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hendrix

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2011) 26 (1 (76)): 65–93.
Published: 01 May 2011
...Ariane Cruz Reading Jimi Hendrix: The Sex Tape and the dialogue surrounding it as a most fecund site for the collaborative laboring of black male sexuality, authenticity, and spectatorship, this article reveals the constitutive relationship between authenticity and spectatorship in the production...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2008) 23 (1 (67)): 69–87.
Published: 01 May 2008
..., and Jimi Hendrix, the characterization was entirely hers. “I am The Rose . . . I made her up. She was on the page, but I made up that voice, I made up that outlook.” See Klemesrud, “I Don’t Know.” 16. Myra Friedman, Buried Alive (New York: Morrow, 1973), 307, 227, 244...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1995) 12 (2 (35)): 158–184.
Published: 01 May 1995
... a furious Sam Beckett (black soldier in charge of the unit) cleans her out of the GRU, he stops short of discarding the flag, instead holding 163 it out to the rain while Jimi Hendrix plays the national anthem on the soundtrack. Likewise, a number of white Americans preparing for a Fourth of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2015) 30 (2 (89)): 1–27.
Published: 01 September 2015
... track by Jimi Hendrix.20 Beyond her personal filmmaking practice, Basil has explored the dynamic between dancer and camera in a variety of production modes, from cho- reographing rock-­and-­roll musicals and live stage acts, to directing music videos, to judging televised dance competitions...