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hitchcock

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Journal Article
Camera Obscura (1996) 13 (3 (39)): 77–103.
Published: 01 September 1996
...Karen Beckman Copyright © 1995 by Indiana University Press 1996 Verwehte Spuren (The Footprints Blown Away, Veit Harlan, 1938). Violent Vanishings: Hitchcock, Harlan, and the Disappearing Woman Karen Beckman Charles Bertram, Queen Victoria's favorite magician, performed...
Journal Article
Camera Obscura (2004) 19 (1 (55)): 77–111.
Published: 01 May 2004
...Jessica Brent Camera Obscura 2004 Jessica Brent recently received her Ph.D. in English from Columbia University, where she completed her dissertation on narrative and visual experience in nineteenth-century texts and early film. The Lodger (dir. Alfred Hitchcock, UK, 1926) Beyond...
Journal Article
Camera Obscura (1977) 1 (2 (2)): 67–92.
Published: 01 September 1977
...Raymond Bellour; Bertrand Augst; Hilary Radner © 1977 by Camera Obscura 1977 Hitchcock, The Enunciator Raymond Bel/our o. The credits have barely starred; a body is seized. Twice a name is claimed: the film's title by its director, and a woman's name by a man. Admittedly...
Journal Article
Camera Obscura (2010) 25 (1 (73)): 1–27.
Published: 01 May 2010
...Ned Schantz This essay considers the recurring problem of plot alternatives in Alfred Hitchcock, of powerful shadow scenes that overwhelm the manifest plot and demand a critical account of their own. Confronting such shadow scenes, the viewer takes up a social position in a long chain of failed...
Journal Article
Camera Obscura (1992) 10 (3 (30)): 34–49.
Published: 01 May 1992
... ): 114 —133. Modleski , Tania The Women Who Knew Too Much: Hitchcock and Feminist Theory . New York: Routledge, 1988 . Morgan , Ted Maugham . New York: Simon and Schuster, 1980 . Norton , Rictor The Homosexual Literary Tradition: An Interpretation . New York: Revisionist...
Journal Article
Camera Obscura (2011) 25 (3 (75)): 101–141.
Published: 01 December 2011
...Kriss Ravetto-Biagioli Alfred Hitchcock's Vertigo is one of the most acclaimed films of all times, recognized by scores of critics, film theorists, and film historians as a pivotal work in both film history and film theory. By now, Vertigo is so deeply embedded in film theory that it is almost...
Journal Article
Camera Obscura (1991) 9 (1-2 (25-26)): 74–100.
Published: 01 September 1991
.... Hitchcock on Strangers on a Train Like the hero, the camera, and the spectator, feminist film theory has fixed its gaze on Hitchcock’s blonde: we can’t take our eyes off her. And with good reason. Hollywood’s dream machine thrives on her fetishized surfaces. It is precisely because she...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 104–132.
Published: 01 May 1979
... give it to your mother. Philippe Sollers I. Psycho is undoubtedly the most obscure of Hitchcock’s films. Obscure, first of all, in a literal sense, because in none of his other films does night seem so black and day so...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 32–69.
Published: 01 May 1979
...Janet Bergstrom Hitchcock’s sketches for The Birds (courtesy Cahiers du Cinh) Enunciation and Sexual Difference (Part Janet Bergstrorn I. Introduction There is a great deal of confusion at the moment about the aims, methods, scope and general importance of a particular kind of film...
Journal Article
Camera Obscura (1994) 11-12 (3-1 (33-34)): 12–41.
Published: 01 May 1994
... upscale homemakers or upscale men. Remaking a Male-Oriented Film in Lifetime’s Mold Lifetime relied on this strategy when it decided to remake the suspense thriller Notorious, originally scripted by Ben Hecht and directed by Alfred Hitchcock (1946).Lifetime’s former director of original...
Journal Article
Camera Obscura (1977) 1 (2 (2)): 93–104.
Published: 01 September 1977
... the domination of the look, its fascination but also its seduction. L'emouooir thus sustains the displacement of the glance into the look. Bellour's careful examination of the dialectics of the look as it operates in the beginning of Hitchcock's Mamie complements, and in a sense...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 70–103.
Published: 01 May 1979
...- culine and feminine sexuality, in order to finally fall back on the dominant model of masculine sexuality. This gets crystallized in a particularly striking way in Hitchcock’s films, but I think it’s a determining factor in the American cinema as a whole. Of course one would...
Journal Article
Camera Obscura (1991) 9 (3 (27)): 76–87.
Published: 01 September 1991
...Jane Weinstock Copyright © 1992 by The Johns Hopkins University Press 1991 Rear Window (Alfred Hitchcock, 1954). Courtesy Museum of Modern Art Film Stills Archive. 5 Minutes to Alexanderplatz Jane Weinstock I was looking for Christian Boltanski’s Missing House. I didn’t...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 235–241.
Published: 01 December 1989
... framework published in Screen by Laura Mulvey in 1975 was marked by a specific passage from Freud, updated via Lacan, in concert with a close analysis of the films of 236 Alfred Hitchcock and Josef von Sternberg-then thought to be great but misogynistic directors. The critical Freudian...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 133–134.
Published: 01 May 1979
... que savait Hitchcock.” Cahiers du Cinh,No. 190 (May, 1967). Reprinted in Le livre des autres, op. cit. Yes Ozseaux: analyse d’une sequence.” Cahiers du Cinha, No. 219 (1969).Trans. “The Birds: Analysis of a Sequence.” Available in mimeographed form from...
Journal Article
Camera Obscura (2003) 18 (1 (52)): 188–190.
Published: 01 May 2003
... of Kentucky, 2002. Golden, Eve, with Kim Kendall. The Brief, Madcap Life of Kay Kendall. Lexington: University Press of Kentucky, 2002. Gottlieb, Sidney, and Christopher Brookhouse, eds. Framing Hitchcock: Selected Essays from the Hitchcock Annual. Detroit, MI: Wayne State University...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 1–23.
Published: 01 December 2007
... cinema’s two means of escape from castration anxiety and their respective deployment in the films of Alfred Hitchcock and Josef von Sternberg. C2. on the fetishistic perfection of the Dietrich image and its unmediated presentation to the spectator in Morocco (dir. Josef von Sternberg, US...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 155–160.
Published: 01 December 1989
... the feminist implications of Raymond Bellour’s work on enunci- ation in Hitchcock, for I felt (as I still do) that it was only once the enunciative processes were explored in terms of the variables of gender that the real import of enunciation theory could be understood. I continued to theorize...
Journal Article
Camera Obscura (1995) 12 (2 (35)): 223–225.
Published: 01 May 1995
... Direction and Film Narrative by Charles Affron and Mirella Jona Affron. Rutgers University Press, 1995. $22.50. Hitchcock on Hitchcock: Selected Writings and Interviews edited by Sidney Gottlieb. University of California Press, 1995. Feminisms in the Cinema edited by Laura Pietropaolo and Ada Testaferri...
Journal Article
Camera Obscura (1979) 1-2 (3-1 (3-4)): 216–218.
Published: 01 May 1979
... Hitchcock’s Marnze but named and put in a place. The frequent practice of referring to this film by the shortened title ofleanne Dielman overlooks the heavy burden of signification implicit in the address-Quai du Commerce. The complete title not only locates Jeanne Dielman in an explicit...