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1
Journal Article
Camera Obscura (1992) 10 (3 (30)): 51–56.
Published: 01 May 1992
...Mary Kelly Mary Kelly
Gloria Patri
Ignoring
the trail, he’d followed a
tributary to the river. Sharp
currents gouged their course through
ferruginous clay, spalling iron ore...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 183–186.
Published: 01 December 1989
... Holmlund
1969. Escape at last from high school regimentation, complete with
weekly trips to the vice-principal’s office for dress code infractions.
“Miss Holmlund! Sit down! Cross your legs!” he’d tell me. Then he’d
bend down and look up my mini-skirt to see whether it was “too
short...
Journal Article
Camera Obscura (1996) 13 (3 (39)): 34–51.
Published: 01 September 1996
... was being investigated for traf-
ficking in child pornography. He'd brought pictures in from France
and, uncharacteristic of him, they were (a) in color, and (b) they'd
actually been taken to a lab.
Normally, Sturges is a control freak who does his own master
printing...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 179–183.
Published: 01 December 1989
...
1969. Escape at last from high school regimentation, complete with
weekly trips to the vice-principal’s office for dress code infractions.
“Miss Holmlund! Sit down! Cross your legs!” he’d tell me. Then he’d
bend down and look up my mini-skirt to see whether it was “too
short.” No female...
Journal Article
Camera Obscura (1996) 13 (2 (38)): 60–91.
Published: 01 May 1996
... profession. For instance, one teacher writes that
in the classroom I'd expect Bart to show inappropriate responses towards
peers & authority figures. He'd probably bully other kids, argue alot [sic],
help himself to whatever he'd like. He'd have a tough time listening to
directions & if he got...
Journal Article
Camera Obscura (2011) 26 (2 (77)): 1–31.
Published: 01 September 2011
... the pressures of
fame.
10. Antonio Fargas, telephone interview with the author, 2007. The
US actor Antonio Fargas, who knew Jason in the 1960s through
their mutual friend friend Lee, recounted in a 2007 phone
interview, “You never knew where he’d [Jason] be, who he’d
be, or who...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 175–183.
Published: 01 September 2021
... in his work, was an experience of abjection. “Pollock saw himself dancing around, a white being behaving, embarrassingly, like a black being (like a nigger), thus destroying the fragile state of grace, of disembodied (white) being, under which he'd created his most powerful works” (250...
FIGURES
Journal Article
Camera Obscura (2010) 25 (1 (73)): 1–27.
Published: 01 May 2010
... talk to put him at his ease, probably offer him a drink, and then
he’d sit down. I’d try to make it all very pleasant, you understand. Philip
would probably play the piano. Now, as I recall, David was quite strong.
He’d have to be knocked out, so I’d move quietly around behind the
chair and hit...
Journal Article
Camera Obscura (1988) 6 (3 (18)): 32–41.
Published: 01 September 1988
... called someone "Uncle,"
he'd say, "You little bastard! Who's your uncle?" We moved to my
grandparents. My grandfather was a very timid man, a painter. He
was seized and taken off to be questioned once. He was so scared, he
died. That was the day Mao was meeting the little Red...
Journal Article
Camera Obscura (1991) 9 (1-2 (25-26)): 74–100.
Published: 01 September 1991
... the music store
for another glass booth, this time a phone booth from which he calls
Ann-a booth that again makes his inner voice “transparent.” In what
the startled Ann describes as a “savage” voice, he shouts over the noise
of a train that he’d like to break Miriam’s “foul useless little neck...
Journal Article
Camera Obscura (1985) 5 (1-2 (13-14)): 162–194.
Published: 01 September 1985
... insulted us? She says in some article, “You understand, of
course, that I had to leave when I saw that there were three people and a
little camera he’d invented and put on a tripod.” As if suddenly, “put on
a tripod”-while all the Panavisions she normally shoots...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 25–59.
Published: 01 December 2007
...-over suggested above. A medium close-up of Kit
staring through barbed wire is recontextualized by Holly’s voice-
over, “In the stench and slime of the feedlot, he’d remember how
I looked the night before,” followed by a long shot of cows in the
mud. Moreover, the dire fate of the cows...
Journal Article
Camera Obscura (2004) 19 (1 (55)): 181–197.
Published: 01 May 2004
...
for a Hollywood movie he’d seen. So you had that student make an alter-
nate ending and tape over the one he didn’t like. Another student wanted
a specific shirt from the mall that she couldn’t afford, so another girl in the
class sewed it for her. And in Learning to Love You More, your online
collaboration...
Journal Article
Camera Obscura (1992) 10 (3 (30)): 34–49.
Published: 01 May 1992
.... Jimmy Stewart, however, who played the teacher, wasn’t at all. And
if you asked Hitchcock, he’d tell you it isn’t there, knowing perfectly well
that it is. (Russo 94)
Hitchcock’s silent Jack-the-Ripper movie, The Lodger, has never
been given a homosexual reading...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 47–67.
Published: 01 May 2008
... that is actually much
closer to the Maximus we encounter in the film — by highlight-
ing the fact that on the film set he offered “some CDs he’d cut
with his beloved band 30 Odd Foot of Grunts” and that he would
soon “return to Australia to visit an ailing uncle” (98). It would cer-
tainly be more...
Journal Article
Camera Obscura (1991) 9 (3 (27)): 108–132.
Published: 01 September 1991
... he says of Batty: “All he’d wanted were the same
answers the rest of us wanted-‘Where do I come from, where am I
going, how long have I got
The viewer might be inclined to provide a “liberal” reading of these
scenes -to conclude from them that the replicants are fundamentally
114...
Journal Article
Camera Obscura (1982) 3-4 (2-3-1 (8-9-10)): 33–59.
Published: 01 December 1982
... talking about
sex, a woman’s voice explodes on the sound-track bitterly criticizing
him for the way he sets up the women in the interviews, more or
less tells them how to reply, and then is always surprised when they
aren’t as interesting as he’d hoped they’d be. The woman’s-voice...
Journal Article
Camera Obscura (1993) 11 (2 (32)): 102–123.
Published: 01 September 1993
...” was not so grand for everybody. When Sugarbaker’s is trans-
formed into an antebellum tour home in one episode, Anthony repeat-
edly notes that that is a past he’d rather not replay.29His very placement
in a space with four white Southern women also exerts a subtle challenge
to the South’s long...
Journal Article
Camera Obscura (2010) 25 (1 (73)): 69–95.
Published: 01 May 2010
..., eerie music fed through overhead loudspeakers to help
pull his cast and crew into the moody atmosphere he’d had
so painstakingly constructed. A melancholy ambiance which
perfectly transferred from Ridleyville to Blade Runner it s el f .”
When Rutger Hauer gave his final lines...
Journal Article
Camera Obscura (2002) 17 (3 (51)): 1–29.
Published: 01 December 2002
... to both states of mind. It
may consequently only be during the brief interval between sleep-
ing and consciousness that we are capable of uttering the words
“my You.” “If a man . . . wandered through paradise, and kept a
flower to remind him where he’d been,” Godard says, “and then
upon waking found...
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