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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1995) 12 (2 (35)): 86–105.
Published: 01 May 1995
...Julia Erhart Copyright © 1995 by Indiana University Press 1995 The Children's Hour (William Wyler, 1961) "She Could Hardly Invent Them!" From Epistemological Uncertainty to Discursive Production: Lesbianism in The Children's Hour Julia Erhart...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2013) 28 (1 (82)): 37–67.
Published: 01 May 2013
...Julianne Pidduck This article explores Stephen Daldry's The Hours (US/UK, 2002) as a feminist and queer meditation on the dilemma of marriage. An important queer-authored crossover film in the tradition of the family melodrama and the woman's film, The Hours offers a considered return to the iconic...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2006) 21 (1 (61)): 105–145.
Published: 01 May 2006
... literature and film. Virginia (Nicole Kidman) enters the river in The Hours (dir. Stephen Daldry, US, 2002). Melancholic Arrangements: Music, Queer Melodrama, and the Seeds of Transformation in The Hours Michael LeBlanc One feels even in the midst of the traffic, or working at night...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2013) 28 (3 (84)): 67–101.
Published: 01 December 2013
... most prominent storyline in the miniseries. However, across nearly sixteen hours, Berlin Alexanderplatz also introduces us to Paula (Mechthild Grossmann), Minna (Karin Baal), Ida (Barbara Valentin), Frau Bast (Brigitte Mira), Polish Lina (Elisabeth Trissenaar), Eva (Hanna Schygulla), the widow (Angela...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2017) 32 (2 (95)): 185–192.
Published: 01 September 2017
...Claudia Lo Amid the ongoing popularity of hundred-hour, epic-length stories or never-ending, procedurally generated games, where is the place for short games with defined endings? Anna Anthropy's Queers in Love at the End of the World (2013) rejects the importance of having a lengthy game and flips...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2013) 28 (3 (84)): 169–170.
Published: 01 December 2013
... of The Hours: Queer Melodrama and the Dilemma of Marriage. No. 82: pp. 37 – 67 Alessandra Raengo In the Shadow. No. 83: pp. 1 – 43 B. Ruby Rich The Confidence Game. No. 82: pp. 157 – 68 Jill Richards Berlin Alexanderplatz’s Serial Women. No. 84: pp. 67 – 101 Patricia White...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 28–39.
Published: 01 December 1989
... “discipline.” It is not by chance, therefore, that the issue of female spectatorship was brought to the fore in the context of a “non-specialized” setting. It became an important issue around 1979 in the context of the “150 hours courses.” This was the name given to one of the most important...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 219–224.
Published: 01 May 1979
... Forum Cinema in Innsbruck experienced the first Austrian showing of Valie Export’s 16mm film Invisible Adversaries. The world premier was in Paris one week earlier. A somnambulistic hour but the audience watched with wide awake 223 attention the story (better: the condition...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1980) 2 (3 (6)): 120–121.
Published: 01 December 1980
... every corner. One wonderful thing about it is that it’s a peninsula- you can walk its length and width in an hour at a relaxed pace. I walked up and down the length of it as I made this film-over and over again. Many people think that Coney Island is an amusement park only. People...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 224–227.
Published: 01 May 1979
... and her need for privacy and a relationship impossible to satisfy in the space of a 24 hour day. She tries to cut down, to order her priorities. She works with a group of women on a collective project, for which they could receive some money, which involves...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1988) 6 (1 (16)): 203–225.
Published: 01 January 1988
...-1974. This sit-com concerns a widow with three daughters who marries a widower with three sons. Episodes center on the trials and tribulations of a large, loving, middle-class family. In an attempt to revive the format of the show, NBC aired The Brady Bunch Hour in 1977, but this show lasted only...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1994) 11-12 (3-1 (33-34)): 212–241.
Published: 01 May 1994
.... That half-hour program, Homemade for the Holidays, showed viewers how to decorate Christmas ornaments using a craft kit available for $39.95.12The infomer- cial generated $750,000 in sales for the network.13 In general, infomercials are also an attractive format...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1995) 12 (3 (36)): 158–160.
Published: 01 September 1995
... Discursive Production: Lesbianism in The Children’s Hour. No. 35; pp. 87-106. Farred, Grant No Way Out of the Menaced Society: Loyalty within the Boundedness of Race. No. 35; pp. 7-24. Feuer, Jane Feminism on Lifetime: Yuppie TV for the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (3 (27)): 54–75.
Published: 01 September 1991
... spectators. Fast-forwarding through six hours of nonstop cov- erage creates the impression of a single, flickering, male talking head- a composite of anchors, reporters, Colin Powell, Dick Cheney, military and weapons “experts,” and on-site reporters -interrupted by maps, diagrams, and the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1996) 13 (2 (38)): 29–59.
Published: 01 May 1996
... assessed as the fourth largest broadcasting system in the world, Xuxa burst into national and, soon, international media prominence. Xuxa's superstardom first emerged from the exceptional popularity of her four and three-quarters-hour daily children's program on Globo, which soon dominated Brazilian...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2007) 22 (2 (65)): 158–165.
Published: 01 September 2007
... FRENCH.” It is being mounted by the legendary director-auteur Claude Régy. It will expose the mental recesses of a psychotic writer just hours before he or she (the text does not specify the protagonist’s sex) intends to commit suicide — as Kane herself did in 1999, shortly after writing this...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2006) 21 (3 (63)): 167–170.
Published: 01 December 2006
... the University of California, Irvine, I have the students read Laura Mulvey’s seminal (pardon the expression) “Visual Pleasure and Narrative Cinema” and suggest they present a critique in the form of a pop melody — like “Always” or “In the Midnight Hour” or something more up to date.1 So...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1980) 2 (2 (5)): 86–97.
Published: 01 September 1980
... and Mayhew, and the discussions between Anne and Martha, on the Ten Hours Bill, which would restrict women’s working hours. The various conflicting and supporting inter- ests are set out, but the issue is never resolved. What knowledge emerges? What conclusions...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 109–149.
Published: 01 September 2013
... programming.9 Though the movement arguably began in the late 1960s with variety shows like Rowan and Martin’s Laugh-­In (NBC, 1968 – 73) and The Smoth- ers Brothers’ Comedy Hour (CBS, 1967 – 69) on the political left and procedurals like Dragnet 1967 (NBC, 1967 – 70) on the right, Lear’s introduction...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1980) 2 (3 (6)): 42–49.
Published: 01 December 1980
... realiza- 45 tion in the shooting. The reception lasts more than an hour (66 minutes and 13 seconds). I see it above all as a mass of sound that turns around a group of barely varied images, which act as fured supports anchoring ths mass to fxed places, preventing it from veering off...