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Journal Article

The Americanization of Tsuru Aoki: Orientalism, Melodrama, Star Image, and the New Woman

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Sara Ross
Camera Obscura (2005) 20 (3 (60)): 129–157.
DOI: https://doi.org/10.1215/02705346-20-3_60-129
Published: 01 December 2005
... openly rebels against the unreasonable patriarchal rigidity of her father and her religion. Courtesy Margaret Herrick Library The Americanization of Tsuru Aoki: Orientalism, Melodrama, Star Image, and the New Woman Sara Ross The film career of Tsuru Aoki in the teens and twenties...
View articletitled, The Americanization of Tsuru Aoki: Orientalism, Melodrama, Star <span class="search-highlight">Image</span>, and the New Woman View PDF for article titled, The Americanization of Tsuru Aoki: Orientalism, Melodrama, Star <span class="search-highlight">Image</span>, and the New Woman
Journal Article

Photography, Subjectivity, and the Politics of the Image from Helke Sander to Angela Schanelec

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Mary Hennessy
Camera Obscura (2018) 33 (3 (99)): 49–73.
DOI: https://doi.org/10.1215/02705346-7142176
Published: 01 December 2018
View articletitled, Photography, Subjectivity, and the Politics of the <span class="search-highlight">Image</span> from Helke Sander to Angela Schanelec View PDF for article titled, Photography, Subjectivity, and the Politics of the <span class="search-highlight">Image</span> from Helke Sander to Angela Schanelec
Journal Article

The Luminous Image: Video Installation: Stedelijk Museum, Amsterdam (14 September-28 October 1984)

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Anne-Marie Duguet, Jean Andrews
Camera Obscura (1985) 5 (1-2 (13-14)): 28–49.
DOI: https://doi.org/10.1215/02705346-5-1-2_13-14-28
Published: 01 September 1985
...Anne-Marie Duguet; Jean Andrews Copyright © 1985 by Camera Obscura 1985 Nostos II (Thietry Kuntzel, 1984) The Luminous Image: Video Installation StedeZth Museum, Amsterdam (1 4 September-28 October 1984) Ame-Mane Dzlgzlet Although most video artists have produced...
View articletitled, The Luminous <span class="search-highlight">Image</span>: Video Installation: Stedelijk Museum, Amsterdam (14 September-28 October 1984) View PDF for article titled, The Luminous <span class="search-highlight">Image</span>: Video Installation: Stedelijk Museum, Amsterdam (14 September-28 October 1984)
Journal Article

Pretty: Film Theory, Aesthetics, and the History of the Troublesome Image

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Rosalind Galt
Camera Obscura (2009) 24 (2 (71)): 1–41.
DOI: https://doi.org/10.1215/02705346-2009-001
Published: 01 September 2009
...Rosalind Galt This article contends that film studies has consistently denigrated “pretty” images: those that emphasize detailed composition, excess color, or decorative style. While the term deliberately invokes the triviality of “pretty pictures,” the article questions this taken-for-granted...
View articletitled, Pretty: Film Theory, Aesthetics, and the History of the Troublesome <span class="search-highlight">Image</span> View PDF for article titled, Pretty: Film Theory, Aesthetics, and the History of the Troublesome <span class="search-highlight">Image</span>
Journal Article

Promoting the Image of Gender Equality in Swedish Film as the 2020 Deadline Expires

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Ingrid Ryberg
Camera Obscura (2020) 35 (3 (105)): 142–153.
DOI: https://doi.org/10.1215/02705346-8631607
Published: 01 December 2020
... the Image of Gender Equality in Swedish Film as the 2020 Deadline Expires Ingrid Ryberg Camera Obscura 105, Volume 35, Number 3 doi 10.1215/02705346-8631607 © 2020 by Camera Obscura Published by Duke University Press 143 I N P R A C T I C E 144 Camera Obscura and film festivals all over the world...
View articletitled, Promoting the <span class="search-highlight">Image</span> of Gender Equality in Swedish Film as the 2020 Deadline Expires View PDF for article titled, Promoting the <span class="search-highlight">Image</span> of Gender Equality in Swedish Film as the 2020 Deadline Expires
Journal Article

