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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1990) 8 (3 (24)): 88–97.
Published: 01 September 1990
...Dana Polan Copyright © 1991 by The Johns Hopkins University Press 1990 Idtes et Recherches- Hammarion History in Perspective, Perspective in History A Commentary on L‘Origine de la perspective by Hubert Damisch Dana Polan Part of what is so intriguing about Hubert...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2006) 21 (1 (61)): 39–44.
Published: 01 May 2006
...Lauren Rabinovitz Camera Obscura 2006 Lauren Rabinovitz is chair of the Department of American Studies and professor of American studies and cinema at the University of Iowa. She is the author of numerous books and articles, including Memory Bytes: History, Technology, and Culture...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1995) 12 (2 (35)): 129–157.
Published: 01 May 1995
...Catherine Russell Copyright © 1995 by Indiana University Press 1995 Hara Setsuko in End ofSummer (Ozu Yasujiro, 1961). "Overcoming Modernity": Gender and the Pathos of History in Japanese Film Melodrama Catherine Russell Although...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1995) 12 (2 (35)): 158–184.
Published: 01 May 1995
...Amanda Howell Copyright © 1995 by Indiana University Press 1995 Figure 1. Colleen comforts Hue San (China Beach, "Independence Day" 25 October 1989). Reproducing the Past: Popular History and Family Melodrama on China Beach...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1996) 13 (3 (39)): 104–125.
Published: 01 September 1996
...Kwai-Cheung Lo Copyright © 1995 by Indiana University Press 1996 Muscles and Subjectivity: A Short History of the Masculine Body in Hong Kong Popular Culture Kwai-Cheung La About a year ago, watching David Letterman's Late Show on CBS, I was surprised to find...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1997) 14 (1-2 (40-41)): 75–102.
Published: 01 May 1997
...Robert Markley Copyright © 1996 by Indiana University Press 1997 Incubation Chamber by Jeffrey Westover, 1997. Courtesy of the artist. Alien Assassinations: The X-Files and the Paranoid Structure of History Robert Markley At the beginning of every episode, viewers of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1988) 6 (3 (18)): 127–136.
Published: 01 September 1988
...Dudley Andrew Jim Hillier, Cahiers du Cinéma: the 1950s and Cahiers du Cinéma: the 1960s (Cambridge, Mass.: Harvard University Press, 1985 and 1986) Copyright © 1988 by The Johns Hopkins University Press 1988 Historical Critique and History as Criticism Dudley Andrew Jim...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1988) 6 (3 (18)): 137–145.
Published: 01 September 1988
...Richard Allen Dana Polan, Power and Paranoia: History, Narrative and the American Cinema, 1940–1950 (New York: Columbia University Press, 1986) Copyright © 1988 by The Johns Hopkins University Press 1988 Brushing Classical Hollywood Narrative Against the Grain of History...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1988) 6 (3 (18)): 146–154.
Published: 01 September 1988
...Richard deCordova Robert C. Allen and Douglas Gomery, Film History: Theory and Practice (New York: Knopf, 1985) Copyright © 1988 by The Johns Hopkins University Press 1988 Film History as Discipline Richard deCordova Robert C. Allen and Douglas Gomery, Film History: Theory and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1990) 8 (1 (22)): 130–137.
Published: 01 January 1990
...Dana Polan Copyright © 1990 by The Johns Hopkins University Press 1990 eviews History in the Battle of Voices Dana Polan In the diversity of methods and objects of analysis it offers, Clues, Myths, and the Historical Method, a collection of essays by Carlo Ginzburg, offers a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1990) 8 (1 (22)): 150–158.
Published: 01 January 1990
...Jeanne Allen Copyright © 1990 by The Johns Hopkins University Press 1990 Palaces of Consumption as Women’s Club: En-countering Women’s Labor History and Feminist Film Criticism ]eanne Allen As leading promoters of consumer culture in the United States, the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1990) 8 (1 (22)): 159–166.
Published: 01 January 1990
...Rhona Berenstein Copyright © 1990 by The Johns Hopkins University Press 1990 Remembering History: Films by Women at the 1989 Toronto Film Festival Rhona Berenstein . . . the textual construction (written filmic, etc.) of discursive spaces in which not Woman but...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1990) 8 (1 (22)): 8–27.
Published: 01 January 1990
...Patrice Petro Copyright © 1990 by The Johns Hopkins University Press 1990 Feminism and Film History Patrice Petro It’s now too easy to assume that if a text is labelled “feminist” theory, then it can’t properly “count” or “figure” as anything else (“woman’s sphere...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2001) 15 (3 (45)): 71–113.
Published: 01 December 2001
... Case-History Genre Andrea Slane In 1962, Sidney Poitier and Bobby Darin appeared as a prison psy- chiatrist and an American Nazi in Pressure Point (dir. Hubert Corn- field, US), a not particularly successful “social-problem film...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2001) 16 (1 (46)): 47–75.
Published: 01 May 2001
... Leben—BRD [How to Live in the German Federal Republic] (dir. Harun Farocki, Germany, 1989). 02-Halle.V2sh 5/29/01 12:34 PM Page 47 History Is Not a Matter of Generations: Interview with Harun Farocki Randall...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2002) 17 (2 (50)): 109–153.
Published: 01 September 2002
... represent them in film and visual media) and an essay on body transformation in early cinema. An alien spaceship hovers over New York City in Independence Day (dir. Roland Emmerich, US, 1996). Spectacles of History: Race Relations, Melodrama, and the Science Fiction/Disaster Film Despina...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2005) 20 (2 (59)): 73–117.
Published: 01 September 2005
...Kerr Houston Camera Obscura 2005 Kerr Houston teaches art history at the Maryland Institute College of Art in Baltimore. He has also written on the use of athletic iconography in Spike Lee's early films, and recently published a piece on teaching art history to foundation-year students...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2006) 21 (2 (62)): 184–191.
Published: 01 September 2006
... Krikorian, Vanitas, 1977 A R C H I V E F O R T H E F U T U R E Imagining Future Gardens of History Jackie Hatfield As an artist making expanded cinematic artworks, I have a vested interest in how the history of moving-image practice is written, as well...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2006) 21 (3 (63)): 159–165.
Published: 01 December 2006
...Ramona Curry Camera Obscura 2006 Ramona Curry teaches theory and history of cinema and other forms of popular media at the University of Illinois at Urbana-Champaign. She is the author of Too Much of a Good Thing: Mae West as Cultural Icon (1996) and numerous essays about female...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2009) 24 (2 (71)): 1–41.
Published: 01 September 2009
... rhetoric of value, proposing that the “pretty” as a recurrent taste category in film reveals an imbrication of gender, sexuality, and race in the construction of the cinematic image itself. Analysis of the pretty's antecedents in histories of art demonstrates how colonial and patriarchal modes of aesthetic...