it was the Year of the Other at the New York...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (3 (27)): 76–87.
Published: 01 September 1991
...Jane Weinstock Copyright © 1992 by The Johns Hopkins University Press 1991 Rear Window (Alfred Hitchcock, 1954). Courtesy Museum of Modern Art Film Stills Archive. 5 Minutes to Alexanderplatz Jane Weinstock I was looking for Christian Boltanski’s Missing House. I didn’t know exactly...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1981) 3 (1 (7)): 144–150.
Published: 01 May 1981
...Rosi Braidotti; Jane Weinstock © 1981 by Camera Obscura 1981 Book Review New French Feminisms: Some Points Re-viewed Rosi Braidotti andJane Weinstock The text which follows is part of a larger, polyvocal response (forth- coming in the Australian feminist journal, Hecute) to New...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1994) 11-12 (3-1 (33-34)): 132–145.
Published: 01 May 1994
...Jane Feuer Copyright © 1994 by Indiana University Press 1994 Prisolzers of Wedlock (Lifetime, 1991) Feminism on Lifetime: Yuppie TV for the Nineties Jane Feuer The idea that a text alters its “horizon” upon each re-reading is crucial to literary criticism, particularly to reader...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2015) 30 (1 (88)): 185–195.
Published: 01 May 2015
...Jane Feuer This essay attempts to break down a binary opposition between “quality TV” and reality TV, which is usually set up along an axis of distinction based on aesthetic value. That is: HBO dramas are art; reality TV shows are trash. As Misha Kavka writes, “Because reality television is seen as...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1980) 2 (2 (5)): 100–110.
Published: 01 September 1980
...Jane Weinstock © 1980 by Camera Obscura 1980 She Who Laughs First Laughs Last Jane Weinstock Or does she? And who is she? You? At whom and for whom is she laughing? And what is laughter anyway? Identity or an id entity? So, if he who laughs last laughs best, then if she laughs last...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2019) 34 (1 (100)): 59–65.
Published: 01 May 2019
...Jane Stein Copyright © 2019 Camera Obscura 2019 ...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1980) 2 (2 (5)): 115.
Published: 01 September 1980
... the National Audio-visual Institute (INA), Paris. Jane Weinstock studies at New York University and is currently living in Paris. She has recently worked with Claire Pajaczkowska, Andrew Tyndall, and Anthony McCall on the film Sigmund Freud’s Dora: A Case of Mistaken Identity. ERRATA...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1989) 7 (1 (19)): 142.
Published: 01 January 1989
... Psychoanalysis and Cinema. Forthcoming is Male Subjectivity at the Margins. Sasha Torres is a doctoral candidate in the English Department at Cornell University. Jane Weinstock is a writer and filmmaker who lives in New York. She is one of the directors of Sigmund Freud’s Dora and has written for...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1980) 2 (3 (6)): 154.
Published: 01 December 1980
... the Film-Text. Vol. 2, no. 6; pp. 55-89. Silberman, Marc Women Filmmakers in West Germany: A Catalog. Vol. 2, no. 6; pp. 123-152. Weinstock, Jane She Who Laughs First Laughs Last (?hriller by Sally Potter). VoI. 2, no. 5; pp. 100-110. Worth, Jan...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (2 (29)): 247–248.
Published: 01 May 1992
.... Routledge, 1993. $16.95. Classical Hollywood Narrative: The Paradigm Wars edited by Jane Gaines. Duke University Press, 1992. All Talk: The Talkshow in Media Culture by Wayne Munson. Temple Uni- versity Press, 1993. $34.95. Sex and Russian Society edited by Igor Kon and James Riordan. Indiana...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 242–243.
Published: 01 December 1982
.... Braidotti, Kosi and Jane Weinstock New French Feminisms: Some Points Re-Viewed. Vol. 3, no. 7; pp. 144-150. Clayton, Susan and Jonathan Curling Feminist History and The Song ofthe Shirt. Vol. 3, no. 7; pp. I I 1-127 Curling, Jonathaln and Susan...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2003) 18 (2 (53)): 152–153.
Published: 01 September 2003
.... Pucci, Suzanne R., and James Thompson, eds. Jane Austen and Co.: Remaking the Past in Contemporary Culture. Albany, NY: State University of New York Press, 2003. Ricco, John Paul. The Logic of the Lure. Chicago: University of Chicago Press, 2002. Vacche, Angela Dalle, ed. The Visual...