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Journal Article
Camera Obscura (2005) 20 (3 (60)): 91–127.
Published: 01 December 2005
... Tanaka's Acting in Mizoguchi Films,” was published in Screening the Past . Shiraito (Irie Takako) looks at her absent lover’s desk in The Water Magician (dir. Mizoguchi Kenji, Japan, 1933). Courtesy Tokyo National Film Center In the Twilight of Modernity and the Silent Film: Irie Takako...
Journal Article
Camera Obscura (2002) 17 (2 (50)): 155–189.
Published: 01 September 2002
... friend, a white woman named Iris (Brigette Bako), joins them at the bar. We have seen Iris in the film before this moment. In an earlier sequence, a then-unnamed Iris is shown as she is chased by two white police officers (Vincent D’Onofrio and William Ficht- ner) who fail to apprehend her but do learn...
Journal Article
Camera Obscura (1996) 13 (3 (39)): 77–103.
Published: 01 September 1996
... of British tourists returning from a Bandrikan holiday, among them Iris (the heroine) and Gilbert (the hero), who together will search for Miss Froy, an elderly English governess (actually a British spy in disguise), who vanishes mysteri- ously early in the film. Other passengers include the Bandrikan...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 164–165.
Published: 01 December 1984
... and television at the University of Denver. She is finishing her dissertation for UCLA on American psychoanalysisin films produced during the post-World War I1 period and their relation to gender history. Published since 1983, IRIS concentrates on cinema and audiovisual...
Journal Article
Camera Obscura (2002) 17 (2 (50)): 191–217.
Published: 01 September 2002
... reinvests in this strain of Simmel’s barely concealed antiurban impulse, see- ing in the urban context a loss of community, Iris Marion Young celebrates the urban precisely for what she sees as its resistance to the homogenizing ethos of “community.”6 Young claims that positing community...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 157–175.
Published: 01 May 1979
.... Our films are feminist films, women’s films and films produced by women. Specialty: My People Are My Home. F. No response. IV. Unique Qualities No response. V. Future Goals No response. VI. Additional Remarks No response. I. Basic Information A. Iris...
Journal Article
Camera Obscura (2001) 16 (1 (46)): 77–97.
Published: 01 May 2001
...Dominique Bluher Camera Obscura 2001 Dominique Bluher is Maître de conférences at the University of Rennes 2 where she teaches film theory, aesthetics, and analysis. Her most recent publications have appeared in Cinémathèque, Sites, iris, Protée and other international journals...
Journal Article
Camera Obscura (2005) 20 (3 (60)): 1–13.
Published: 01 December 2005
... such as Irie Takako, Tanaka Kinuyo, Okada Yoshiko, and Wu Suxing were likewise trapped within progressive paradigms of New Women and tradi- tional expectations of appropriate gender norms. The modernity of mass media was incarnated in their bodies, especially as they were so prominently inscribed...
Journal Article
Camera Obscura (2002) 17 (2 (50)): 218–219.
Published: 01 September 2002
..., June, ed. Symbolic Narratives/African Cinema: Audiences, Theory, and the Moving Image. London: British Film Institute, 2000. Iris: A Journal of Theory on Image and Sound 29. Iowa City, IA: Institute for Cinema and Culture, 2001. Jayamanne, Laleen. Toward Cinema and Its Double: Cross...
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 275–276.
Published: 01 May 1997
... Action Hero and on the art of detecting in Seven. Tabitha Goode is a member of the Women’s Art Library, London, UK and a member of IRIS Women’s Photography Archive, Staffordshire University. Academic papers include, “Imaging the Body: Feminist and Postmodernist Strategies in Critical Fine...
Journal Article
Camera Obscura (1990) 8 (3 (24)): 216–217.
Published: 01 September 1990
... (Minneapolis: University of Minnesota Press (Theory and His- tory of Literature Series), 1987. He has published widely on film and film theory in journals such as Iris, Hors-Cadre, Cinhaction, and Les Deux Ecrans. Gary Hill is an artist who has worked with video and related media arts since...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 125–133.
Published: 01 May 2013
... organizations under the rubric of “non-­print media,” including WMM.14 A similar volume, also from 1975, listed more than forty feminist film organi- zations around the US.15 Iris Films and New Day Films, for example, were both founded in the 1970s by feminist filmmakers. They still survive, with New...
Journal Article
Camera Obscura (1988) 6 (3 (18)): 146–154.
Published: 01 September 1988
... a proliferation of recent writing on theory in film history. See Iris 2, no. 2 (1984), ed. D.N. Rodowick; Journal ofFilm and Video 37, no. 1 (Winter 1985), ed. Robert C. Allen; 154 Film Reader 6, ed. William Lafferty and Greg S. Faller; and Wide Angle 8, no. 2 (1986), ed. Mary Beth...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 30–59.
Published: 01 December 2020
... greening up your sex life, you re still a total environmental disaster. Stefanie Iris Weiss, Eco- Sex: Go Green between the Sheets and Make Your Love Life Sustainable In April 2014, with the forty- second anniversary of Arbor Day approaching, Pornhub one of the world s largest aggregators...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 373–377.
Published: 01 December 1989
.... Routledge, 1989. $16.95. The Thinking Muse: Feminism and Modern French Philosophy edited by Jeffner Allen and Iris Marion Young. Indiana University Press, 1989. $11.95. Realism and Tinsel: Cinema and Society in Britain 1939-48 by Robert Mur- phy. Routledge, 1989. $49.95. In Modernity’s Wake...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 28–39.
Published: 01 December 1989
... cinema Italiano 1895–1945 . Rome: Editori Riuniti, 1979 . 73 –88. Dagrada , Elena “The Diegetic Look: Pragmatics of the Point-Of-View Shot.” Iris 7 (October 1986 ): 111 –24. Dagrada , Elena “Subjectivité et caméra subjective.” Actes Sémiotiques 10 , no. 2-3 (March 1987...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 5–27.
Published: 01 December 1989
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 169–174.
Published: 01 December 1989
... as images of waterfalls, ocean waves and drifting ice floes. Similarly, Iris Barry defends her own passion for the cinema in a book published in 1926, claiming that “even in the crudest films something is provided for the imagination, and emotion is stirred by the simplest things-moonlight playing...
Journal Article
Camera Obscura (2019) 34 (3): 63–95.
Published: 01 December 2019
..., reverse shot, Marie is shown peering through the win- dow in the door (fig. 6). Her face is obscured by the frosted glass, and only her eye is clearly visible, peering through the center of the flower-cum-iris. The spotlighting and hazy glass replicate the ghostly, hallucinatory effects of superimposition...
Journal Article
Camera Obscura (1988) 6 (2 (17)): 112–132.
Published: 01 May 1988
... about 1909 on. NOTES 1. See Dominique Noguez, “Fantaisie ferroviaire,” Traversesll3 (Dec. 1978): 85-94; Mary Ann Doane, “The Moving Image,” Wide Angle vol. 7, nos. 1-2 (1985): 42-58; Charles Musser, “The Travel Genre in 1903-1904: Moving Toward Fictional Narrative,” Iris...