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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1996) 13 (3 (39)): 77–103.
Published: 01 September 1996
...Karen Beckman Copyright © 1995 by Indiana University Press 1996 Verwehte Spuren (The Footprints Blown Away, Veit Harlan, 1938). Violent Vanishings: Hitchcock, Harlan, and the Disappearing Woman Karen Beckman Charles Bertram, Queen Victoria's favorite magician, performed...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2004) 19 (1 (55)): 77–111.
Published: 01 May 2004
...Jessica Brent Camera Obscura 2004 Jessica Brent recently received her Ph.D. in English from Columbia University, where she completed her dissertation on narrative and visual experience in nineteenth-century texts and early film. The Lodger (dir. Alfred Hitchcock, UK, 1926) Beyond the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1977) 1 (2 (2)): 67–92.
Published: 01 September 1977
...Raymond Bellour; Bertrand Augst; Hilary Radner © 1977 by Camera Obscura 1977 Hitchcock, The Enunciator Raymond Bel/our o. The credits have barely starred; a body is seized. Twice a name is claimed: the film's title by its director, and a woman's name by a man. Admittedly...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (3 (30)): 34–49.
Published: 01 May 1992
... ): 114 —133. Modleski , Tania The Women Who Knew Too Much: Hitchcock and Feminist Theory . New York: Routledge, 1988 . Morgan , Ted Maugham . New York: Simon and Schuster, 1980 . Norton , Rictor The Homosexual Literary Tradition: An Interpretation . New York: Revisionist...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2010) 25 (1 (73)): 1–27.
Published: 01 May 2010
...Ned Schantz This essay considers the recurring problem of plot alternatives in Alfred Hitchcock, of powerful shadow scenes that overwhelm the manifest plot and demand a critical account of their own. Confronting such shadow scenes, the viewer takes up a social position in a long chain of failed...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2011) 25 (3 (75)): 101–141.
Published: 01 December 2011
...Kriss Ravetto-Biagioli Alfred Hitchcock's Vertigo is one of the most acclaimed films of all times, recognized by scores of critics, film theorists, and film historians as a pivotal work in both film history and film theory. By now, Vertigo is so deeply embedded in film theory that it is almost...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 133–134.
Published: 01 May 1979
...). “Ce que savait Hitchcock.” Cahiers du Cinh,No. 190 (May, 1967). Reprinted in Le livre des autres, op. cit. Yes Ozseaux: analyse d’une sequence.” Cahiers du Cinha, No. 219 (1969).Trans. “The Birds: Analysis of a Sequence.” Available in mimeographed form from...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1993) 11 (2 (32)): 162.
Published: 01 September 1993
... Tony Scherman by Ihor Holubizky and David Moos. Art Gallery of Hamilton, 1994. A Modest Proposal by Mary Ellen Carroll. Tz’Art & Co., 1994. Anti-Mimesis from Plato to Hitchcock by Tom Cohen. Cambridge University Press, 1994. $16.95. United States by Thomas L...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1996) 13 (3 (39)): 154–155.
Published: 01 September 1996
... Copyright © 1995 by Indiana University Press 1996 154 Index to camera obscura/37, 38, 39 (volume 13) Beckman, Karen Violent Vanishings: Hitchcock, Harlan, and the Disappearing Woman. No. 39; pp. 79-103. Blocker, Jane...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1988) 6 (2 (17)): 215–216.
Published: 01 May 1988
...: Mass Produced Fantasies for Women and The Women Who Knew Too Much: Hitchcock and Feminist Theory. Kaja Silverman teaches English and Film Studies at the University of Rochester. She is the author of The Subject of Semiotics and The Acoustic Mirror: The Female Voice in Psychoanalysis and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2000) 15 (1 (43)): 192–193.
Published: 01 May 2000
... 2000 CO 43-6, 192-193 6/6/00 2:52 PM Page 192 Books Received Allen, Richard, and Ishii Gonzales, eds. Alfred Hitchcock: Centenary Essays. London: British Film Institute, 1999. Bergstrom, Janet, ed. Endless Night: Cinema and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2001) 16 (2 (47)): 230–231.
Published: 01 September 2001
...: University of California Press, 2000. Smith, Susan. Hitchcock: Suspense, Humour, and Tone. London: British Film Institute, 2000. Staiger, Janet. Blockbuster TV: Must-See Sitcoms in the Network Era. New York: New York University Press, 2000. Street, Sarah. British Cinema in...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1995) 12 (2 (35)): 223–225.
Published: 01 May 1995
... Direction and Film Narrative by Charles Affron and Mirella Jona Affron. Rutgers University Press, 1995. $22.50. Hitchcock on Hitchcock: Selected Writings and Interviews edited by Sidney Gottlieb. University of California Press, 1995. Feminisms in the Cinema edited by Laura Pietropaolo and Ada Testaferri...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2003) 18 (1 (52)): 188–190.
Published: 01 May 2003
... of Kentucky, 2002. Golden, Eve, with Kim Kendall. The Brief, Madcap Life of Kay Kendall. Lexington: University Press of Kentucky, 2002. Gottlieb, Sidney, and Christopher Brookhouse, eds. Framing Hitchcock: Selected Essays from the Hitchcock Annual. Detroit, MI: Wayne State...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 32–69.
Published: 01 May 1979
..., 69365 Lyon Cedex 2 France (10 francs) 1977. Jacqueline , Rose “Dora - Fragment of an Analysis.” m/f , 3-1 ( 1978 ). Hitchcock’s sketches for The Birds (courtesy Cahiers du Cinh) Enunciation and Sexual Difference (Part Janet Bergstrorn I. Introduction There is a great deal of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (1-2 (25-26)): 74–100.
Published: 01 September 1991
.... Hitchcock on Strangers on a Train Like the hero, the camera, and the spectator, feminist film theory has fixed its gaze on Hitchcock’s blonde: we can’t take our eyes off her. And with good reason. Hollywood’s dream machine thrives on her fetishized surfaces. It is precisely because she is the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1994) 11-12 (3-1 (33-34)): 12–41.
Published: 01 May 1994
... Lifetime’s Mold Lifetime relied on this strategy when it decided to remake the suspense thriller Notorious, originally scripted by Ben Hecht and directed by Alfred Hitchcock (1946).Lifetime’s former director of original movies, Bari Carrelli, felt bound to follow the original fairly closely...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1977) 1 (2 (2)): 93–104.
Published: 01 September 1977
... careful examination of the dialectics of the look as it operates in the beginning of Hitchcock's Mamie complements, and in a sense, continues Kuntzel's analysis of L 'emouooir. The moment in which the film-strip turns into film-projection, when the real of an unreal is mater- ialized...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1979) 1-2 (3-1 (3-4)): 104–132.
Published: 01 May 1979
... give it to your mother. Philippe Sollers I. Psycho is undoubtedly the most obscure of Hitchcock’s films. Obscure, first of all, in a literal sense, because in none of his other films does night seem so black and day so...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1992) 10 (2 (29)): 247–248.
Published: 01 May 1992
... to Know about Lacan (But Were Afraid to Ask Hitchcock) edited by Slavoj Zizek. Verso, 1992. $18.95. Christmas in July: The Life and Art of Preston Sturges by Diane Jacobs. University of California Press, 1992. Wireless Imagination: Sound, Radio, and the Avant...