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hitchcock
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Journal Article
Camera Obscura (2004) 19 (1 (55)): 77–111.
Published: 01 May 2004
...Jessica Brent The Lodger (dir. Alfred Hitchcock, UK, 1926)
Beyond the Gaze: Visual
Fascination and the Feminine
Image in Silent Hitchcock
Jessica Brent
Are not the traits which I indicated (the make-up, the
whiteness, the wig, etc.) just like the blunting of a meaning too
clear...
Journal Article
Camera Obscura (1977) 1 (2 (2)): 67–92.
Published: 01 September 1977
...Raymond Bellour; Bertrand Augst; Hilary Radner Hitchcock, The Enunciator
Raymond Bel/our
o.
The credits have barely starred; a body is seized. Twice a name is
claimed: the film's title by its director, and a woman's name by a man.
Admittedly, this is not an unusual way...
Journal Article
Camera Obscura (1996) 13 (3 (39)): 77–103.
Published: 01 September 1996
...Karen Beckman
Verwehte Spuren (The Footprints Blown Away, Veit Harlan, 1938).
Violent Vanishings: Hitchcock, Harlan, and
the Disappearing Woman
Karen Beckman
Charles Bertram, Queen Victoria's favorite magician, performed the
Vanishing Lady Trick on the British stage...
Journal Article
Camera Obscura (2010) 25 (1 (73)): 1–27.
Published: 01 May 2010
...Ned Schantz This essay considers the recurring problem of plot alternatives in Alfred Hitchcock, of powerful shadow scenes that overwhelm the manifest plot and demand a critical account of their own. Confronting such shadow scenes, the viewer takes up a social position in a long chain of failed...
Journal Article
Camera Obscura (1992) 10 (3 (30)): 34–49.
Published: 01 May 1992
... ): 114 —133. Modleski , Tania The Women Who Knew Too Much: Hitchcock and Feminist Theory . New York: Routledge, 1988 . Morgan , Ted Maugham . New York: Simon and Schuster, 1980 . Norton , Rictor The Homosexual Literary Tradition: An Interpretation . New York: Revisionist...
Journal Article
Camera Obscura (2011) 25 (3 (75)): 101–141.
Published: 01 December 2011
...Kriss Ravetto-Biagioli Alfred Hitchcock's Vertigo is one of the most acclaimed films of all times, recognized by scores of critics, film theorists, and film historians as a pivotal work in both film history and film theory. By now, Vertigo is so deeply embedded in film theory that it is almost...
Journal Article
Camera Obscura (1991) 9 (1-2 (25-26)): 74–100.
Published: 01 September 1991
....
Hitchcock on Strangers on a Train
Like the hero, the camera, and the spectator, feminist film theory has
fixed its gaze on Hitchcock’s blonde: we can’t take our eyes off her.
And with good reason. Hollywood’s dream machine thrives on her
fetishized surfaces. It is precisely because she...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 104–132.
Published: 01 May 1979
....
Philippe Sollers
I.
Psycho is undoubtedly the most obscure of Hitchcock’s films. Obscure,
first of all, in a literal sense, because in none of his other films does night
seem so black and day so somber. There is, of course, The Wrong Man:
exactly like Psycho (inscribed...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 32–69.
Published: 01 May 1979
...Janet Bergstrom Hitchcock’s sketches for The Birds (courtesy Cahiers du Cinh)
Enunciation and Sexual Difference (Part
Janet Bergstrorn
I. Introduction
There is a great deal of confusion at the moment about the aims,
methods, scope and general importance of a particular kind of film...
Journal Article
Camera Obscura (1994) 11-12 (3-1 (33-34)): 12–41.
Published: 01 May 1994
... upscale homemakers or upscale men.
Remaking a Male-Oriented Film in Lifetime’s Mold
Lifetime relied on this strategy when it decided to remake the suspense
thriller Notorious, originally scripted by Ben Hecht and directed by
Alfred Hitchcock (1946).Lifetime’s former director of original...
Journal Article
Camera Obscura (1977) 1 (2 (2)): 93–104.
Published: 01 September 1977
... fascination but also its
seduction. L'emouooir thus sustains the displacement of the glance into
the look.
Bellour's careful examination of the dialectics of the look as it operates
in the beginning of Hitchcock's Mamie complements, and in a sense,
continues Kuntzel's analysis of L...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 70–103.
Published: 01 May 1979
...-
culine and feminine sexuality, in order to finally fall back on the
dominant model of masculine sexuality.
This gets crystallized in a particularly striking way in Hitchcock’s
films, but I think it’s a determining factor in the American cinema as a
whole. Of course one would...
Journal Article
Camera Obscura (1991) 9 (3 (27)): 76–87.
Published: 01 September 1991
...Jane Weinstock Copyright © 1992 by The Johns Hopkins University Press 1991 Rear Window (Alfred Hitchcock, 1954).
Courtesy Museum of Modern Art Film Stills Archive.
5 Minutes to Alexanderplatz
Jane Weinstock
I was looking for Christian Boltanski’s Missing House. I didn’t...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 235–241.
Published: 01 December 1989
... framework published in Screen by
Laura Mulvey in 1975 was marked by a specific passage from Freud,
updated via Lacan, in concert with a close analysis of the films of
236 Alfred Hitchcock and Josef von Sternberg-then thought to be great
but misogynistic directors. The critical Freudian...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 133–134.
Published: 01 May 1979
... d’Esthbtzque, Vol. 19, No. 2
(April-June, 1966).
134 “Marnie: une lecture.” Revue d’Esthetique, Voi. 20, No. 2-3 (April-
September, 1967).
“Remarques sur I’espace cinematographique.” Sciences de I’Art, No. 4
(1967).
“Ce que savait Hitchcock.” Cahiers du Cinh...
Journal Article
Camera Obscura (2003) 18 (1 (52)): 188–190.
Published: 01 May 2003
... of Kentucky, 2002.
Golden, Eve, with Kim Kendall. The Brief, Madcap Life of Kay Kendall.
Lexington: University Press of Kentucky, 2002.
Gottlieb, Sidney, and Christopher Brookhouse, eds. Framing Hitchcock:
Selected Essays from the Hitchcock Annual. Detroit, MI: Wayne State
University...
Journal Article
Camera Obscura (1995) 12 (2 (35)): 223–225.
Published: 01 May 1995
... and
Mirella Jona Affron. Rutgers University Press, 1995. $22.50.
Hitchcock on Hitchcock: Selected Writings and Interviews edited by Sidney
Gottlieb. University of California Press, 1995.
Feminisms in the Cinema edited by Laura Pietropaolo and Ada Testaferri.
Indiana University Press, 1995. $12.95...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 155–160.
Published: 01 December 1989
... the feminist implications of Raymond Bellour’s work on enunci-
ation in Hitchcock, for I felt (as I still do) that it was only once the
enunciative processes were explored in terms of the variables of gender
that the real import of enunciation theory could be understood. I
continued to theorize...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 1–23.
Published: 01 December 2007
... cinema’s two means of escape from
castration anxiety and their respective deployment in the films of
Alfred Hitchcock and Josef von Sternberg.
C2. on the fetishistic perfection of the Dietrich image and
its unmediated presentation to the spectator in Morocco (dir. Josef
von Sternberg, US...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 216–218.
Published: 01 May 1979
..., duration of shots, and style of acting, creates Jeanne
Dielman and her world-or rather, Jeanne Dielman in her worid.
Beginning with the film’s title, we see the chief character not simply
named (as in Marnze), nor named and claimed (as in Alfred Hitchcock’s
Marnze but named and put in a place...
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