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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2014) 29 (1 (85)): 137–159.
Published: 01 May 2014
...Claire Perkins At first glance, the US indie sector appears to defy Manohla Dargis's 2008 identification of a “new, post-female American cinema.” A significant number of women directors develop female-driven films in the industrial and aesthetic space between mainstream and avant-garde or...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1996) 13 (1 (37)): 238–239.
Published: 01 January 1996
... student in the Department of Musicology at Princeton University. His interests include film music, punk and indie rock, and modernism. Nina Schwartz is an Associate Professor of English at Southern Methodist University. Her book, Dead Fathers: The Logic of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1996) 13 (3 (39)): 152–153.
Published: 01 September 1996
... York University Press, 1998. Ethics After Idealism: Theory-Culture-Ethnicity-Reading by Rey Chow. Indi- ana University Press, 1998. Fatal Advice: How Safe-Sex Education Went Wrong by Cindy Patton. Duke University Press, 1996. Film...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1994) 11-12 (3-1 (33-34)): 262–263.
Published: 01 May 1994
..., which addresses alternative video practices in different cultural formations. Laura Stempel Mumford has written about television-including Love and Ideology in the Afternoon: Soap Opera, Women, and Television Genre (Indi- ana University Press, 1995)-and about...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1995) 12 (2 (35)): 223–225.
Published: 01 May 1995
.... Indiana University Press, 1995. $12.95. Claiming the Real: The Documentary Film Revisited by Brian Winston. Indi- ana University Press, 1995. $19.95. Forming and Reforming Identity: Genders #21 edited by Carol Siegeland Ann Kibbey. New York University Press, 1995. $17.95. 224 Branded to Thrill...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1988) 6 (3 (18)): 4–7.
Published: 01 September 1988
... Press, 1983), Judith Stacey, Patriarchy and Socialist Revolution in China, (Berkeley: University of California Press, 1983), Phyllis Andors, The Un• finished Revolution of Chinese Women, 1949-1980, (Bloomington: Indi• ana University Press, 1983), and Margery Wolf, Revolution Postponed...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 21–31.
Published: 01 May 1979
... functions as empty sign, as the “lack,” that is presented by the text. In “Femininity and the Masquerade” (1975), Johnston suggests that Tourneur, by foregrounding the repression of femininity in Anne ofthe Indies, ex- poses the mechanism of the fetish. In the introduction to the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2006) 21 (1 (61)): 59–63.
Published: 01 May 2006
... and upper classes touch, where the space between two indi- viduals shrinks with intimacy,” as the late Gloria Anzaldúa once wrote of the borderlands between being and monstrous multiplic- ity.13 A criticism of becoming returns us to a human no longer haunted by his or her monsters, but, rather...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 111–115.
Published: 01 December 1989
...- ists concur over the significance of the gaps opened by reading indi- vidual texts “against the grain” (i.e., exposing weak points in patriarchal ideology; affording reading spaces for women), there is no agreement over the significance of female spectatorship in history. If...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 186–191.
Published: 01 December 1982
... isolation of each indi- vidual. Thus through his silences, his equivocations, and his para- doxes, Godard can only try to reproduce in his “speech” a montage of contradictions in which his imagcs and the history of their pro- duction refuse to be assimilated into a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 14–20.
Published: 01 May 1979
... reducible to a reflection of categories of woman already produced in other systems of signification, but as a specific point of that production. Claire Johnston’s work on Jacques Tourneur’s Anne of the Indies and on the films of Raoul Walsh is a good example of feminist film criticism which...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 179–183.
Published: 01 December 1989
... contextual analysis, or whether the focus on meaning foregrounded by the semiotic model can be brought to bear on an analysis of the historical and social conditions and contexts of indi- vidual films, is very much an open question” (83). As a response to her question, Kuhn has...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2006) 21 (2 (62)): 170–176.
Published: 01 September 2006
... Dowd, whose self-promotion regularly highlights a “girlish” sense of self in middle age. 3. Christina Lane, “Just Another Girl Outside the Neo-indie,” in Contemporary American Independent Film: From the Margins to the Mainstream, ed. Chris Holmlund and Justin Wyatt (New York...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2006) 21 (3 (63)): 137–143.
Published: 01 December 2006
... a media culture already devoted to the visible promotion of individ- ual gratification. Indeed, the flip side to such discourses of indi- vidual fulfillment (only increasing in today’s narrowcast world, in which consumer identities are becoming ever more minutely defined) are norms of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2007) 22 (3 (66)): 185–191.
Published: 01 December 2007
... “petrify- ing” feminist studies but “presentifying” it (to echo Vivian Sob- chack’s essay in this series).10 That is, this archive brings perhaps forgotten works and films into the present to act on the future. Works crucial to queer, gay/lesbian, and race (ethnicity, indi- geneity...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2012) 27 (2 (80)): 155–160.
Published: 01 September 2012
..., if we utilize the word in the now anachronistic adjectival sense whereby the word queer describes a sense of strange(ness) or even the life of a stranger. The forced and unpredictable movement of indi- viduals from the now depopulated Palestinian towns, villages, and holy sites into...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 177–183.
Published: 01 December 2016
... you able to create? Working collaboratively from three different continents is a chal- lenge, but there are tools that make it possible. Skype! However, even with access to all the tools that exist, the most important thing is the desire to collaborate, to mediate between each indi- vidual’s...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2016) 31 (3 (93)): 35–63.
Published: 01 December 2016
... intensity of the sort initiated by RSVP can forge a network of bodies, experiences, and expressions, which in turn transforms the very nature of subjective experience through the simultaneous dependence on and differentiation between indi- vidual participants. The work is the matrix in which...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2016) 31 (1 (91)): 175–185.
Published: 01 May 2016
... body points to indi- vidual beings as living incarnations of collective habits from the oppressive past. The physical presence (the performing body) enacts “pure memory,” which is the past of suppressed sexual desire becoming painfully materialized and actualized using pres- ent physical...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 165–173.
Published: 01 September 2017
... remarkable, now that the eighties and nineties section of the archive is complete, is that there is only one game that directly references AIDS/HIV. It’s a pornographic game, and it’s super homophobic. There is also one indie game from 1988 called Caper in the Castro that was only dis- tributed on...