1-20 of 40 Search Results for

hay

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
×Close Modal
Sort by
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1990) 8 (2 (23)): 90–107.
Published: 01 May 1990
...Richard deCordova Copyright © 1990 by The Johns Hopkins University Press 1990 Ethnography and Exhibition: The Child Audience, the Hays Office and Saturday Matinees Richard deCordova Everybody is talking about the movies, about what is...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2015) 30 (3 (90)): 129–159.
Published: 01 December 2015
... . © 2015 by Camera Obscura 2015 Indian cinema dance Bollywood Madhuri Dixit stardom Figure 1. Madhuri Dixit performs “Ek do teen” (“One Two Three”) in Tezaab (Acid, dir. N. Chandra, India, 1988). Stardom Ke Peeche Kya Hai?/ What Is behind the Stardom? Madhuri Dixit, the Production...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2015) 30 (3 (90)): 188–190.
Published: 01 December 2015
... Iyer Stardom Ke Peeche Kya Hai?/What Is behind the Stardom? Madhuri Dixit, the Production Number, and the Construction of the Female Star Text in 1990s Hindi Cinema. No. 90: pp. 129 – 59 Jennifer Lynn Jones and Brenda R. Weber Reality Moms, Real Monsters: Transmediated...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2015) 30 (1 (88)): 41–69.
Published: 01 May 2015
... promise reverberates with what Laurie Ouellette and James Hay have influentially suggested is a broader function of reality TV in the neoliberal governmentaliza- tion of state power. Linking reality TV’s rise to the decimation of the US welfare state, they contend that “reality and lifestyle TV...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1988) 6 (1 (16)): 227–229.
Published: 01 January 1988
... Passing ofthe Rex by James Hay. Indiana University Press, 1987. $14.95. The Barthes Effect: The Essay as Reflective Text by Reda Bensmaia. University of Minnesota Press, 1987. $10.95. Popular Culture in America edited by Paul Buhle. University of Minnesota Press...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 1989) 7 (2-3 (20-21)): 373–377.
Published: 01 December 1989
... Wake: The Ameurunculus Letters by Michael Phillipson. Rout- ledge, 1989. $9.95. Question and Answer: Forms of Dialogic Understanding by Hans Robert Jauss. Edited, translated and with a foreword by Michael Hays. University of Minnesota Press, 1989. $16.95. The Sublime Object of Ideology by...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1990) 8 (2 (23)): 4–7.
Published: 01 May 1990
... of desire. Richard decordova’s “Ethnography and Exhibition: The Child Au- 6 dience, The Hays Office and Saturday Matinees” deals with the largely ignored topic of children spectators. Taking up the postcolonial critique of ethnography, deCordova claims that current...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1991) 9 (3 (27)): 179–187.
Published: 01 September 1991
... Response to Questionnaire on “The Female Spectator.” No. 20-21; pp, 137-141. decordova, Richard Ethnography and Exhibition: The Child Audience, the Hays Office and Saturday Matinees. No. 23; pp. 91-107. DiPiero, Thomas The Patriarch is Not (Just) a Man. No. 25-26; pp. 101-124...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1990) 8 (1 (22)): 28–49.
Published: 01 January 1990
... support for government regulation of blockbooking is discussed in a typewritten memo initialed by Will Hays, 26 Sept. 1934, and Louis Nizer letter to Dr. Stephen S. Wise, 23 April 1934, Hays Collection, Indiana State Library, Indianapolis. On the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 65–89.
Published: 01 September 2011
... Laurie Ouellette, “Nanny TV,” 2005, FlowTV, flowtv . o r g / 2 0 0 5 / 0 3 / n a n n y - ­­t v ; James Hay, “Overhaulin’ TV and Government (Thoughts on the Political Campaign to Pimp Your Ride,” 2005, FlowTV, fl o w t v . o r g / 2 0 0 5 / 0 2 / o v e r h a u l i - n ­­t v 86...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2013) 28 (3 (84)): 33–65.
Published: 01 December 2013
... reform groups engaged in a wide-­ranging debate about not just what was shown on film but what functions film should have in society, a debate enacted at the national and local levels. Through Will Hays, spokesperson for the Motion Picture Producers and Dis- tributors of America, the film industry...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2013) 28 (1 (82)): 69–101.
Published: 01 May 2013
...: in a climactic scene from Vietnamese American director Tony Bui’s Three Seasons (Viet Nam/US, 1999), Hai (Duong Don), a Vietnamese cyclo driver and the film’s pro- tagonist, arrives at a seemingly deserted boulevard with his pas- senger, Lan (Zoe Bui), a young woman in a red blindfold and a...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2015) 30 (1 (88)): 101–127.
Published: 01 May 2015
... public intervention Foucault describes and a major function of reality TV. Through makeovers, lifestyle pedagogies, and what Laurie Ouellette and James Hay call “life interventions,” reality TV can in many ways be defined as a mode of public inter- vention that aims at private transformation.23...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1999) 14 (3 (42)): 50–69.
Published: 01 September 1999
... [pronounced "Hay-tee• ins"] need to corne to America. But some people are all, "What about the strain on our resources?" Well, it's like when I had this garden party for my father's birthday. I put R.S.VP. 'cause it was a sit-down dinner. But some people carne that, like...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2000) 15 (1 (43)): 95–121.
Published: 01 May 2000
... offers solutions for dealing with postwar racial tensions.2 Made during the Hays Code’s ban on the representation of misce- genation, Pinky confronts the issue of interracial relations more overtly than many other films of its time by focusing its narrative...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2014) 29 (2 (86)): 35–57.
Published: 01 September 2014
... television. © 2014 by Camera Obscura 2014 Figure 1. Haizao (Li Nian) and her older sister Haiping (Hai Qing) talk about Haizao’s future in the big city in the small room that Haiping rents. Dwelling Narrowness (Wo ju, syndicated [China], 2009) Slaves of the House and Victims of Love: New...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1988) 6 (3 (18)): 106–119.
Published: 01 September 1988
... 1979), pp.39-57. 3. Twoof the most significantresearch projects in this area have been written by Richard deCordova (on the rise of the star system) and LeaJacobs (on the influence of the Hays Office and censorship strategies on the production of new film genres). See deCordova, The...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2004) 19 (1 (55)): 43–75.
Published: 01 May 2004
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2011) 26 (2 (77)): 33–63.
Published: 01 September 2011
... sexuality that the film lost because of concessions made to the Hays Code. That most iconic image of Monroe in fact does not appear in full in the film, having been deemed too suggestive, although it was used in the film’s poster and other publicity mate- rials. Instead, Wilder had to cut the Girl...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2004) 19 (3 (57)): 125–155.
Published: 01 December 2004