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Camera Obscura (2016) 31 (1 (91)): 65–91.
Published: 01 May 2016
... a return to its former unmediated status. By contrast, Her moves beyond the notion of prosthesis, bringing into focus human-machine intimacies wherein the human serves as host or a surrogate womb to the emerging technological object. In Her , technology is seen as an immaterial parasite while human...
Camera Obscura (2015) 30 (1 (88)): 71–99.
Published: 01 May 2015
... “makes one more conscious of the season as a narrative unit . . . as a meaningful narrative category.”7 Part of this, Newman concludes, has to do with the collectability of televisual content, be it material (VHS and DVD releases) or immaterial (streaming on a subscription-based online...