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Journal Article
Camera Obscura (1990) 8 (2 (23)): 90–107.
Published: 01 May 1990
...Richard deCordova Copyright © 1990 by The Johns Hopkins University Press 1990 Ethnography and Exhibition: The Child Audience, the Hays Office and Saturday Matinees Richard deCordova Everybody is talking about the movies, about what...
Journal Article
Camera Obscura (2015) 30 (3 (90)): 129–159.
Published: 01 December 2015
... 2015 by Camera Obscura 2015 Indian cinema dance Bollywood Madhuri Dixit stardom Figure 1. Madhuri Dixit performs “Ek do teen” (“One Two Three”) in Tezaab (Acid, dir. N. Chandra, India, 1988). Stardom Ke Peeche Kya Hai?/ What Is behind the Stardom? Madhuri Dixit, the Production...
Journal Article
Camera Obscura (2024) 39 (2 (116)): 71–102.
Published: 01 September 2024
...Shannan Hayes Abstract This essay develops a theory of Mika Rottenberg's video art by attending to both the content her work represents (neoliberalism's logic of gendered labor) and the formal characteristics by which her art affects (sensibly drawing the viewer in while resisting assimilation...
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Journal Article
Camera Obscura (2015) 30 (1 (88)): 41–69.
Published: 01 May 2015
... of television itself as an engine of living; in short, television is rendered vital — alive — as it promises to keep you alive. Such a promise reverberates with what Laurie Ouellette and James Hay have influentially suggested is a broader function of reality TV in the neoliberal governmentaliza- tion...
Journal Article
Camera Obscura (2015) 30 (3 (90)): 188–190.
Published: 01 December 2015
... Iyer Stardom Ke Peeche Kya Hai?/What Is behind the Stardom? Madhuri Dixit, the Production Number, and the Construction of the Female Star Text in 1990s Hindi Cinema. No. 90: pp. 129 – 59 Jennifer Lynn Jones and Brenda R. Weber Reality Moms, Real Monsters: Transmediated...
Journal Article
Camera Obscura (2013) 28 (3 (84)): 33–65.
Published: 01 December 2013
... what was shown on film but what functions film should have in society, a debate enacted at the national and local levels. Through Will Hays, spokesperson for the Motion Picture Producers and Dis- tributors of America, the film industry consistently relied upon dis- courses that, while heralding...
Journal Article
Camera Obscura (2011) 26 (2 (77)): 65–89.
Published: 01 September 2011
... Laurie Ouellette, “Nanny TV,” 2005, FlowTV, flowtv . o r g / 2 0 0 5 / 0 3 / n a n n y - ­­t v ; James Hay, “Overhaulin’ TV and Government (Thoughts on the Political Campaign to Pimp Your Ride,” 2005, FlowTV, fl o w t v . o r g / 2 0 0 5 / 0 2 / o v e r h a u l i - n ­­t v 86...
Journal Article
Camera Obscura (1988) 6 (1 (16)): 227–229.
Published: 01 January 1988
... Rex by James Hay. Indiana University Press, 1987. $14.95. The Barthes Effect: The Essay as Reflective Text by Reda Bensmaia. University of Minnesota Press, 1987. $10.95. Popular Culture in America edited by Paul Buhle. University of Minnesota Press, 1987...
Journal Article
Camera Obscura (2020) 35 (1 (103)): 39–75.
Published: 01 May 2020
... Makanna. Courtesy of Lovely Music, Ltd. 54 Camera Obscura inner landscape of his body, dancer Alex Hay staged a performance called Grass Field in 1966. In a meticulous fashion, he placed one hundred numbered pieces of flesh- colored cloth on the stage while wearing electrodes on his head and back...
Journal Article
Camera Obscura (1990) 8 (1 (22)): 28–49.
Published: 01 January 1990
.... The Motion Picture Research Council’s support for government regulation of blockbooking is discussed in a typewritten memo initialed by Will Hays, 26 Sept. 1934, and Louis Nizer letter to Dr. Stephen S. Wise, 23 April 1934, Hays Collection, Indiana State Library...