Bartmania: The Social Reception of an Unruly Image

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Kevin Glynn
Camera Obscura (1996) 13 (2 (38)): 60–91.
DOI: https://doi.org/10.1215/02705346-13-2_38-60
Published: 01 May 1996
...Kevin Glynn Copyright © 1995 by Indiana University Press 1996 Bartmania: The Social Reception of an Unruly Image Kevin Glynn Matt Groening's Fox Television cartoon program The Simpsons pre- miered as a weekly prime-time series in January 1990. Almost im- mediately...
View articletitled, Bartmania: The Social Reception of an Unruly <span class="search-highlight">Image</span> View PDF for article titled, Bartmania: The Social Reception of an Unruly <span class="search-highlight">Image</span>
Journal Article

Beyond the Gaze: Visual Fascination and the Feminine Image in Silent Hitchcock

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Jessica Brent
Camera Obscura (2004) 19 (1 (55)): 77–111.
DOI: https://doi.org/10.1215/02705346-19-1_55-77
Published: 01 May 2004
... the Gaze: Visual Fascination and the Feminine Image in Silent Hitchcock Jessica Brent Are not the traits which I indicated (the make-up, the whiteness, the wig, etc.) just like the blunting of a meaning too clear, too violent? Do they not give the obvious signified a kind of difficultly...
View articletitled, Beyond the Gaze: Visual Fascination and the Feminine <span class="search-highlight">Image</span> in Silent Hitchcock View PDF for article titled, Beyond the Gaze: Visual Fascination and the Feminine <span class="search-highlight">Image</span> in Silent Hitchcock
Journal Article

Fassbinder and Lacan: A Reconsideration of Gaze, Look, and Image

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Kaja Silverman
Camera Obscura (1989) 7 (1 (19)): 54–85.
DOI: https://doi.org/10.1215/02705346-7-1_19-54
Published: 01 January 1989
...Kaja Silverman Copyright © 1989 by The Johns Hopkins University Press 1989 Fassbinder and Lacan: A Reconsideration of Gaze, Look and Image Kaja Silverman Although the descriptive phrase “aesthetics of pessimism” derives from Fassbinder himself,l it might well have been...
View articletitled, Fassbinder and Lacan: A Reconsideration of Gaze, Look, and <span class="search-highlight">Image</span> View PDF for article titled, Fassbinder and Lacan: A Reconsideration of Gaze, Look, and <span class="search-highlight">Image</span>
Journal Article

The Image (and the) Movement: An Overview of Italian Feminist Research

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Giuliana Bruno
Camera Obscura (1989) 7 (2-3 (20-21)): 28–39.
DOI: https://doi.org/10.1215/02705346-7-2-3_20-21-28
Published: 01 December 1989
.... La rap-presentazione del corpo nella filosofia e nelle arti . Milan: Vita e Pensiero, 1983 . Nadotti , Maria . “The Cave.” Artforum (January 1989 ). Pistagnesi , Patrizia . Anna Magnani . Milan: Fabbri Editori, 1988 . The Image (and the) Movement: An Overview of Italian...
View articletitled, The <span class="search-highlight">Image</span> (and the) Movement: An Overview of Italian Feminist Research View PDF for article titled, The <span class="search-highlight">Image</span> (and the) Movement: An Overview of Italian Feminist Research
Journal Article

“I Am an Image”

