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hartman

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Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 109–149.
Published: 01 September 2013
...Erin Lee Mock Mary Hartman, Mary Hartman (syndicated, 1976 – 77) rightly remains a touchstone for television scholars whose work emphasizes genre, gender, and sexuality, and its creator, Norman Lear, is a critical figure to discussions of the television industry in the 1970s. I argue that the...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2013) 28 (3 (84)): 169–170.
Published: 01 December 2013
... Hartman, Mary Hartman and the 1970s Viewer. No. 83: pp. 109 – 51 Mimi Thi Nguyen Diasporic Erotic: Love, Loss, and the Copy. No. 82: pp. 69 – 101 John G. Nichols Cinemactivism: Film Reform, Spectatorship, and the Cleveland Cinema Club. No. 84: pp. 33 – 65 Julianne Pidduck The Times...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 1999) 14 (3 (42)): 96–123.
Published: 01 September 1999
... retooled inside as well as out, with rebuilt, har• dened bodies to encase their radically reconfigured subjectivities, these newly minted "indestructible men" will leave Parris Island, then, not as individual, militarized automatons. Instead, as their drill instructor Gunnery Sergeant Hartman (Lee...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2014) 29 (2 (86)): 149–183.
Published: 01 September 2014
... with that system in the ostensibly empowering finale. For Saidiya V. Hartman and Farah Jasmine Griffin, Ester “is both ven- triloquist and dummy” and “is cast away, like the utterly depleted body of the whore,” such that Mignon’s “mulatta visibility depends on the erasure or marginalization of...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 September 2013) 28 (2 (83)): 177–189.
Published: 01 September 2013
... Hilton Als’s book The Women and with the work of scholars like Saidiya Hartman who are try- ing to come up with different ways of narrating the past.4 I also think that your art is an incredible spur for us as historians and critics to do the work of finding these subjects and bringing those...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2000) 15 (1 (43)): 45–93.
Published: 01 May 2000
... Bob Newhart Show (1972–78), and others. Tandem/TAT, headed by Norman Lear, produced All in the Family (1971–79), Good Times (1974–79), The Jeffersons (1975–85), Maude (1972–78), Sanford and Son (1972–77), and Mary Hartman, Mary Hartman (1976–77), among...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 1994) 11-12 (3-1 (33-34)): 166–191.
Published: 01 May 1994
..., can a series designed to run weekly “become” a soap when it is retelecast as a daily off-net- work strip? In most cases, of course, the answer is a straightforward “no.” No one would confuse a sitcom, or even a soap parody like Soap and Mary Hartman, Mary...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2008) 23 (3 (69)): 35–79.
Published: 01 December 2008
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2009) 24 (3 (72)): 73–109.
Published: 01 December 2009
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1988) 6 (1 (16)): 203–225.
Published: 01 January 1988
... the couple's first child, Tabitha, was born; she also had supernatural powers. A short-lived series based on the character of Tabitha, starring Lisa Hartman, aired on CBS in the late 1970s. UCLA: 5 episodes; 1966; some with commercials. MOB: 3 episodes; 1964 (premiere...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 May 2003) 18 (1 (52)): 35–83.
Published: 01 May 2003
... things put on their true—surrealistic— face.”16 For Benjamin, the true face of things is not a self-evident truth that can be simply apprehended and preserved. Geoffrey Hartman sums it up thus: “[For Benjamin,] naked truth is on the side of excessive hope and can only be attained by not being...
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 December 2001) 15 (3 (45)): 71–113.
Published: 01 December 2001
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies (1 January 1988) 6 (1 (16)): 78–116.
Published: 01 January 1988