Journal Article
Camera Obscura (2013) 28 (1 (82)): 69–101.
Published: 01 May 2013
... Vietnamese American director Tony Bui’s Three Seasons (Viet Nam/US, 1999), Hai (Duong Don), a Vietnamese cyclo driver and the film’s pro- tagonist, arrives at a seemingly deserted boulevard with his pas- senger, Lan (Zoe Bui), a young woman in a red blindfold and a schoolgirl’s white ao dai. We learn...
Journal Article
Camera Obscura (1990) 8 (2 (23)): 4–7.
Published: 01 May 1990
... of desire. Richard decordova’s “Ethnography and Exhibition: The Child Au- 6 dience, The Hays Office and Saturday Matinees” deals with the largely ignored topic of children spectators. Taking up the postcolonial critique of ethnography, deCordova claims that current ethnographic...
Journal Article
Camera Obscura (1989) 7 (2-3 (20-21)): 373–377.
Published: 01 December 1989
...: The Ameurunculus Letters by Michael Phillipson. Rout- ledge, 1989. $9.95. Question and Answer: Forms of Dialogic Understanding by Hans Robert Jauss. Edited, translated and with a foreword by Michael Hays. University of Minnesota Press, 1989. $16.95. The Sublime Object of Ideology by Slavoj Zizek. Verso...
Journal Article
Camera Obscura (1999) 14 (3 (42)): 50–69.
Published: 01 September 1999
.... Given its import• ance to my argument about Clueless's own construction of national desire, I quote the "Haiti" speech in full: So OK, like, right now for example, the Haitians [pronounced "Hay-tee• ins"] need to corne to America. But some people are all, "What about...
Journal Article
Camera Obscura (2015) 30 (1 (88)): 101–127.
Published: 01 May 2015
.... Through makeovers, lifestyle pedagogies, and what Laurie Ouellette and James Hay call “life interventions,” reality TV can in many ways be defined as a mode of public inter- vention that aims at private transformation.23 For the Greeks and Romans, according to Foucault, the care of the self...
Journal Article
Camera Obscura (2000) 15 (1 (43)): 95–121.
Published: 01 May 2000
... for dealing with postwar racial tensions.2 Made during the Hays Code’s ban on the representation of misce- genation, Pinky confronts the issue of interracial relations more overtly than many other films of its time by focusing its narrative...
Journal Article
Camera Obscura (1991) 9 (3 (27)): 179–187.
Published: 01 September 1991
... Response to Questionnaire on “The Female Spectator.” No. 20-21; pp, 137-141. decordova, Richard Ethnography and Exhibition: The Child Audience, the Hays Office and Saturday Matinees. No. 23; pp. 91-107. DiPiero, Thomas The Patriarch is Not (Just) a Man. No. 25-26; pp. 101-124...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 165–173.
Published: 01 September 2021
... “could be performed outdoors in the grass, or in the snow,” as Schneemann notes (33). Schneemann created a set of instructions for the performers in Newspaper Event that corresponded to various parts of one's anatomy: spine (Arlene Rothlein); legs-face (Ruth Emerson); shoulders-arms (Deborah Hay...
FIGURES
Journal Article
Camera Obscura (2014) 29 (2 (86)): 35–57.
Published: 01 September 2014
.... © 2014 by Camera Obscura 2014 Figure 1. Haizao (Li Nian) and her older sister Haiping (Hai Qing) talk about Haizao’s future in the big city in the small room that Haiping rents. Dwelling Narrowness (Wo ju, syndicated [China], 2009) Slaves of the House and Victims of Love: New Life...
Journal Article
Camera Obscura (2025) 40 (1 (118)): 90–117.
Published: 01 May 2025
... and Writing,” Counterpoints 85 (1998): 113–30. 40. Nguyễn, “Filmmaking as Resistant Poetic Amplitude,” 101–2. 41. I have discussed these works at length in my dissertation and in arts criticism for e-flux . Jacinda S. Tran, “An-My Lê’s ‘Between Two Rivers/Giữa Hai Giòng Sông/Entre Deux...
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