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isabelle

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2007) 22 (2 (65)): 158–165.
Published: 01 September 2007
... Golden Age of French Cinema and Hollywood Diva: A Biography of Jeanette MacDonald . He is currently researching a book on contemporary French theater. Isabelle Huppert; or, The Gallic Valkyrie Who Bewitched Brooklyn Edward Baron Turk It is October 2005. I am seated in the eighth row of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 7–11.
Published: 01 December 1982
... images of the women together-Isabelle and Denise in the car talking, for example, and even the scene of Isabelle-as-pimp, setting up her sister as a prostitute-can also be seen in’thecontext of an attempt on the part of the women in the film to live differently (in economic...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 116–123.
Published: 01 December 1982
... once again (during the fictive time of that same night, when Paul sleeps with Isabelle)-Isabelle cornered by the two pimps who attack her-a man and a woman meeting on the street (while Isabelle does her thing with Monsieur Personne, “Mr. NobodyIsabelle and the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 20–31.
Published: 01 December 1982
... resistance to male narrative logic at the level of characters, as well as mornents given over to a woman alone (Denise at the window-seat with her notebook) or women together (Denise and Isabelle in the car) that are significantly different from scenes to which they might be compared from earlier...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 12–19.
Published: 01 December 1982
... women are, in fact, more or less unsecurable by any subjecting male gaze: the woman at the train station who gets slapped but still refuses to choose between two men, the prostitute Marilyn-Nicole who recites to her clients a litany of pejoratives used for medieval women. And Isabelle, at the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2014) 29 (3 (87)): 93–115.
Published: 01 December 2014
... records. For example, Momi warns her mother that she will end up bedridden like Momi’s grandmother, a fate that La mujer 98  •  Camera Obscura sin cabeza explores in more detail. It is also Momi who first notices that the maid Isabel (Andrea López) is pregnant. And in the clos- ing sequence...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2007) 22 (2 (65)): 1–9.
Published: 01 September 2007
... literally lifesaving.” Pivoting around her 2005 performance in a French- language version of the play 4.48 Psychosis at the Brooklyn Acad- emy of Music, Edward Baron Turk examines the highbrow diva status of that “postmodern Marlene Dietrich,” Isabelle Huppert, whose “cryptic” presence...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1996) 13 (3 (39)): 4–33.
Published: 01 September 1996
... surgical practice itself in many US feministlwomanist communities. Given that terms are always political and contingent, we are opting to use the phrase "genital surgeries" following Isabelle Gunning's argument that "mutilation" is ethnocentric and judgmental while "circumcision...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1981) 3 (1 (7)): 144–150.
Published: 01 May 1981
... and Isabelle de Courtivron, eds., New French Ferninisrns (Amherst: University of Massachusetts Press, 1980). 2. For an alternative, see: Diana Adlam and Couze Venn, “Introduction to Irigaray” in Ideology and Consciousness, no. 1 (May 1977), pp. 57-61. 3...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 93–121.
Published: 01 May 2016
... within the kinds of institutions that 1970s French video often explicitly opposed. While Isabelle McNeill writes, with reference to the films of  Yamina Benguigui, about the possibility of film as “a virtual space that creates a sense of ‘home,’ ”22 Laura U. Marks has written that “video has...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2017) 32 (3 (96)): 33–61.
Published: 01 December 2017
... aligns with media scholar Isabel Molina- Guzmán’s Latina feminist anal- ysis of how Modern Family makes difference appear manageable while also aiming to queer the coercive intimacies that enable the Pritchetts to appear modern.22 This semblance of modernity takes place through a relational...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 35–63.
Published: 01 December 2016
... moves thinking and knowledge creation away from what Latour and Isabelle Stengers call “matters of fact” and toward specific, slowly ascertained, and situated “matters of con- cern,” the specificity of which keeps claims to knowledge open to contingencies.17 Latour’s collaborative...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1983) 4 (2 (11)): 132–145.
Published: 01 September 1983
... behavior of the inhabitants and in turn becomes a character in Isabelle's story, a story consisting of episodes she invents, stages and develops with the people in the house until it is finally torn down. "For me, film is the adventure of constant change. Also a certain form of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1981) 3 (1 (7)): 88–109.
Published: 01 May 1981
... even closer to this structure by the doubling of Charlotte and Tina: both were unwanted children; both go to Jacquith’s rest home, Cas- cade; both are excluded from Jerry’s life by Isabel, his wife. Jerry’s position within the couple is filled by a girl who is the double of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1990) 8 (3 (24)): 98–124.
Published: 01 September 1990
... (during the scene between Isabelle and Mr. Nobody), as well as when Paul runs into his ex-wife and his daughter at the very moment of his hypothetical death, which is suspended and made unreal precisely by this stop- action that is never stopped, the sign of a film that...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2006) 21 (1 (61)): 147–182.
Published: 01 May 2006
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 117–151.
Published: 01 September 2017
..., dir. Niels Arden Oplev, 2009) the climactic scenes in which the female protagonists, Lisbeth Salander (Rooney Mara) in Girl with the Dragon Tattoo and Michèle Leblanc (Isabelle Hup- pert) in Elle, are raped, sodomized, brutalized, and beaten by their male attackers are predictably shown in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1985) 5 (1-2 (13-14)): 162–194.
Published: 01 September 1985
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1990) 8 (1 (22)): 73–89.
Published: 01 January 1990
... zwischen bur- gerlicher Verbesserung und Neuer Weiblichkeit (Frankfurt: Suhrkamp, 1986); Isabel V. Hull, “ ‘Sexualitat’ und burgerliche Gesellschaft,” Biir- gerinnen und Burger. Geschlechtsverhaltnisse im 19. Jahrhundert, ed. Ute Frevert (Gottingen...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2007) 22 (3 (66)): 1–23.
Published: 01 December 2007
... Bachelorette: ‘Waves’ of Feminist Media Studies,” Signs 30 (2004): 1214 – 15. 19. Hélène Cixous, “The Laugh of the Medusa,” in New French Feminism, ed. Elaine Marks and Isabelle de Courtivron (New York: Schocken, 1981), 258. 20. Susan Rubin Suleiman, Subversive Intent: Gender...