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Raymond Bellour, Susan Suleiman
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 116–123.
DOI: https://doi.org/10.1215/02705346-3-4-2-3-1_8-9-10-116
Published: 01 December 1982
...Raymond Bellour; Susan Suleiman Copyright © 1982 by Camera Obscura 1982 “I Am an Image”” Raymond Bellour The essential novelty of Sauve qui peut (la vie) (already suggested in FvanL‘e/touv/d~touv/deux/enfants)resides in the displacement to which the cinema is subjected. Here...
View articletitled, “I Am an <span class="search-highlight">Image</span>” View PDF for article titled, “I Am an <span class="search-highlight">Image</span>”
Image
Figure 11. Telescopic frames and image grafting. Spider-Woman in the control room. Lovely Andrea (dir. Hito Steyerl, Japan/Austria/Germany, 2007). Courtesy of the artist

Telescopic frames and image grafting. Spider-Woman in the control room. Lo...

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in Self-Suspension in Frames: Hito Steyerl's Lovely Andrea > Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2023
Figure 11. Telescopic frames and image grafting. Spider-Woman in the control room. Lovely Andrea (dir. Hito Steyerl, Japan/Austria/Germany, 2007). Courtesy of the artist More
Image
Figure 1. Image of Castle of Canossa: “The Lord of the Hills Becomes the Lord of the Plain.” Feudal Society by Marc Bloch, translated by L. A. Manyon (Chicago: University of Chicago Press, 1964), 355. Plate information: The Lord of the Hills Becomes the Lord of the Plain. The Castle of Canossa in the Emilian Apennines.

Image of Castle of Canossa: “The Lord of the Hills Becomes the Lord of the ...

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in Castle & Crook: Necroliberalism and Cartographies of Abandonment in Maquilapolis ( City of Factories ) and Señorita Extraviada ( Missing Young Woman ) > Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2024
Figure 1. Image of Castle of Canossa: “The Lord of the Hills Becomes the Lord of the Plain.” Feudal Society by Marc Bloch, translated by L. A. Manyon (Chicago: University of Chicago Press, 1964), 355. Plate information: The Lord of the Hills Becomes the Lord of the Plain. The Castle of Canossa More
Image
Figure 3. Final Xerox Star Icons, 1981. This image is one of many “scans of high quality polaroid photographs of the screen of the Xerox Star 8010 workstation on its launch in 1981,” archived by the DigiBarn Computer Museum. Note the finalized icons for the “Document” now have the dog-eared corner in the upper right. We can also see the finalized versions of the “folder,” “record file,” and “file drawer” in this image. Courtesy of DigiBarn Computer Museum

Final Xerox Star Icons, 1981. This image is one of many “scans of high qual...

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in How the Computer Taught Us to See > Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 September 2024
Figure 3. Final Xerox Star Icons, 1981. This image is one of many “scans of high quality polaroid photographs of the screen of the Xerox Star 8010 workstation on its launch in 1981,” archived by the DigiBarn Computer Museum. Note the finalized icons for the “Document” now have the dog-eared More
Image
Figure 2. Carolee Schneemann, Vole (2016). Digital image. From correspondence with the author, 28 November 2016. Courtesy of the Carolee Schneemann Foundation; P•P•O•W, New York; Galerie Lelong, New York; and Hales Gallery, London. © 2021 Carolee Schneemann Foundation / Artists Rights Society (ARS), New York

Carolee Schneemann, Vole (2016). Digital image. From correspondence with ...

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in Christ, Santa Claus, Doctor Deliverer: For Carolee Schneemann > Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 September 2021
Figure 2. Carolee Schneemann, Vole (2016). Digital image. From correspondence with the author, 28 November 2016. Courtesy of the Carolee Schneemann Foundation; P•P•O•W, New York; Galerie Lelong, New York; and Hales Gallery, London. © 2021 Carolee Schneemann Foundation / Artists Rights Society More
Image
Figure 1. Image from A Month of Single Frames (dir. Lynne Sachs, US, 2019). Courtesy of the author

Image from A Month of Single Frames (dir. Lynne Sachs, US, 2019). Courtes...

