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independent
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in From Cannes to Cardboard: The Circulation and Promotion of Visages Villages and the Auteur on Instagram
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 11. Instagram photo of Varda's Independent Spirit Award for Visages Villages ( Faces Places , France, 2018)
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Journal Article
Camera Obscura (2012) 27 (3 (81)): 149–157.
Published: 01 December 2012
... Film Festival, this article gestures to a waxing movement of independent filmmaking that is steadily eroding the hegemony of mainstream film culture. Films discussed include Ava DuVernay's Middle of Nowhere and Nadine Labaki's Where Do We Go Now? Significant shifts in the field of independent film...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 125–133.
Published: 01 May 2013
...Kristen Fallica This essay commemorates the fortieth anniversary of the independent feminist film organization Women Make Movies (WMM) by reflecting on its history and relationship to larger currents in feminist media culture. Based on archival research, this contribution to Camera Obscura 's...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 147–155.
Published: 01 May 2013
... to address the under- and misrepresentation of women in film and media; today, the New York–based nonprofit supports the creation and circulation of independent film and media by and about women through its production assistance program, extensive distribution service, and advocacy role. The conversation...
Journal Article
Camera Obscura (2017) 32 (2 (95)): 153–163.
Published: 01 September 2017
...Diana Pozo; Bonnie Ruberg; Chris Goetz Queer gamers have always been a part of video game culture. However, since the mid-2000s, the growing importance of fans to media consumption and the rise to prominence of the independent game industry have helped bring public recognition and awareness...
Journal Article
Camera Obscura (2023) 38 (1 (112)): 1–29.
Published: 01 May 2023
... audiences. Notwithstanding its “independent” status, its distribution through Fox (then owned by Rupert Murdoch's News Corp), situates the film institutionally in ways that challenge our understanding of the category of “independent” as necessarily politically progressive. The film's double‐dealing...
FIGURES
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Journal Article
Camera Obscura (2009) 24 (2 (71)): 161–183.
Published: 01 September 2009
... to which gameplay can exist independent of playable protagonists, and the gendering of video-game goals and objectives are considered. Despite conforming to certain masculine activities—fighting, collecting weaponry, exploring and dominating space— Silent Hill complicates such aspects through the game...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 111–151.
Published: 01 December 2009
... the contributions of women filmmakers and the influence of feminist thought might be registered within these paradigms, gender and feminist political analyses are not integral to their geographic and discursive rationales. Feminisms' historical roles in industrial, national, and transnational independent, art...
Journal Article
Why Isn't Michelle Lopez on Judge Judy ? Citizenship and Televisuality in Hima B.'s And I Do Survive
Camera Obscura (2010) 25 (2 (74)): 183–195.
Published: 01 September 2010
...Ani Maitra In a conversation with the queer South Asian independent filmmaker and video artist Hima B. and through an analysis of her cinema verité work-in-progress And I Do Survive , this interview-article looks at the relationship between televisual discourse and “citizenship” as a form...
Journal Article
Camera Obscura (2011) 26 (3 (78)): 137–145.
Published: 01 December 2011
...Elena Gorfinkel Anna Biller, Los Angeles independent filmmaker, director, writer, producer, and star of the retro-sexploitation film Viva (2007) discusses her creative influences and production practice. Discussing the value of discarded generic modes such as 1960s sexploitation film and the use...
Journal Article
Camera Obscura (2017) 32 (3 (96)): 93–119.
Published: 01 December 2017
..., independent white hetero femininity that indexed several entangled biopolitical concerns of the early 1960s: the remnants of the lavender scare, the burgeoning feminist movement, and the changing status of whiteness in postwar America. The essay explores the way in which this white femininity was produced...
Journal Article
Camera Obscura (2018) 33 (1 (97)): 139–169.
Published: 01 May 2018
...Nguyen Tan Hoang The essay examines a tropical manifestation of camp deployed by queer independent filmmakers in Thailand in response to virulent censorship measures. Through close analysis of performances and films produced between 2000 and 2010 by Michael Shaowanasai and Tanwarin Sukkhapisit...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 33–57.
Published: 01 May 2014
... female auteur and to her provocative exploration of youthful sexual identity and fantasy, Koh's condensed-form queer interpretation circulates more productively as part of a burgeoning queer Asian cinema. Unlike New Queer Cinema, which was gradually co-opted by the mainstream as US independent filmmaking...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 59–79.
Published: 01 May 2014
... (Duma). Consequently, Germanika has become visible as an auteur who operates simultaneously between several historical, conceptual, and industrial formations: as a female director in a still male-dominated post-Soviet cinema industry, as an independent director in a production landscape defined by large...
Journal Article
Camera Obscura (2014) 29 (1 (85)): 137–159.
Published: 01 May 2014
... or independent film proper. Seldom, however, are these female directors absorbed by the promotional rhetoric of “Indiewood.” Specifically, their authorship rarely fits the mold celebrated by this discourse, which is that of the “maverick” star auteur—for example, Charlie Kaufman, Wes Anderson, or Todd Solondz...
Journal Article
Camera Obscura (2016) 31 (1 (91)): 27–63.
Published: 01 May 2016
... challenges both the representability and study of these emergent types that seem legible only through their apparent lack. In its call to disassociate coupled and sexualized desire from the practice of engaging films' gender and sexual politics, this article analyzes examples in independent cinema that seek...
Journal Article
Camera Obscura (2020) 35 (1 (103)): 139–159.
Published: 01 May 2020
... but rather has been spatially dislocated to the peripheries, as the modern site of production returns to inflict pain only on those unaware of its existence. And perhaps more radical still, two independent films, Vampz (dir. Steve Lustgarten, US, 2004) and Hood of the Living Dead (dir. Eduardo and Jose...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 135–145.
Published: 01 May 2013
... is acting executive director of the National Association of Latino Independent Producers. She is an educator and filmmaker, former executive director of the Association of Hispanic Arts and the Association of Independent Video and Filmmakers, and former publisher of the Independent . She is currently...
Journal Article
Camera Obscura (1999) 14 (3 (42)): 70–95.
Published: 01 September 1999
... if there
ever were one/ plays ]an Morrow, the very model of the post-war,
modern, independent single woman: she has her own apartment, her
own career as an interior decorator, and her own social life, complete
with an ardent suitor. Indeed, she has everything she needs but her own
phone...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 53–67.
Published: 01 December 1989
... Independent Filmmaking in Australia . Melbourne: Greenhouse Publications, 1987 . Blonski , Annette , and Freda Freiberg. “Double Trouble: Women's Films.” The Australian Screen . Melbourne: Penguin, 1989 . 191 –215. Brown , Mary Ellen , and Linda Barwick. “Soap Opera & Women's Culture...
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