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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 28–39.
Published: 01 December 1989
.... La rap-presentazione del corpo nella filosofia e nelle arti . Milan: Vita e Pensiero, 1983 . Nadotti , Maria . “The Cave.” Artforum (January 1989 ). Pistagnesi , Patrizia . Anna Magnani . Milan: Fabbri Editori, 1988 . The Image (and the) Movement: An Overview of Italian...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2005) 20 (3 (60)): 129–157.
Published: 01 December 2005
... openly rebels against the unreasonable patriarchal rigidity of her father and her religion. Courtesy Margaret Herrick Library The Americanization of Tsuru Aoki: Orientalism, Melodrama, Star Image, and the New Woman Sara Ross The film career of Tsuru Aoki in the teens and twenties...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2018) 33 (3 (99)): 49–73.
Published: 01 December 2018
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1996) 13 (2 (38)): 60–91.
Published: 01 May 1996
...Kevin Glynn Copyright © 1995 by Indiana University Press 1996 Bartmania: The Social Reception of an Unruly Image Kevin Glynn Matt Groening's Fox Television cartoon program The Simpsons pre- miered as a weekly prime-time series in January 1990. Almost im- mediately...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2004) 19 (1 (55)): 77–111.
Published: 01 May 2004
... Gaze: Visual Fascination and the Feminine Image in Silent Hitchcock Jessica Brent Are not the traits which I indicated (the make-up, the whiteness, the wig, etc.) just like the blunting of a meaning too clear, too violent? Do they not give the obvious signified a kind of difficultly...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1985) 5 (1-2 (13-14)): 28–49.
Published: 01 September 1985
...Anne-Marie Duguet; Jean Andrews Copyright © 1985 by Camera Obscura 1985 Nostos II (Thietry Kuntzel, 1984) The Luminous Image: Video Installation StedeZth Museum, Amsterdam (1 4 September-28 October 1984) Ame-Mane Dzlgzlet Although most video artists have produced...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1989) 7 (1 (19)): 54–85.
Published: 01 January 1989
...Kaja Silverman Copyright © 1989 by The Johns Hopkins University Press 1989 Fassbinder and Lacan: A Reconsideration of Gaze, Look and Image Kaja Silverman Although the descriptive phrase “aesthetics of pessimism” derives from Fassbinder himself,l it might well have been...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 116–123.
Published: 01 December 1982
...Raymond Bellour; Susan Suleiman Copyright © 1982 by Camera Obscura 1982 “I Am an Image”” Raymond Bellour The essential novelty of Sauve qui peut (la vie) (already suggested in FvanL‘e/touv/d~touv/deux/enfants)resides in the displacement to which the cinema is subjected. Here...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2009) 24 (2 (71)): 1–41.
Published: 01 September 2009
...Rosalind Galt This article contends that film studies has consistently denigrated “pretty” images: those that emphasize detailed composition, excess color, or decorative style. While the term deliberately invokes the triviality of “pretty pictures,” the article questions this taken-for-granted...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1990) 8 (3 (24)): 168–194.
Published: 01 September 1990
... Images”. Cindy Sherman (catalogue). New York: The Whitney Museum of American Art, 1987 . Schor , Mira . “From Liberation to Lack”. Heresies 6 , no. 3 ( 1989 ). Solomon-Godeau , Abigail . “The Legs of the Countess”. October 39 (Winter 1986 ). Williams , Linda . Hard Core...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1990) 8 (3 (24)): 7–10.
Published: 01 September 1990
...Raymond Bellour; Elisabeth Lyon Copyright © 1991 by The Johns Hopkins University Press 1990 The Power of Words, The Power of Images Raymond Bellour Depending on one’s choice of chronology and emphasis, two essential things have been happening for ten, twenty, thirty years...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (2 (29)): 18–54.
Published: 01 May 1992
...Lisa Cartwright Copyright © 1992 by Indiana University Press 1992 Highlights aztd Shadows (James Sibley Watson for Kodak Research Laboratories, USA, 1937) Women, X-rays, and the Public Culture of Prophylactic Imaging Lisa Cat-twright...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (2 (29)): 240–243.
Published: 01 May 1992
...Estelle S. Fletcher Copyright © 1992 by Indiana University Press 1992 A Review of “Imaging Techniques in Reproductive Medicine” Estelle S. Fletcher A recent symposium in the Journal of Reproductive Medicine reflects the diversity of medical imaging techniques now available...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1982) 3-4 (2-3-1 (8-9-10)): 210–215.
Published: 01 December 1982
...Jacques Aumont; D.N. Rodowick Colin MacCabe, with Mick Eaton and Laura Mulvey, Godard: Images, Sounds, Politics. (Bloomington: Indiana University Press, 1980. BFI Cinema Series. Copyright © 1982 by Camera Obscura 1982 Book Reviews Godard: Images, Sounds, Politics Ja cqu es...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2005) 20 (3 (60)): 15–55.
Published: 01 December 2005
.... Courtesy Kawakita Memorial Film Institute Imaging Modern Girls in the Japanese Woman’s Film Mitsuyo Wada-Marciano In Japan during the 1920s and early 1930s, the true other of modernity was not so much the worker but woman.  — Harry Harootunian, Overcome by Modernity: History, Culture...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 45–75.
Published: 01 September 2013
... (US, 1964), which is typically shown silently. These films are queer in that they present a series of erotic encounters that vary in gender, sexuality, and number; significantly, these works are also nonsynchronous or silent in their image-sound relations. They are recombinant in their structure...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2018) 33 (1 (97)): 113–137.
Published: 01 May 2018
...China Medel This article examines the role of image culture in producing collective memory and opportunities for transnational solidarity in Alex Rivera’s science fiction film about the US-Mexico borderlands, Sleep Dealer (US/Mexico, 2008). The article shows that the film offers two contrasting...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2019) 34 (1 (100)): 99–111.
Published: 01 May 2019
... the two parts poetically echo each other—one focuses on her writing displayed sculpturally, and the other on an interview with her mother about her grandmother’s diary—and features a projection doubled not only by side-by-side images but also by an additional intervening scrim bearing images of the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2009) 24 (1 (70)): 109–133.
Published: 01 May 2009
...Lisa Nakamura Images of biometric screens are becoming increasingly common in television and film, particularly in genres such as police procedurals, “terror” television programs, and medical dramas. Digital surveillant screens establish and produce authority and scientific truths about national...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2013) 28 (1 (82)): 69–101.
Published: 01 May 2013
...Mimi Thi Nguyen A unique aesthetic and artifact for what might loosely be dubbed “Vietnamese America,” the Ao Trang (White Dress) calendar draws from a reservoir of images and feelings of the so-called traditional Vietnamese dress — and specifically, its most iconic form as the uniform of the...