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hayne

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Journal Article
Camera Obscura (2004) 19 (3 (57)): 23–55.
Published: 01 December 2004
... anthologies on feminist filmmaking, stardom, and television and film history. Superstar: The Karen Carpenter Story (US, 1987) The Incredible Shrinking Star: Todd Haynes and the Case History of Karen Carpenter Mary Desjardins Critics have consistently characterized the films of Todd Haynes...
Journal Article
Camera Obscura (2004) 19 (3 (57)): 1–21.
Published: 01 December 2004
..., sound in the cinema, psychoanalytic theory, television, and sexual and racial difference in film. Jonathan Rhys-Meyers as Brian Slade/Maxwell Demon in Velvet Goldmine (UK/US, 1998). Courtesy Miramax Pathos and Pathology: The Cinema of Todd Haynes Mary Ann Doane Because infinity—for the...
Journal Article
Camera Obscura (2003) 18 (3 (54)): 131–175.
Published: 01 December 2003
...Sharon Willis Julianne Moore and Dennis Haysbert in Todd Haynes’s Far from Heaven (US/France, 2002) The Politics of Disappointment: Todd Haynes Rewrites Douglas Sirk Sharon Willis Condensation and Displacement Far from Heaven (US/France, 2002), Todd Haynes’s lush, lurid...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 37–67.
Published: 01 May 2013
... family life across time through the prism of feminist and queer cultural production and critique. Daldry's film is treated as a dense and fascinating work in itself, but it is also read against a small but influential cycle of recent queer-authored melodramas: Far from Heaven (dir. Todd Haynes, US, 2002...
Journal Article
Camera Obscura (2004) 19 (3 (57)): 57–91.
Published: 01 December 2004
... sequence appears early in Superstar: The Karen Carpen- ter Story (dir. Todd Haynes, US, 1987), a forty-three-minute 16mm film that uses dolls to portray sibling supergroup the Carpenters’ rise to fame and singer Karen Carpenter’s struggle with anorexia. Since 1989, the film has been forced out of...
Journal Article
Camera Obscura (2004) 19 (3 (57)): 157–185.
Published: 01 December 2004
... demonstrate a specific relation to history that we might characterize as postmod- ern. I demonstrate the way this form of history takes shape in con- temporary cinema through a discussion of films by directors as diverse as Claude Lanzmann, Atom Egoyan, and Todd Haynes. I argue that at least some works of...
Journal Article
Camera Obscura (2004) 19 (3 (57)): 187–219.
Published: 01 December 2004
... ways in which the listing encouraged me to recon- sider assumptions about what might operate as a legitimate in- tellectual pursuit and how that operation occurs, specifically in regard to the media and consumer pursuits both representative of and represented within Todd Haynes’s melodrama Far from...
Journal Article
Camera Obscura (2004) 19 (3 (57)): 125–155.
Published: 01 December 2004
... not through its form. —Todd Haynes No matter how much we desire, with Susan Sontag, to resist treating illness as metaphor, illness is metaphor. —Paula A. Treichler, How to Have Theory in an Epidemic Released in 1995, Safe (US/UK) seems in many ways radically dif- ferent from Todd...
Journal Article
Camera Obscura (2004) 19 (1 (55)): iii–np.
Published: 01 May 2004
...: Todd Haynes Rewrites Douglas Sirk,” Camera Obscura 54, all of the images from Todd Haynes’s Far from Heaven (US/France, 2002) appear courtesy of Focus Features. 2004 ...
Journal Article
Camera Obscura (2004) 19 (3 (57)): 93–123.
Published: 01 December 2004
..., Transgression, and Impossible Mourning in Poison and Safe Laura Christian In the opening sequence of Velvet Goldmine (dir. Todd Haynes, UK/US, 1998), future glam-rock trendsetter Jack Fairy stands in front of a mirror and, having been brutalized earlier by a pack of schoolyard bullies...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 165–171.
Published: 01 May 2008
...- The Dandy Diva  •  169 ity, its performativity; it brags of its dependence on accessories. Glam rock, for instance, is explicitly defined against the “natural” androgyny of hippie culture. Velvet Goldmine’s (dir. Todd Haynes, UK/US, 1998) dandy diva is born only after the...
Journal Article
Camera Obscura (2002) 17 (1 (49)): 31–71.
Published: 01 May 2002
...Alice Maurice “Pictures of their Voices”: Victoria Spivey and Daniel Haynes look at a sound track of their voices in Metro-Goldwyn-Mayer’s Hallelujah! [original text of studio credit]. Courtesy Museum of Modern Art “Cinema at Its Source”: Synchronizing Race and Sound in the Early...
Journal Article
Camera Obscura (2008) 23 (1 (67)): 113–143.
Published: 01 May 2008
Journal Article
Camera Obscura (1991) 9 (3 (27)): 76–87.
Published: 01 September 1991
... than in the films I’d watched. I’d seen most of the good ones in New York, like Poison (Todd Haynes), Privilege (Yvonne Rainer), Paris Is Burning (Jennie Livingston), I Hired a Contract Killer (Aki Kaurismaki). These films ask questions: about politics, about sexuality...
Journal Article
Camera Obscura (2011) 26 (3 (78)): 95–135.
Published: 01 December 2011
...- 102  •  Camera Obscura Sexploitation’s object-world restaged in Viva. Photo still © Anna Biller. Photo by C. Thomas Lewis ple, in the coexistence of hard-­core, soft-­core, adult art-house, and “mature” Hollywood releases.9 Considered a Far from Heaven (dir. Todd Haynes, US, 2002...
Journal Article
Camera Obscura (2012) 27 (2 (80)): 25–59.
Published: 01 September 2012
Journal Article
Camera Obscura (2003) 18 (1 (52)): 85–127.
Published: 01 May 2003
... recontextualization of its exhibition. Many of the films and videos that have come to be associated with New Queer Cinema appropriate and cite historical forms of popular cinema, especially Hollywood, both explicitly and implicitly. While many of these works, such as Todd Haynes’s Poison (US, 1991), usurp the...
Journal Article
Camera Obscura (2007) 22 (3 (66)): 25–59.
Published: 01 December 2007
... Cinema and Lesbian Representability, White recognizes a subversive rewriting of the beating scenario in Todd Haynes’s short filmDottie Gets Spanked (US, 1993). Working from Gilles Deleuze’s rereading of Freud’s male masochistic fantasies in which the father might be hidden in the role of the...
Journal Article
Camera Obscura (2012) 27 (3 (81)): 39–67.
Published: 01 December 2012
Journal Article
Camera Obscura (2005) 20 (1 (58)): 59–105.
Published: 01 May 2005
...) (France, 1950), the Hollywood social problem film Caged (dir. John Cromwell, US, 1950), Jonathan Demme’s rich exploitation romp Caged Heat (US, 1974), Todd Haynes’s queerly experimen- tal Poison (US, 1991), and Cheryl Dunye’s lesbian homage to the women-in-prison genre Stranger Inside (US, 2001...