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Journal Article
Camera Obscura (2016) 31 (1 (91)): 65–91.
Published: 01 May 2016
... Invasion” (forthcoming in Textual Practice ), and “Flirting with the Law: Queer Culture beyond Transgression” ( Academic Quarter ). © 2016 by Camera Obscura 2016 Spike Jonze Her human-machine love immaterial parasite technology and prosthesis general intellect Figure 1. Agent Tom Greer...
Journal Article
Camera Obscura (1986) 5 (3 (15)): 66–85.
Published: 01 December 1986
..., will never be
born, and the humans will never be able to fight back successfully
against the machines. Kyle has fallen in love with Sarah through her
photograph, given to him by John Conner. He says he always won-
dered what she was thinking about when the photo was taken for she
has a faraway...
Journal Article
Camera Obscura (1986) 5 (3 (15)): 110–136.
Published: 01 December 1986
...Raymond Bellour © 1986 by Camera Obscura 1986 Edison’s phonographic talking doll (1890)
Ideal Hadaly
Raymortd Bellour
The New Eve, an electro-human machine
(almost an animal! . . . ), offering a replica...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 65–97.
Published: 01 September 2021
... to modulate the self and others. Digital platforms record and instrumentalize digital copies of our behavior as “Big Data” in order to animate, control, and modulate our actions and particularly our sociality. 1 This amalgamation of digital copies and behavioral modification integrates human and machine...
FIGURES
| View All (7)
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 129–160.
Published: 01 May 1997
... of the
forces of Nature to human welfare.” He “limited his body solely to
serving as a tool of his technically creative mind,” and in “eliminat[ing]
love,” eliminating “even women from his thoughts,” he became “the
genius who would live entirely as a thinking and a working machine.”48...
Journal Article
Camera Obscura (2020) 35 (1 (103)): 1–37.
Published: 01 May 2020
... phonograph in the North American Review (1878) was to record the last words of dying persons. 22 In 1902, Alfred Parzer- Mühlbacher wrote in the first German manual on the Care and Usage of Modern Speaking Machines (Phonograph, Graphophone, and Gramophone) that through said machines cherished loved ones...
Journal Article
Camera Obscura (2001) 16 (2 (47)): 79–131.
Published: 01 September 2001
... with the
“masculine.” However, as Andreas Huyssen observes in “The
Vamp and the Machine,” in the throes of industrialization, as
technology began to be seen as more of a threat to human life, it
was transcoded with the feminine.33 Following Huyssen, we might
see technology as human control over...
Journal Article
Camera Obscura (1999) 14 (3 (42)): 96–123.
Published: 01 September 1999
....
Bodies and Machines~ Mark Seltzer's provocative study of realist,
naturalist, and industrialist writing from the 1850s to the 1920s, de•
termines that "nothing typifies the American sense of identity more
than the love of nature (nature's nation) except perhaps the love...
Journal Article
Camera Obscura (2003) 18 (1 (52)): 157–187.
Published: 01 May 2003
... been and has and has not done.
Taking It Personally • 181
Welles’s final confrontation is with Machine, a name that
denies the human and that insists on the automatic, the unfeeling.
But Machine proves terribly human. He seems to fit a profiler
stereotype...
Journal Article
Camera Obscura (2020) 35 (2 (104)): 171–179.
Published: 01 September 2020
...- or time- binding capabilities.8 Innis was the intellectual predecessor to McLuhan, who argued that the true message of any medium was the change in pace, pattern, and scale it introduced into human affairs. For A Manifesto for the Broken Machine 173 example, the message of the light bulb...
Journal Article
Camera Obscura (1984) 4 (3 (12)): 3–17.
Published: 01 December 1984
... narratives
demonstrate the impossibility of conventional romantic love.
The tension operating in Almy’s work between technology and the
human being is most evident in Amvd. In this sequence, the woman
(played by Almy) is being conducted back to the present by means...
Journal Article
Camera Obscura (2002) 17 (1 (49)): 149–187.
Published: 01 May 2002
... practices as separate from Babe?
And what methodologies will address these concerns?
—Sylvia Kolbowski, “Questions for Feminism”
The 1995 film Babe (dir. Chris Noonan, US) culminates with the
consolidation of a community in which social boundaries separat-
ing animals, machines, and humans...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 1–37.
Published: 01 December 2012
..., and a continuing
complex relationship between human beings and machines. The
aired series opted for a biological solution to cultural problems
and xated on heternormative love and divinely selected genet-
ics. By seeking genetic rather than cultural survival, the proposed
biological stasis ironically...
Journal Article
Camera Obscura (1997) 14 (1-2 (40-41)): 161–179.
Published: 01 May 1997
..., the eighties witnessed an explosion of
television programs and films in which nostalgic disavowal fueled
166 stories of humans who employ as well as fight machines to try to save
the future. Redressing past or present wrongs in terms of a nostalgic
notion of traditional values, numerous...
Journal Article
Camera Obscura (2002) 17 (2 (50)): 69–107.
Published: 01 September 2002
...,
it retains its original programming: to “collect all data possible”
and to “transmit its information” to its maker, which it mistak-
enly “believes . . . is a machine.” Once Admiral Kirk (William Shat-
ner) convinces VGER otherwise—that “we [humans] are the cre-
ator”—it insists that “the creator must...
Journal Article
Camera Obscura (2016) 31 (2 (92)): 1–25.
Published: 01 September 2016
... to the
dehumanization of the modern machine age.39
Both Kracauer and Dinerstein consider human bodies
involved in circuits of mimesis with their machines. In so doing,
they anticipate Miriam Hansen’s theory of “vernacular modern-
ism,” as both diagnose the cultural production and participation...
Journal Article
Camera Obscura (1996) 13 (2 (38)): 92–115.
Published: 01 May 1996
... to the tech-
nological artifact. The conceptualization of the artifact as object recip-
rocally entails its subordination to the human ability or inability to keep
it bound to its object-like status. In either case, therefore, the inextri-
cable unity of the human and the machine...
Journal Article
Camera Obscura (2007) 22 (1 (64)): 113–135.
Published: 01 May 2007
... Figures Theory.” Previous articles can be found in The Origins of Deconstruction (2006), as well as in parallax, Performance Research , and the Journal of Visual Culture .
Wind Up:
The Machine-Event of Tape
Lynn Turner
I’m sorry, so sorry.
Please accept my apology.
But love...
Journal Article
Camera Obscura (2009) 24 (1 (70)): 177–207.
Published: 01 May 2009
... or formalized affini-
ties to overthrow tyranny. But to elucidate the general mechanisms
that create or continue oppressive forms of inequality, we must
also attend to the networks of power: the material and ideological
structure of the machine.
Since the mapping of the human genome...
Journal Article
Camera Obscura (2020) 35 (3 (105)): 116–131.
Published: 01 December 2020
... the digigender social body, inspired by the life and death of Brandon Teena and online sexual violence a central work in the early history of net art.7 Are there connections between BRANDON and FLUIDØ? BRANDON tackles the intersection of human and machine, vir- tual and actual. FLUIDØ explores the notion...
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