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imperceptibility
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Journal Article
Camera Obscura (2016) 31 (2 (92)): 187–193.
Published: 01 September 2016
...? Notions of imperceptibility, proliferation, accumulation, and nonfilial progeny are each explored to advance a politics that can respond to contemporary critical theory and materiality. Imperceptibility explores the ways in which plastic influences the world without being influenced in turn. Proliferation...
Image
in She Listened: Vardian Self-Portraiture and Auto-Refrains of Sea, Wind, and Sand
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2021
Figure 1. Becoming-imperceptible: Visages Villages ( Faces Places , dir. Agnès Varda and JR, France, 2017) and Varda by Agnès ( Varda par Agnès , dir. Agnès Varda, France, 2019)
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Journal Article
Camera Obscura (2011) 26 (2 (77)): 33–63.
Published: 01 September 2011
..., the invisible, ubiquitous element of air has been wholly ignored as a medium for ideas. Yet despite being challenging to read, air gains power because of its relative invisibility, and after being transmuted by breathing into a legible cinematic sign, it marks sites where otherwise imperceptible ideas become...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 149–153.
Published: 01 September 2016
... of the female body's objectification and also a catalyst for collectivization. Heather Davis argues that plastic is an opaque queerness, and Nathan Lee writes on the condition of being HIV undetectable as an optimistic imperceptible relationship to one's body. Across these texts, opacity operates...
Journal Article
Camera Obscura (2021) 36 (1 (106)): 61–85.
Published: 01 May 2021
...Figure 1. Becoming-imperceptible: Visages Villages ( Faces Places , dir. Agnès Varda and JR, France, 2017) and Varda by Agnès ( Varda par Agnès , dir. Agnès Varda, France, 2019) ...
FIGURES
Journal Article
Camera Obscura (2016) 31 (2 (92)): 167–173.
Published: 01 September 2016
... of the pond, are neither plants nor fish,
they contain yet more of them, though of a subtleness imperceptible
to us, most often. Thus there is nothing fallow, sterile, or dead in the
universe, no chaos and no confusion except in appearance, almost like it
looks in a pond at a distance, where we might...
Journal Article
Camera Obscura (1983) 4 (2 (11)): 28–59.
Published: 01 September 1983
....
For example, at the beginning of Nostos 1, on the screen which has
changed imperceptibly from blue to white, a form appears, hardly visible,
indistinct, and moves upward, disappearing and reappearing all the 35
while, like the beating of a wing perceived, then lost against the sky: soon
we realize...
Journal Article
Camera Obscura (2022) 37 (3 (111)): 59–67.
Published: 01 December 2022
... helped us suggest—imperceptibly, we thought—an alteration in the era's voltage: to put across, as if it were gliding by, the idea of death. 8 The choice of document and of this process of rapprochement, of which we find many other applications throughout the film, is of course totally subjective...
FIGURES
Journal Article
Camera Obscura (1990) 8 (3 (24)): 206–215.
Published: 01 September 1990
... the registers of language, imperceptible to the European
spectator, clearly establish who is speaking for the Japanese spectator,
to whom this correspondence is initially supposed to be addressed.
Two lives are also sketched out here, and through them two styles,
two modes...
Journal Article
Camera Obscura (1980) 2 (2 (5)): 100–110.
Published: 01 September 1980
.... But we have forgotten the context.
Throughout Thriller Laffont slips imperceptibly from role to role. She is
Mimi the investigator examining her own death, Mimi the object of the
first Mimi’s inquiry, and Musetta “the bad girl, the one who didn’t die
And perhaps there is yet another Laffont...
Journal Article
Camera Obscura (2005) 20 (1 (58)): 1–31.
Published: 01 May 2005
... grudg-
ingly concede the necessity of the latter for women as a social
group. It is hard to see any common ground between suppos-
edly molar feminism, which aims at the visible self-defi nition of a
social group, and becoming-woman, conceived as a preliminary to
“becoming-imperceptible.” Moreover...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 3–17.
Published: 01 December 1984
.... What becomes
evident is how easily work like Almy’s latest high-tech pieces can move
across the often imperceptible boundary between commercial TV and
video art.
The Early Work
In Almy ’s earlier, multi-monitor performance pieces, and particularly her
Modern...
Journal Article
Camera Obscura (1976) 1 (1 (1)): 27–38.
Published: 01 May 1976
... angle
emphasizes the box-likespace by reinforcing the perspectival lines. Spatial
parameters are designated by the displacement of what would convention-
allybe seen assignificant movement. First, in the extreme left corner at the
back of the room, an almost imperceptible figure...
Journal Article
Camera Obscura (1977) 1 (2 (2)): 93–104.
Published: 01 September 1977
...-
tion which, in sustaining the cinema-effect, does, in the most invisible
and imperceptible way, support the work of enunciation. In fact, it is the
necessary condition of enunciation. It is therefore not surprising that
when it is exposed, as in the films of Vertov or those...
Journal Article
Camera Obscura (2023) 38 (3 (114)): 35–75.
Published: 01 December 2023
... used by their creators, many of whom were entomologists, botanists, and natural philosophers, to emphasize color's ephemerality. The diagrams acknowledged the infinite number of intermediate colors imperceptible to the human eye. 10 Looping configurations such as Goethe's watercolor color wheel from...
FIGURES
| View All (13)
Journal Article
Camera Obscura (2007) 22 (1 (64)): 1–41.
Published: 01 May 2007
... is present. Once she refuses by uttering an almost
imperceptible “no,” her husband departs, and Ahoo appears to
regain her drive, begins to pedal harder, pulls ahead, and takes
command of the image as she rides through the landscape in a
highly mobile one-shot. Her feeling of liberation is expressed...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 192–209.
Published: 01 December 1982
... result of his ambient noise levels and continuous sense of
acoustic environment is that it is impossible to slip in and out ofa sound
take imperceptibly. Where sound begins, one knows it. (A contempo-
rary television equivalent may be found in the highly layered sound-
artificially produced...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 69–87.
Published: 01 May 2008
... the applause,
though, when the veil between pretend agonies and real-life ago-
nies is stretched so thin as to be almost imperceptible? We love
best the moments when what we know about the diva’s personal
life deepens her performance: Judy Garland singing “The Man
That Got Away,” Natalie Wood...
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 226–242.
Published: 01 May 1997
... transference of
the imperceptible radiation onto the conspicuous carnosaur. The film
evokes fears of uncontainable radiation and nuclear holocaust only to
contain them in the dinosaur, using the prehistoric metonym of extinc-
tion to veil the contemporary threat of apocalypse. Though it is absurd...
Journal Article
Camera Obscura (1977) 1 (2 (2)): 67–92.
Published: 01 September 1977
... the more imaginary, body. But then, almost right away, the
camera, progressively, imperceptibly, begins to immobilize itself, sanc-
tioning this separation without detracting from the almost excessive regu-
larity of the walk: the time it takes to end a shot of a long duration...
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