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in Thoughts on Making Films with Barbara Hammer > Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 December 2021
Figure 1. Image from A Month of Single Frames (dir. Lynne Sachs, US, 2019). Courtesy of the author More
Journal Article

Imaging Modern Girls in the Japanese Woman's Film

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Mitsuyo Wada-Marciano
Camera Obscura (2005) 20 (3 (60)): 15–55.
DOI: https://doi.org/10.1215/02705346-20-3_60-15
Published: 01 December 2005
.... Courtesy Kawakita Memorial Film Institute Imaging Modern Girls in the Japanese Woman’s Film Mitsuyo Wada-Marciano In Japan during the 1920s and early 1930s, the true other of modernity was not so much the worker but woman.  — Harry Harootunian, Overcome by Modernity: History, Culture...
View articletitled, <span class="search-highlight">Imaging</span> Modern Girls in the Japanese Woman&#x27;s Film View PDF for article titled, <span class="search-highlight">Imaging</span> Modern Girls in the Japanese Woman&#x27;s Film
Journal Article

Women, X-rays, and the Public Culture of Prophylactic Imaging

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Lisa Cartwright
Camera Obscura (1992) 10 (2 (29)): 18–54.
DOI: https://doi.org/10.1215/02705346-10-2_29-18
Published: 01 May 1992
...Lisa Cartwright Copyright © 1992 by Indiana University Press 1992 Highlights aztd Shadows (James Sibley Watson for Kodak Research Laboratories, USA, 1937) Women, X-rays, and the Public Culture of Prophylactic Imaging Lisa Cat-twright...
View articletitled, Women, X-rays, and the Public Culture of Prophylactic <span class="search-highlight">Imaging</span> View PDF for article titled, Women, X-rays, and the Public Culture of Prophylactic <span class="search-highlight">Imaging</span>
Journal Article

A Review of “Imaging Techniques in Reproductive Medicine”

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Estelle S. Fletcher
Camera Obscura (1992) 10 (2 (29)): 240–243.
DOI: https://doi.org/10.1215/02705346-10-2_29-240
Published: 01 May 1992
...Estelle S. Fletcher Copyright © 1992 by Indiana University Press 1992 A Review of “Imaging Techniques in Reproductive Medicine” Estelle S. Fletcher A recent symposium in the Journal of Reproductive Medicine reflects the diversity of medical imaging techniques now available...
View articletitled, A Review of “<span class="search-highlight">Imaging</span> Techniques in Reproductive Medicine” View PDF for article titled, A Review of “<span class="search-highlight">Imaging</span> Techniques in Reproductive Medicine”
Journal Article

Unspeakable Images, Unspeakable Bodies

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Elisabeth Lyon
Camera Obscura (1990) 8 (3 (24)): 168–194.
DOI: https://doi.org/10.1215/02705346-8-3_24-168
Published: 01 September 1990
... of Images”. Cindy Sherman (catalogue). New York: The Whitney Museum of American Art, 1987 . Schor , Mira . “From Liberation to Lack”. Heresies 6 , no. 3 ( 1989 ). Solomon-Godeau , Abigail . “The Legs of the Countess”. October 39 (Winter 1986 ). Williams , Linda . Hard Core...
View articletitled, Unspeakable <span class="search-highlight">Images</span>, Unspeakable Bodies View PDF for article titled, Unspeakable <span class="search-highlight">Images</span>, Unspeakable Bodies
Journal Article

The Power of Words, The Power of Images

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Raymond Bellour, Elisabeth Lyon
Camera Obscura (1990) 8 (3 (24)): 7–10.
DOI: https://doi.org/10.1215/02705346-8-3_24-7
Published: 01 September 1990
...Raymond Bellour; Elisabeth Lyon Copyright © 1991 by The Johns Hopkins University Press 1990 The Power of Words, The Power of Images Raymond Bellour Depending on one’s choice of chronology and emphasis, two essential things have been happening for ten, twenty, thirty years...
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