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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1988) 6 (1 (16)): 179–190.
Published: 01 January 1988
...Ien Ang Copyright © 1988 by The Johns Hopkins University Press 1988 ." Z Feminist Desire and Female Pleasure: On Janice Radway's Reading the Romance: Women~ Patriarchy and Popular Literature (Chapel Hill and London: University of North Carolina Press...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2009) 24 (2 (71)): 161–183.
Published: 01 September 2009
...Ewan Kirkland This article explores construction and representation of masculinity in the “survival horror” video-game series Silent Hill . Noting the dominance of traditional male characters and masculine themes within the video-game medium, the Silent Hill franchise is seen as deviating from this...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1990) 8 (3 (24)): 125–138.
Published: 01 September 1990
...Gary Hill Copyright © 1991 by The Johns Hopkins University Press 1990 Site Re:cite Gay Hill Site, The place where something was, is or is to be located. Recite, from Latin recitare, to read out, cite again: re-,back...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1992) 10 (1 (28)): 292–293.
Published: 01 January 1992
.... Princeton University Press, 1992. $19.95. Women and the New German Cinema by Julia Knight. Routledge, 1992. $17.95. Illuminating Shadows: The Mythic Power of Film by Geoffrey Hill. Shambhala, 1992. Film Theory and Criticism: lntroductory Readings, fourth edition, edited by Gerald Mast...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1999) 14 (3 (42)): 161–162.
Published: 01 September 1999
.... Gross. UP of New England, 1998. 162 On a Silver Platter: CD-ROMs and the Promises ofNew Technology edited by Greg M. Smith. New York UP, 1999. Celebrities, Culture, and Cyberspace: The Light on the Hill in a Postmodern World by McKenzie Wark. Pluto P, 1999. The...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1990) 8 (2 (23)): 206.
Published: 01 May 1990
... Copyright © 1990 by The Johns Hopkins University Press 1990 206 Contributors Robert C. Allen is a Professor of film and television at the University of North Carolina-Chapel Hill. He has authored numerous articles and books on film, television and popular...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1990) 8 (3 (24)): 216–217.
Published: 01 September 1990
... (Minneapolis: University of Minnesota Press (Theory and His- tory of Literature Series), 1987. He has published widely on film and film theory in journals such as Iris, Hors-Cadre, Cinhaction, and Les Deux Ecrans. Gary Hill is an artist who has worked with video and related media arts since...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1997) 14 (1-2 (40-41)): 42–74.
Published: 01 May 1997
... into UFO research. In the first abduction accounts to get attention in mainstream media, therapy was incidental. Barney Hill, subject of John Fuller’s 1966 book The Interrupted Journey, sought psychological help for anxiety and emotional problem He and his wife, Betty, had been advised...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1993) 11 (1 (31)): 149–151.
Published: 01 May 1993
... Jody McAuliffe. Duke University Press, 1994. $16.95. Remote Control: Power, Cultures, and the World of Appearances by Barbara Kruger. MIT Press, 1993. $19.95. (Vampires): An Uneasy Essay on the Undead in Film by Jala Toufic. Station Hill Press, 1993. $12.95. 150 Mediating Two Worlds...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2003) 18 (1 (52)): 188–190.
Published: 01 May 2003
... University Press, 2002. Hankin, Kelly. The Girls in the Back Room: Looking at the Lesbian Bar. Minneapolis: University of Minnesota Press, 2002. Hills, Matt. Fan Cultures. New York: Routledge, 2002. Kumar, Amitava. Bombay—London—New York. New York: Routledge, 2002. Laderman, David...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2011) 25 (3 (75)): 1–27.
Published: 01 December 2011
... astutely by John Hill in an early response to it: that its “critique of masculinity is . . . starkly mobi- lized against the miners.”3 That is a perspective largely neglected (unaccountably, like Hill’s essay itself), and it is one with which I have a great deal more sympathy than an opposing...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 336–372.
Published: 01 December 1989
... Operas. Chapel Hill: University of North Carolina Press, 1985. Allor, Martin. “Relocating the Site of the Audience.” Critical Studies in Mass Communication 5, no. 3 (1988):217-34. This issue also contains responses by John Hartley, James Lull, Kathleen Newman...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1986) 5 (3 (15)): 86–109.
Published: 01 December 1986
... piled up fortunes on the drive-in exploitation circuit. The best-or most notorious-of these frightful cheapies are The Texas Chainsaw Massacre, Night of the Living Dead, The Hills Have Eyes, Last House on the Left; more recently Halloween, Friday the I3th, Nightmare on Elm Street (and...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1986) 5 (3 (15)): 176–179.
Published: 01 December 1986
..., Ideology: A Film Theory Reader edited by Philip Ros- en. Columbia University Press. New York, 1986. Daughter of the Hills: A Woman’s Part in the Coal Miner’s Struggle: A Novel of the Thirties by Myra Page. The Feminist Press. The City University of New York, 1986 (reissue). $8.95. Backstory...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2005) 20 (1 (58)): 59–105.
Published: 01 May 2005
... desire. Oz indeed provides multiple sites of identification for view- ers and significantly gives both subjectivity and narrative primacy to men of color—particularly through the monologues of wheel- chair-bound African American inmate Augustus Hill (Harold Perrineau). However, disproportionate...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1993) 11 (2 (32)): 102–123.
Published: 01 September 1993
... be white. Two final images of women of color suggest the possibilities and limits of the Designing Women community. First, a Fall 1992 episode championed Anita Hill, clearly taking her side in the Clarence Thomas hearings. The episode incorporated footage from the hearings, ending with...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1990) 8 (3 (24)): 162–167.
Published: 01 September 1990
... title of Nostos I was for a long time Wunderblock. Buena Vista (1980) From the top of the hill in Buena Vista park, the eye can scan the entire city of San Francisco. The mobility of sight onto a still image (in the distance, the city is framed by trees like a postcard), a pan of a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 146–150.
Published: 01 May 2008
... had become increasingly gothic, and his artistic persona meshed smoothly with that genre’s diseased view of domestic heteronor- mativity. In House on Haunted Hill (dir. William Castle, US, 1959) Price’s Frederick Loring sets about to murder his wife so he can resume his life as a playboy...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1995) 12 (3 (36)): 6–11.
Published: 01 September 1995
...: The Anita Hill Clarence Thomas Controversy and the Construction of Social Reality, ed. Toni Morrison. New York: Pantheon Books, 1992. Mercer, Kobena. Welcome to the Jungle: New Positions in Black Cultural Studies. New York: Routledge, 1994. Minh-ha, Trinh T. Woman...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 100–103.
Published: 01 December 1989
... empowers the social group. Department of Radio, Television and Motion Pictures University of North Carolina at Chapel Hill Giuliana Bruno As an Italian writer living these past years in New York City, I am suspended between two cultures. This issue is...