1-20 of 158 Search Results for

human-machine love

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Camera Obscura (2016) 31 (1 (91)): 65–91.
Published: 01 May 2016
... Invasion” (forthcoming in Textual Practice ), and “Flirting with the Law: Queer Culture beyond Transgression” ( Academic Quarter ). © 2016 by Camera Obscura 2016 Spike Jonze Her human-machine love immaterial parasite technology and prosthesis general intellect Figure 1. Agent Tom Greer...
Journal Article
Camera Obscura (1986) 5 (3 (15)): 66–85.
Published: 01 December 1986
..., will never be born, and the humans will never be able to fight back successfully against the machines. Kyle has fallen in love with Sarah through her photograph, given to him by John Conner. He says he always won- dered what she was thinking about when the photo was taken for she has a faraway...
Journal Article
Camera Obscura (1986) 5 (3 (15)): 110–136.
Published: 01 December 1986
...Raymond Bellour © 1986 by Camera Obscura 1986 Edison’s phonographic talking doll (1890) Ideal Hadaly Raymortd Bellour The New Eve, an electro-human machine (almost an animal! . . . ), offering a replica...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 65–97.
Published: 01 September 2021
... to modulate the self and others. Digital platforms record and instrumentalize digital copies of our behavior as “Big Data” in order to animate, control, and modulate our actions and particularly our sociality. 1 This amalgamation of digital copies and behavioral modification integrates human and machine...
FIGURES | View All (7)
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 129–160.
Published: 01 May 1997
... orthodoxy. Galileo was brought before the Inquisition in 1633 and he renounced his support of Copernicus. Learning this, Descartes despairingly abandoned his plan to publish his Traite‘ de l’homme (Treatise of Man), about the physiology of the human body as machine...
Journal Article
Camera Obscura (2020) 35 (1 (103)): 1–37.
Published: 01 May 2020
.... McLuhan s framework offers a basic sense of how a technology like the answer- ing machine, whose primary function is voice preservation, could aggravate feelings of loss when the voice itself is absent, though it accomplishes this by reifying a standardized sense of human capa- bility that writers...
Journal Article
Camera Obscura (2001) 16 (2 (47)): 79–131.
Published: 01 September 2001
... with the “masculine.” However, as Andreas Huyssen observes in “The Vamp and the Machine,” in the throes of industrialization, as technology began to be seen as more of a threat to human life, it was transcoded with the feminine.33 Following Huyssen, we might see technology as human control over...
Journal Article
Camera Obscura (1999) 14 (3 (42)): 96–123.
Published: 01 September 1999
...." Whereas Hartman treats Pyle as a machine ("What is your major malfunction Joker attempts to reinvoke the human: "Easy, Leon• ard. Go easy, man" (emphasis added). Pyle eventually lowers his aim and returns to his seat on the toilet. He then places the muzzle of his 104 rifle in his mouth, thereby...
Journal Article
Camera Obscura (2003) 18 (1 (52)): 157–187.
Published: 01 May 2003
... been and has and has not done. Taking It Personally • 181 Welles’s final confrontation is with Machine, a name that denies the human and that insists on the automatic, the unfeeling. But Machine proves terribly human. He seems to fit a profiler stereotype...
Journal Article
Camera Obscura (2020) 35 (2 (104)): 171–179.
Published: 01 September 2020
...- or time- binding capabilities.8 Innis was the intellectual predecessor to McLuhan, who argued that the true message of any medium was the change in pace, pattern, and scale it introduced into human affairs. For A Manifesto for the Broken Machine 173 example, the message of the light bulb...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 3–17.
Published: 01 December 1984
... narratives demonstrate the impossibility of conventional romantic love. The tension operating in Almy’s work between technology and the human being is most evident in Amvd. In this sequence, the woman (played by Almy) is being conducted back to the present by means...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 1–37.
Published: 01 December 2012
..., and a continuing complex relationship between human beings and machines. The aired series opted for a biological solution to cultural problems and xated on heternormative love and divinely selected genet- ics. By seeking genetic rather than cultural survival, the proposed biological stasis ironically...
Journal Article
Camera Obscura (2002) 17 (1 (49)): 149–187.
Published: 01 May 2002
... practices as separate from Babe? And what methodologies will address these concerns? —Sylvia Kolbowski, “Questions for Feminism” The 1995 film Babe (dir. Chris Noonan, US) culminates with the consolidation of a community in which social boundaries separat- ing animals, machines, and humans...
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 161–179.
Published: 01 May 1997
..., the eighties witnessed an explosion of television programs and films in which nostalgic disavowal fueled 166 stories of humans who employ as well as fight machines to try to save the future. Redressing past or present wrongs in terms of a nostalgic notion of traditional values, numerous...
Journal Article
Camera Obscura (2002) 17 (2 (50)): 69–107.
Published: 01 September 2002
..., it retains its original programming: to “collect all data possible” and to “transmit its information” to its maker, which it mistak- enly “believes . . . is a machine.” Once Admiral Kirk (William Shat- ner) convinces VGER otherwise—that “we [humans] are the cre- ator”—it insists that “the creator must...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 1–25.
Published: 01 September 2016
... to the dehumanization of the modern machine age.39 Both Kracauer and Dinerstein consider human bodies involved in circuits of mimesis with their machines. In so doing, they anticipate Miriam Hansen’s theory of “vernacular modern- ism,” as both diagnose the cultural production and participation...
Journal Article
Camera Obscura (1996) 13 (2 (38)): 92–115.
Published: 01 May 1996
... to the tech- nological artifact. The conceptualization of the artifact as object recip- rocally entails its subordination to the human ability or inability to keep it bound to its object-like status. In either case, therefore, the inextri- cable unity of the human and the machine...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 116–131.
Published: 01 December 2020
... the digigender social body, inspired by the life and death of Brandon Teena and online sexual violence a central work in the early history of net art.7 Are there connections between BRANDON and FLUIDØ? BRANDON tackles the intersection of human and machine, vir- tual and actual. FLUIDØ explores the notion...
Journal Article
Camera Obscura (2009) 24 (1 (70)): 177–207.
Published: 01 May 2009
... or continue oppressive forms of inequality, we must also attend to the networks of power: the material and ideological structure of the machine. Since the mapping of the human genome, race has made a very public reappearance as an important biological calculus of dif- ference...
Journal Article
Camera Obscura (2007) 22 (1 (64)): 113–135.
Published: 01 May 2007
... in the history of feminist film theory; the metaphorization of the exchange of the woman for that of the tape and, in the process, the rendering of the woman and the tape as analogous recording surfaces; the supplemental status of recording technologies visvis their humanized projec- tion...