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hartman

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Journal Article
Camera Obscura (2013) 28 (2 (83)): 109–149.
Published: 01 September 2013
...Erin Lee Mock Mary Hartman, Mary Hartman (syndicated, 1976 – 77) rightly remains a touchstone for television scholars whose work emphasizes genre, gender, and sexuality, and its creator, Norman Lear, is a critical figure to discussions of the television industry in the 1970s. I argue...
Journal Article
Camera Obscura (1999) 14 (3 (42)): 96–123.
Published: 01 September 1999
... and retooled inside as well as out, with rebuilt, har• dened bodies to encase their radically reconfigured subjectivities, these newly minted "indestructible men" will leave Parris Island, then, not as individual, militarized automatons. Instead, as their drill instructor Gunnery Sergeant Hartman (Lee...
Journal Article
Camera Obscura (2013) 28 (3 (84)): 169–170.
Published: 01 December 2013
... Hartman, Mary Hartman and the 1970s Viewer. No. 83: pp. 109 – 51 Mimi Thi Nguyen Diasporic Erotic: Love, Loss, and the Copy. No. 82: pp. 69 – 101 John G. Nichols Cinemactivism: Film Reform, Spectatorship, and the Cleveland Cinema Club. No. 84: pp. 33 – 65 Julianne Pidduck The Times...
Journal Article
Camera Obscura (2020) 35 (2 (104)): 37–61.
Published: 01 September 2020
... and renewed theories of blackness as fugitive and dissembling (as in the work of Fred Moten, Saidiya Hartman, Édouard Glissant, and Sylvia Wynter) that resonate pow- erfully with and are reflected freshly by mainstream cinematic fare created by a new generation of black filmmakers.5 The films of directors...
Journal Article
Camera Obscura (2014) 29 (2 (86)): 149–183.
Published: 01 September 2014
.... For Saidiya V. Hartman and Farah Jasmine Griffin, Ester “is both ven- triloquist and dummy” and “is cast away, like the utterly depleted body of the whore,” such that Mignon’s “mulatta visibility depends on the erasure or marginalization of black women.”7 Even as they acknowledge Dash’s strides...
Journal Article
Camera Obscura (2000) 15 (1 (43)): 45–93.
Published: 01 May 2000
...), The Bob Newhart Show (1972–78), and others. Tandem/TAT, headed by Norman Lear, produced All in the Family (1971–79), Good Times (1974–79), The Jeffersons (1975–85), Maude (1972–78), Sanford and Son (1972–77), and Mary Hartman, Mary Hartman (1976–77), among...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 99–125.
Published: 01 September 2021
... Geoffrey Hartman's analysis of Schindler's List , in which he warns about the “bigger story” the movie projects at the expense of another story, that of gender. “ Schindler's List leads us to accept ideologies that objectify the female Other,” claims Hartman. 10 Moreover, the film not only fails...
FIGURES
Journal Article
Camera Obscura (2020) 35 (1 (103)): 109–137.
Published: 01 May 2020
... as commodities to perform what Saidiya Hartman calls economies of pleasure and terror. 9 Dead Muslims social death writ large have been very good to Hollywood. This new visual trend in which white women bury Muslims in democracy s graveyard reveals that while ethical indifference has always been the engine...
Journal Article
Camera Obscura (2013) 28 (2 (83)): 177–189.
Published: 01 September 2013
... that time. It’s a facsimile and we knew it would only work if it could “pass.” Photography, the Archive, and the Question of Feminist Form  • 185 For me, what you’ve said has resonances with Hilton Als’s book The Women and with the work of scholars like Saidiya Hartman who are try- ing...
Journal Article
Camera Obscura (2022) 37 (3 (111)): 1–29.
Published: 01 December 2022
... material with serious consequences that can amount to truthful narratives of the past. 8 This is an opportunity that an artistic imagination, feminist speculation, and queer interpretations of the archive offer us, as Saidiya Hartman's “critical fabulation”—her methodological and historical intervention...
FIGURES | View All (5)
Journal Article
Camera Obscura (1994) 11-12 (3-1 (33-34)): 166–191.
Published: 01 May 1994
...? In most cases, of course, the answer is a straightforward “no.” No one would confuse a sitcom, or even a soap parody like Soap and Mary Hartman, Mary Hartman with a soap opera, no matter how often it aired. Nor would many people be tempted to identify as soaps...
Journal Article
Camera Obscura (2009) 24 (3 (72)): 73–109.
Published: 01 December 2009
... Agamben, Homo Sacer; Giorgio Agamben, State of Exception, trans. Kevin Attell (Chicago: University of Chicago Press, 2005); Saidiya V. Hartman, Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America (New York: Oxford University Press, 1997...
Journal Article
Camera Obscura (2008) 23 (3 (69)): 35–79.
Published: 01 December 2008
... historic critique. As Saidiya Hartman poignantly points out, “Before Sigmund Freud detailed the sym- bolic affinities between gold and excrement, African royals were stockpiling their gold in privies and selling slaves for chamber pots. (And European traders were transforming humans into waste...
Journal Article
Camera Obscura (2003) 18 (1 (52)): 35–83.
Published: 01 May 2003
... be simply apprehended and preserved. Geoffrey Hartman sums it up thus: “[For Benjamin,] naked truth is on the side of excessive hope and can only be attained by not being attained.”17 Truth, for Benjamin, as for Akerman, is always elusive, partly hallucinatory, and utterly surreal. Akerman...
Journal Article
Camera Obscura (1988) 6 (1 (16)): 203–225.
Published: 01 January 1988
...; she also had supernatural powers. A short-lived series based on the character of Tabitha, starring Lisa Hartman, aired on CBS in the late 1970s. UCLA: 5 episodes; 1966; some with commercials. MOB: 3 episodes; 1964 (premiere)-1972. Big Valley, The. ABC; 1965-1969...
Journal Article
Camera Obscura (2021) 36 (2 (107)): 1–31.
Published: 01 September 2021
.... Hartman, Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America (New York: Oxford University Press, 1997), 130–34. 15. Amaryah Shaye, “Blackness and Value; Part 2: On Whiteness as Credit,” Women in Theology (blog), 11 February 2015, womenintheology.org/2015/02/11...
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Journal Article
Camera Obscura (2001) 15 (3 (45)): 71–113.
Published: 01 December 2001
... formed under slavery, see Saidiya 03-Slane.sh 70-113=44pg 4/18/01 4:00 PM Page 110 110 • Camera Obscura Hartman, Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America (New York: Oxford University Press...
Journal Article
Camera Obscura (1988) 6 (1 (16)): 78–116.
Published: 01 January 1988
.... John Mollenkopf, The Contested City (Princeton: Princeton University Press, 1983), p. 111. 20. Michael Stone, "Housing the Economic Crisis," in America's Housing Crisis: What Is to be Done?, ed. Chester Hartman, (London and New York: Routledge and Kegan Paul...