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Search Results for jafar
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Journal Article
Saving Other Women from Other Men: Disneys Aladdin
Available to Purchase
Camera Obscura (1993) 11 (1 (31)): 4–25.
Published: 01 May 1993
... of the Persians-it meant “foreign (not-us, and therefore infe-
rior, uncivilized It is precisely this sense of barbarity which is played
out so richly in Aladdin.
Aladdin’s screenwriters “streamline the traditional Aladdin story
into a contest between the boy and a towering vizier-wizard named
Jafar...
Journal Article
Allegory and the Aesthetics of Becoming-Woman in Marziyeh Meshkini's The Day I Became a Woman
Available to Purchase
Camera Obscura (2007) 22 (1 (64)): 1–41.
Published: 01 May 2007
...
Iranian films, includingThe White Balloon (Badkonake sefid, dir. Jafar
Panahi, 1995), Children of Heaven (Bacheha-Ye aseman, dir. Majid
Majidi, 1997), and Chicken (Choori, dir. Javad Arkadani, 2001), to
name only a few examples, is a highly skilled negotiator.19 Told by
her mother and her...
Journal Article
Bahram Bayzai's Maybe...Some Other Time : The un-Present-able Iran
Available to Purchase
Camera Obscura (2000) 15 (1 (43)): 163–191.
Published: 01 May 2000
...
indebted to these groundbreaking papers on national cinemas.
8. An interesting instance of this is found in the much-acclaimed
film by Jafar Panahi The White Balloon (1995), where the father
and husband in the film is absent throughout the visual track...
Journal Article
Technophalia
Available to Purchase
Camera Obscura (1997) 14 (1-2 (40-41)): 103–128.
Published: 01 May 1997
...-
inist” ideology. But, the more insistent, though virtually invisible,
questionable “characters” are the Malaysian plant workers. Under the
jurisdiction of Sander’s subordinates, Arthur Kahn (Michael Saskin)
and Mohammed Jafar (Jesse Dizon), the Malaysian production line
for highly...
Journal Article
The Documentaries of Kim Longinotto: Women, Change, and Painful Modernity
Available to Purchase
Camera Obscura (2009) 24 (2 (71)): 43–75.
Published: 01 September 2009
... in Iran, such
as Rakhshan Bani-Etemad, Tahmineh Milani, and Samira
Makhmalbaf, while male filmmakers, such as Jafar Panahi
(The Circle [Dayereh, Iran/Switzerland/Italy, 2000] and Offside
[Iran, 2006]) and Abbas Kiarostami (Ten [France/Iran/
US, 2002 have also explored...