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Journal Article
Camera Obscura (2020) 35 (3 (105)): 60–87.
Published: 01 December 2020
Journal Article
Camera Obscura (2015) 30 (1 (88)): 155–183.
Published: 01 May 2015
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in Pretty Gross: Dialectics of Desire and Disgust in the Reception of Pipilotti Rist
> Camera Obscura: Feminism, Culture, and Media Studies
Published: 01 May 2022
Figure 1. Pipilotti Rist, I'm Not the Girl Who Misses Much ( Ich bin nicht das Mädchen, das viel vermisst ), 1986, video still. © Pipilotti Rist. Courtesy of the artist, Luhring Augustine, New York, and Hauser & Wirth Figure 1. Pipilotti Rist, I'm Not the Girl Who Misses Much (Ich bin
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Journal Article
Camera Obscura (2012) 27 (2 (80)): 93–133.
Published: 01 September 2012
... and psychoanalysis literature. This new paradigm is driven by the emergence of a new wave of Israeli documentaries such as Ari Folman's Waltz with Bashir , Tamar Yarom's To See If I'm Smiling , and Avi Mograbi's Z32 , one that for the first time includes female IDF (Israeli Defense Forces) veterans. Israeli cinema...
Journal Article
Camera Obscura (1995) 12 (3 (36)): 118–133.
Published: 01 September 1995
...
Wean-Michael] Basquiat put it, “SOS: same old shit.”
I’m lucky. Because of my background, I can see things in many
different ways. I know that the fact that Afro-American culture is
imitated globally says something about our diversity and our creativity
and our eccentricity. One amazing...
Journal Article
Camera Obscura (2011) 26 (3 (78)): 137–145.
Published: 01 December 2011
... was very inspiring for the depressing
suburbia parts.
Do you think about your film through a feminist sensibility? I’m interested
in how you see yourself as a woman filmmaker making a film about and
using the conventions of a largely male-dominated mode of production.
What I find so...
Journal Article
Camera Obscura (2021) 36 (3 (108)): 145–151.
Published: 01 December 2021
.... In true Barbara fashion, she researched everything she could about ovarian cancer. And the statistics are not good. So she started then. She redid her will. She started thinking more seriously about her archive. She didn't think in terms of, “Well, this is the end.” She just said, “I'm going to keep...
FIGURES
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 198–210.
Published: 01 May 1979
... was, besides the
interest I had in seeing all the American independent films at Anthology 199
Film Archives, that probably it gave me the possibility of not deciding
where to go, that is whether to become an editor, a camerawoman, or
this or that. And actually I’m still not decided because I’m still...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 18–39.
Published: 01 December 1984
... and condense them into a
single monitor work. Looking back on it now, that’s the way I would
analyze it.
CO: Leaving the 20th Century is very dramatic and compelling.
MA: Yes, I’m starting to realize how theatrical I am. I have a real love for
the theater and may want to work in a theatrical mode...
Journal Article
Camera Obscura (1988) 6 (3 (18)): 26–31.
Published: 01 September 1988
.... It read as follows: "Happy New
Year! I'm not in the least bit excited about 1988. Again I can't do
what I want to do! I'm going to have to make a detective movie.
Goddammit! I don't feel like saying any more."
Chris Berry: How did you first get interested in movies?
Peng Xiaolian: I wasn't...
Journal Article
Camera Obscura (1985) 5 (1-2 (13-14)): 148–157.
Published: 01 September 1985
... by the meta-
discursive style, which enters by way of the footnotes and which uses the
third person as the dominant mode of address. So I’m not really privileg-
ing the autobiographical discourse-I’m always attempting to disrupt it.
As to what you say about a sort of development and resolution: I...
Journal Article
Camera Obscura (1988) 6 (3 (18)): 20–25.
Published: 01 September 1988
... the character of the
artist, male or female. So, in making films, my primary motivation is
to express myself, and in expressing myself, it's very natural that my
being a woman should be part of that.
CB: What do you think about the idea of "women's cinema"?
ZNX: To be honest, I'm not that interested...
Journal Article
Camera Obscura (1985) 5 (1-2 (13-14)): 162–194.
Published: 01 September 1985
... this particular
camera is loaded with symbolism. I expressed this to you with the
question, “Does the French cinema needa camera? No So I am taking
advantage of Jean-Bernard Menoud’s presence in Paris today to discuss
this, since he’s the one who ended up using it the most. I’m here as a film
producer...
Journal Article
Camera Obscura (1995) 12 (2 (35)): 186–221.
Published: 01 May 1995
.... Two days ago, I was dancing
the tango in Buenos Aires for a week, and here I am talking with you
about films and filmmaking. I'm not interested in consciously repeating
myself, although in my work, as in most people's work, you can trace
repetitive things: people tend to repeat until they're done...
Journal Article
Camera Obscura (1996) 13 (3 (39)): 34–51.
Published: 01 September 1996
...: In terms of this question of access, I'm completely confused. I live
in New York City and I go into the St. Mark's Bookstore in the East
Village, and in the center of the room is the most amazing array of
perversions and weirdnesses. Now, we're all happy we can go there
and get...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 147–155.
Published: 01 May 2013
....
What I said was that I’m really happy to be celebrating our fortieth
anniversary, and I’m also sad because it makes me think about what
it means that we’re still as needed as we were forty years ago. . . .
We were supposed to go out of business! We’re a project that by its
very nature was meant...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 60–73.
Published: 01 December 1982
...: And your drawing things, darling?
Carnille: It’s not today, it’s tomorrow.
Mother: Is it? OK . . . but be quick if you don’t mind . .
What are you doing, Camille?
Camille: I’m taking off my tights.
Mother: Hurry up . . . please.
62 Camille: OK...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 161–185.
Published: 01 December 1982
... said (when we were coming here in
the car) that you had trouble because you were asked to cut two or three
lines.
PK: But that’s a space matter, it’s not an advertising matter.
J-LG: Well, a space matter, what is it?
172 PK: There are make-up men. I’m writing for a weekly, for people...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 230–234.
Published: 01 December 1989
...
Even though I’m mistrustful of “privileged hindsight narratives” that
create meaningful and coherent wholes out of pieces that seemed more
like fragments at the time, this questionnaire has set me to thinking
about the development of female spectatorship (in my own work...
Journal Article
Camera Obscura (2004) 19 (1 (55)): 181–197.
Published: 01 May 2004
... practice to be moving so that I don’t become wed to a
particular shape. But if there is one central medium, it is writing.
Much of the work I’ve done in the past two years is writing. Soon
these things will be out in the world!2 But my computer knows
I’m a writer.
Much of what you do, even...
