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installation

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2003) 18 (3 (54)): 99–117.
Published: 01 December 2003
... different ways desire structures narratives and images in various cultural traditions, and the way our very notion of desire may be shaped by these representations. Marina Abramovic´ ’s Performance: Stresses on the Body and Psyche in Installation Art Maureen Turim Among the most prolific...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1985) 5 (1-2 (13-14)): 28–49.
Published: 01 September 1985
...Anne-Marie Duguet; Jean Andrews Copyright © 1985 by Camera Obscura 1985 Nostos II (Thietry Kuntzel, 1984) The Luminous Image: Video Installation StedeZth Museum, Amsterdam (1 4 September-28 October 1984) Ame-Mane Dzlgzlet Although most video artists have produced...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2019) 34 (1 (100)): 99–111.
Published: 01 May 2019
...Maureen Turim Chantal Akerman’s 2004 art installation Marcher à côté de ses lacets dans un frigidaire vide ( Walking Next to One’s Shoelaces in an Empty Fridge ) explores Akerman’s multigenerational family history as Jewish survivors of the Shoah. The installation is spatially configured so that...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1988) 6 (1 (16)): 9–46.
Published: 01 January 1988
...Lynn Spigel Copyright © 1988 by the Johns Hopkins University Press 1988 Better Hom es and Gardens 31 (October 1953 ), p. 8 Installing the Television Set: Popular Discourses on Television and Domestic Space, 1948-1955 Lynn Spigel Between the years 1948 and 1955...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2019) 34 (1 (100)): 233–237.
Published: 01 May 2019
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2019) 34 (1 (100)): 13–29.
Published: 01 May 2019
...Ivone Margulies This interview with film editor Claire Atherton focuses on her three-decade collaboration on the films and installations of Chantal Akerman (1950–2015). Questioned by Akerman scholar Ivone Margulies, Atherton describes her meeting and rapport with Akerman and their way of working...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2019) 34 (1 (100)): 67–73.
Published: 01 May 2019
...Babette Mangolte This essay describes the last work by Chantal Akerman, an installation titled NOW made between January and March 2015 for the 2015 Venice Biennale. The author interrogates an installation work that is not linear and that changes while looking at it, producing thoughts as much as...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2019) 34 (1 (100)): 91–97.
Published: 01 May 2019
...Claire Atherton; Translated by Felicity Chaplin This essay is the memorial address on the life and work of filmmaker, writer, and installation artist Chantal Akerman (1950–2015) by her editor and collaborator of nearly thirty years, Claire Atherton. Atherton emphasizes Akerman’s instinctive way of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2010) 25 (2 (74)): 41–73.
Published: 01 September 2010
...Hsuan L. Hsu Mike Rottenberg's video installations and works in other media depict quirky scenarios of production in which women in constrained factory spaces use stationary bikes, bodily fluids, and simple tools to fabricate products ranging from scented towelettes to fake maraschino cherries...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2011) 26 (1 (76)): 39–63.
Published: 01 May 2011
...Domietta Torlasco This article interrogates the relation between memory and creation in Monica Bonvicini's installation Destroy She Said and Agnès Varda's film The Gleaners and I , both involving the adoption of digital technology and the simultaneous appropriation of analog materials. It is my...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 1–43.
Published: 01 September 2013
... the silhouettes of installation artist Kara Walker, to Scott McGehee and David Siegel's 1993 film Suture (US), to Harlem Renaissance visual artist Richard Bruce Nugent, the essay follows the shadow's blackness across the visual forms — including the silhouette and the photograph — that have...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2015) 30 (2 (89)): 89–123.
Published: 01 September 2015
... addictive gameplay. As the latest installment in an award-winning franchise, BioShock Infinite entices players on reputation alone. Although the game's marketing presents it as a clichéd FPS game with a stereotypical white male hero and nonstop action, BioShock Infinite regularly interrogates its own models...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 177–183.
Published: 01 December 2016
... focuses on the censorship of femininity and sexuality in Italian cinema in the 1950s and 1960s. For the project, Radha May retrieved censored scenes that had never been seen in public and created a film installation, a performance, and a digital publication. She distributed the recovered material further...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2016) 31 (2 (92)): 195–203.
Published: 01 September 2016
... collaborative interventions as well as the feminist and activist legacies that inform her video, performance, and installation works. For Wyman, opacity and camouflage enable collective emancipatory action in a time of contemporary neoliberal forms of surveillance, as seen in the practices of Pussy Riot members...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2019) 34 (1 (100)): 1–11.
Published: 01 May 2019
...Patricia White This introduction to the hundredth issue of Camera Obscura , on filmmaker, writer, and installation artist Chantal Akerman, establishes the importance of Akerman’s work to the history and perspective of the journal, as well as the journal’s central role in the history and concerns of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2019) 34 (1 (100)): 75–89.
Published: 01 May 2019
...Sandy Flitterman-Lewis This tribute to the work and legacy of Belgian filmmaker, writer, and installation artist Chantal Akerman, by a scholar of her work who also knew the filmmaker, is written in short paragraphs beginning with the phrase “I remember,” each recounted memory leading into the next...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2019) 34 (1 (100)): 197–217.
Published: 01 May 2019
... LOOKING ! The Films of Chantal Akerman 1968–2015 (2016–17) in Portland, Oregon, and culminated with CHANTAL? Dialogue between a movie, a cello, and a text , conceived and performed by Sonia Wieder-Atherton in 2018. This essay foregrounds films, installations, and performances that portray the interplay of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2019) 34 (1 (100)): 185–195.
Published: 01 May 2019
... outputs and the collaborative dedication of the partners, has become a fitting testament to the strength of the work of Chantal Akerman. Copyright © 2019 Camera Obscura 2019 cinema exhibition Chantal Akerman installation curation collaboration London ...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1993) 11 (2 (32)): 124–160.
Published: 01 September 1993
... comparison of art from futuristic museums not so much to favor one art project over the other as to establish a dialogue between the work of two significant political artists whose innovative experiments in installation derive from their backgrounds in film and video and their...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1990) 8 (3 (24)): 216–217.
Published: 01 September 1990
... work includes two video installations: “Double Vision,” which used film and HDTV for the film and video exhibition Passages de l’image at Centre Georges Pompidou (Beaubourg), Paris; and “Winter (The Death of Robert Walser a large electronic triptych for the Museum of Modern Art (New York...